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“The anti-developmental, the anti-narrative, the anti-historical”: Mondrian as a paradigmatic artist for empirical aesthetics

Published online by Cambridge University Press:  18 March 2013

Chris McManus
Chris McManus*
Affiliation:
Research Department of Clinical, Educational and Health Psychology, University College London, London WC1E 6BT, United Kingdom.i.mcmanus@ucl.ac.ukhttp://www.ucl.ac.uk/medical-education/
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Abstract

In addition to general criticisms of scientific studies on empirical aesthetics, Bullot & Reber (B&R) particularly criticise two “representative studies” that manipulated paintings by Mondrian, those studies seemingly, “fail[ing] to consider the predictions suggested by a contextualist approach to the appreciation of imbalance” (sect. 4.2, para.2). Those criticisms are unjustified, both within the approaches of empirical aesthetics and the historical context and aims of Mondrian's work.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 36 , Issue 2 , April 2013 , pp. 152 - 153
Copyright
Copyright © Cambridge University Press 2013 

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