This book is about the presence of music in novels. More specifically, it is about music in the early modern novel, with an emphasis on seventeenth-century musical prose from The Netherlands. The essay provides a concise and an accessible introduction into the subject and presents an overview of this compelling and fascinating new research area.

In recent years the interest in this subject has substantially increased both among literary critics - who coined a special term for the phenomenon and speak of ‘music novels’ - and academics, who started doing systematic and in-depth musico-literary research. Initially, the research was focused mainly on the influence of music in novels from the period around 1900, the works by modernist writers like Thomas Mann, James Joyce and Virginia Woolf. Later, the novelistic oeuvre of twentieth- and twenty-first-century ‘musical’ authors like Milan Kundera, Simon Vestdijk and Toni Morrison became subject of study. It is remarkable that up until now the presence of musical elements in prose works from earlier centuries received almost no attention from academic researchers. This essay wants to contribute to filling this lacuna, and offers the reader an impression and overview of this intriguing interdisciplinary field.