Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-06-11T16:12:38.981Z Has data issue: false hasContentIssue false

Elections as Theater

Published online by Cambridge University Press:  26 January 2016

Mark Chou
Affiliation:
Australian Catholic University
Roland Bleiker
Affiliation:
University of Queensland
Nilanjana Premaratna
Affiliation:
University of Queensland

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Features Symposium: The Art of Elections
Copyright
Copyright © American Political Science Association 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Badiou, Alain. 2013. Rhapsody for the Theatre. London: Verso.Google Scholar
Becker, Carol. 1995. “The Artist as Public Intellectual.” Review of Education, Pedagogy, and Cultural Studies 17 (4): 385395.CrossRefGoogle Scholar
Bleiker, Roland. 2009. Aesthetics and World Politics. Basingstoke: Palgrave Macmillan.CrossRefGoogle Scholar
Bottoms, Stephen. 2015. “Editorial: Electoral Theatre.” Contemporary Theatre Review 25 (2): 161165.CrossRefGoogle Scholar
Chou, Mark. 2012. Greek Tragedy and Contemporary Democracy. New York: Bloomsbury.Google Scholar
Coleman, Stephen. 2015. “Elections as Storytelling Contests.” Contemporary Theatre Review 25 (2): 166176.CrossRefGoogle Scholar
Davies, Philip John. 1986. “The Drama of the Campaign: Theatre, Production and Style in American Elections.” Parliamentary Affairs 39 (1): 98114.Google Scholar
De Tocqueville, Alexis. 2000. Democracy in America. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Dolan, Jill. 2001. “Rehearsing Democracy: Advocacy, Public Intellectuals, and Civic Engagement in Theatre and Performance Studies.Theatre Topics 11 (1): 117.CrossRefGoogle Scholar
Gabler, Neil. 1998. Life: The Movie – How Entertainment Reality Conquered Reality. New York: Vintage.Google Scholar
Ghosh, Arjun. 2005. “Theatre for the Ballot: Campaigning with Street Theatre in India.” The Drama Review 49 (4): 171182.CrossRefGoogle Scholar
Graham, James. 2015. “No matter who wins, it’s the voting system that’s the big loser.” London Evening Standard May 7.Google Scholar
Higgins, Charlotte. 2015. “Theatre: the nation’s debating chamber.” The Guardian March 6.Google Scholar
Kellner, Douglas. 2009. “Barack Obama and Celebrity Spectacle.” International Journal of Communication 3: 715741.Google Scholar
Love, Nancy and Mattern, Mark. 2013. “Introduction: Art, Culture, Democracy.” In Doing Democracy: Activist Art and Cultural Politics. eds. Love, Nancy and Mattern, Mark. Albany: SUNY Press.CrossRefGoogle Scholar
Nimmo, Dan. 1985. “Elections as Ritual Drama.” Society 22 (4): 3138.CrossRefGoogle Scholar
Parry, Katy and Richardson, Kay 2011. “Political Imagery in the British General Election of 2010: The Curious Case of Nick Clegg.” The British Journal of Politics and International Relations 13 (4): 474489.CrossRefGoogle Scholar
Rai, M. Shirin. 2010. “Analysing Ceremony and Ritual in Parliament.” The Journal of Legislative Studies 16 (3): 248297.Google Scholar
Rai, M. Shirin. 2014. “Political Performance: A Framework for Analysing Democratic Politics.” Political Studies (Early View).CrossRefGoogle Scholar
Van Ervan, Eugene. 1987. “Philippine Political Theatre and the Fall of Ferdinand Marcos.” 31 (2): 5778.CrossRefGoogle Scholar
Woodruff, Paul. 2008. The Necessity of Theater: The Art of Watching and Being Watched. Oxford: Oxford University Press.CrossRefGoogle Scholar