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James Yékú, Cultural Netizenship: Social Media, Popular Culture, and Performance in Nigeria. Indiana University Press, 2022, 292 pp.

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James Yékú, Cultural Netizenship: Social Media, Popular Culture, and Performance in Nigeria. Indiana University Press, 2022, 292 pp.

Published online by Cambridge University Press:  03 May 2024

Ama B. Adwetewa-Badu Open the ORCID record for Ama B. Adwetewa-Badu [Opens in a new window]
Ama B. Adwetewa-Badu*
Affiliation:
Department of English, Washington University in St. Louis, St. Louis, MO, USA amabemma@wustl.edu
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Book Review
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Cambridge Journal of Postcolonial Literary Inquiry , First View , pp. 1 - 3
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Copyright
© The Author(s), 2024. Published by Cambridge University Press

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References

1 Adenekan, Shola, African Literature in the Digital Age: Class and Sexual Politics in New Writing from Nigeria and Kenya (Rochester, NY: Boydell & Brewer, 2021)Google Scholar.

2 Santana, Stephanie Bosch, “From Nation to Network: Blog and Facebook Fiction from Southern Africa,” Research in African Literatures 49, no. 1 (2018): 187–208 CrossRefGoogle Scholar.

3 Nesbitt-Ahmed, Zahrah, “Reclaiming African Literature in the Digital Age: An Exploration of Online Literary Platforms,” Critical African Studies 9, no. 3 (2017): 377–90CrossRefGoogle Scholar (https://doi.org/10.1080/21681392.2017.1371618).

4 Opoku-Agyemang, Kwabena, “Digital Cities and Villages: African Writers and a Sense of Place in Short Online Fiction,” Journal of African Media Studies 15, no. Shifting African Narratives, Intellect (2023): 217–29CrossRefGoogle Scholar (https://doi.org/10.1386/jams_00101_1), and Adenekan, Shola and Cousins, Helen, “Class Online: Digital Representations of African Middle-Class Identity,” Postcolonial Text 9, no. 3 (2014): 3 Google Scholar, www.postcolonial.org (https://www.postcolonial.org/index.php/pct/article/view/1779).