¹ See especially Jones, Anne Goodwyn, Tomorrow is Another Day: The Woman Writer in the South 1859–1936, Ch. 1Google Scholar; Gwin, Minrose C., Black and White Women of the Old South: The Peculiar Sisterhood in American Literature, Chs. 1 and 2Google Scholar; Fox-Genovese, Elizabeth, Within the Plantation Household, Chs. 1, 2, 4 and 5Google Scholar; Westling, Louise, Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor, Ch. 1Google Scholar, and Seidel, Kathryn Lee, The Southern Belle in the American Novel, Ch. 1.Google Scholar

² Cash, W. J., The Mind of the South (New York: Knopf, 1941), 86.Google Scholar

³ Fox-Genovese, Elizabeth, Within the Plantation Household: Black and White Women of the Old South (Chapel Hill: University of North Carolina Press, 1988), 202.Google Scholar

⁴ Gwin, Minrose C., The Peculiar Sisterhood: Black and White Women of the Old South (Knoxville: University of Tennessee Press, 1985), 4–5.Google Scholar

⁵ Page, Thomas Nelson, The Old South (New York: Charles Scribner's Sons, 1892), 155.Google Scholar

⁶ See Kolodny, Annette, The Lay of the Land (Chapel Hill: 1982)Google Scholar, on the historical connection of the Southern land with the female body.

⁷ Jones, Anne Goodwyn, Tomorrow is Another Day: The Woman Writer in the South, 1859–1936 (Baton Rouge: Louisiana State University Press, 1981), 26.Google Scholar

⁸ Stallybrass, Peter and White, Allon, The Politics and Poetics of Transgression (London: Methuen, 1986), 21–22.Google Scholar

⁹ Faulkner, William, Essays, Speeches and Public Letters, ed. Meriwether, James B. (New York: Random House, 1973), 15.Google Scholar

¹⁰ Faulkner, William, Uncollected Stories, ed. Blotner, Joseph (New York: Random House, 1988), 567.Google Scholar

¹¹ See also Young, Stark, So Red the Rose (New York: 1934)Google Scholar; Mitchell, Margaret, Gone With the Wind (New York, 1936)Google Scholar; Gordon, Caroline, None Shall Look Back (New York: 1937)Google Scholar; and Tate, Allen, The Fathers (New York: 1938)Google Scholar – all novels which engage the Civil War past as both an object lesson and rebuke to the present.

¹² Faulkner, William, The Unvanquished (New York: Random House, 1938), 120.Google Scholar Further references appear in the text.

¹³ Andrews, Matthew Page, ed. Women of the South in War Times (Baltimore: 1923), 205–06.Google ScholarLeConte, Emma, When the World Ended: The Diary of Emma LeConte, ed. Miers, E. S. (New York: 1957), 52.Google Scholar

¹⁴ See Rackin, Phyllis, “Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage”, PMLA, 102.1 (01 1987), 29–41Google Scholar, and Howard, Jean E., “Crossdressing, the Theatre, and Gender Struggle in Early Modern England,” Shakespeare Quarterly (09 1988), 418–40Google Scholar, for intriguing suggestions about cross-dressing heroines. Of course, on the Renaissance stage, the “heroines” were really boys, increasing the gender confusion.

¹⁵ Howard, , “Crossdressing, the Theatre, and Gender Struggle in Early Modern England,” 422.Google Scholar Later reference appears in the text.

¹⁶ For the usual antifeminist line on Drusilla, see Levins, Lynn, Faulkner's Heroic Design in the Yoknapatawpha Novels (Athens, Georgia: 1976), 120.Google ScholarBrooks, Cleanth, William Faulkner: Toward Yoknapatawpha and Beyond (New Haven: 1978), 335.Google Scholar

¹⁷ Faulkner, William, Flags in the Dust, ed. Day, Douglas (New York: Random House, 1973). 46.Google Scholar