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Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
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Electronic dance music is increasingly the focus of a multitude of academic research projects around the world but has been drastically under-represented in accessible core published material. This innovative scholarly collection provides an important 'first stop' for researchers and students wishing to work in this area. It examines the key features of numerous electronic dance music scenes and (sub)genres alongside discussions of the musical, social and aesthetic experiences of participants to consider how these musical practices create purpose and cultural significance for millions around the world. At the same time, it introduces diverse theoretical approaches to the understanding of electronic dance music cultures and addresses the issues and debates in electronic dance music culture studies. Adopting an interdisciplinary approach drawn from both music and cultural studies – including music aesthetics, technologies, venues, and performativity – from a broad geographical perspective, the volume sheds fresh light on electronic dance music cultures.
A groundbreaking critical introduction to folk music and song focused on questions of identity, community, representation, politics, and popular culture. Written by a distinguished international team of authors, this Companion is an indispensable resource for rethinking the confluence of sound, heritage, and identity in the twenty-first century. A unique addition to the literature, it highlights the fundamentally hybrid and (post)colonial dynamics that have shaped people's cultures around the globe, from the Appalachian mountains to the Indian subcontinent. It provides students with new critical paradigms essential for understanding how and why certain musical traditions have been characterised as 'folk'-and what continues to inspire folkloric imaginaries today. The twenty specially commissioned chapters explore folk music from a variety of perspectives including ethnography, revivalism, migration, race, class, gender, protest, and the public sphere. Among these chapters are four 'Artist Voices' by world-renowned performers Peggy Seeger, Angeline Morrison, Jon Boden, and Yale Strom.
For over a hundred years scholars have written about late medieval kingship, and a vast body of published work now exists on the subject. However, in all this rich coverage, no accessible introduction to the subject exists. The Cambridge Companion to Late Medieval Kingship addresses this need by bringing together, within a single volume, a series of themed chapters which consider key aspects of the workings of the English monarchy between 1200 and 1500. Featuring leading experts in the field, each chapter provides a concise and accessible guide, offering insights, synthesis and explanation to help readers understand not only how kings ruled, but also what made their rule more – or less – effective. By adopting a holistic approach to kingship, the contributors also consider how kingship impacted on the king's subjects, thereby illuminating the complex interplay of cooperation and conflict that shaped both the monarchy and the wider polity in late medieval England.
This groundbreaking Companion explores how Counter-Reformation sanctity reshaped religious identities, sacred traditions, and devotional practices that transformed Catholicism into the first global religion. Offering a fresh perspective on early modern Catholicism, it moves beyond traditional debates about Reformation and Reform and presents sanctity as the defining lens through which to view the period's transformative changes. By examining the lives, representations, and global impact of saints, the Companion demonstrates how sanctity countered the Protestant challenge and also transformed the very fabric of Catholicism between 1500 and 1750. Organized into four thematic sections – models of sanctity, the creation and contestation of sanctity, the representation of saints, and everyday interactions with saints – the volume also provides insight into the role of holiness during this pivotal period in Church history. Connecting history, theology, art history, and material culture, this interdisciplinary Companion serves as an indispensable resource for scholars and students seeking a comprehensive understanding of early modern Catholicism's influence on European and global history.
Matthew Paris is one of the most remarkable and renowned figures in the cultural history of medieval England. A career-monk at the influential Benedictine abbey of St Albans, Paris' creative work bears witness to the rich intellectual, artistic, social and political environment of the monasteries and their lasting impact on the wider world. His compelling accounts of recent history and the lives of legendary saints and churchmen are a distinctive and valuable guide to the emergence of the English kingdom and its place in European Christendom. His accomplished and vivid artwork brings into focus both the craft skill and visual sensibility stimulated by the medieval Church. This systematic survey, the first published for almost seventy years, brings together expert scholarship and offers fresh, interdisciplinary perspectives on Paris', his life's work as writer, artist, cartographer and maker of manuscript books, and its enduring legacy.
The twenty-first century has witnessed a surge of scholarly interest in the French art song, or mélodie, with a flood of new books, articles, and editions. This Companion draws on the best of this new research, with chapters by world-renowned scholars and performers examining French art song through the practicality of performance, both pianistic and vocal. The book surveys the repertory chronologically from the 1820s into the 1950s, covering all the central composers (Berlioz, Gounod, Fauré, Debussy, Duparc, Chausson, Ravel, Poulenc, Messiaen, and many more). It includes chapters on the role of women in the creation, performance, and diffusion of French song; the analysis of French prosody and poetic forms; the position of the mélodie in French literary history; and the interpretation of mélodie in performance. Scholars, students, performers, and music lovers will find thorough and up-to-date resources to enable them to explore this crucial yet understudied song repertory.
The Nazi-Soviet War was the largest and most brutal theatre of the Second World War, fought between two of the most ruthless states ever to exist. Bringing together twenty-four of the most accomplished authors in both German and Soviet history, this Cambridge Companion provides the most authoritative, and yet highly accessible, guide to the conflict. Each chapter examines a key aspect of the war from war planning, the opposing forces and the campaigns to criminality and occupation, alliances, the home fronts and postwar legacies and myth-making. The authors demonstrate that the Nazi-Soviet war was both a conventional clash of arms in which millions of soldiers fought in titanic battles, but also a non-conventional war in which soldiers and security forces murdered countless non-combatants. It was a war of resources, industry, mobilisation, administration, and popular support, with implications that still drive European security debates today.
The volume outlines modern British literature's relation to global empire from the 16th century to the present. Spanning the interactions between Britain, Europe, and the world outside, in Asia, Africa, Australasia, North America, and the Caribbean, it suggests the centrality of colonial-capitalist empire and global exchanges in the development of major genres of literary fiction, poetry, drama, and non-fiction. Illuminating the vital role of categories such as race, class, gender, religion, commerce, war, slavery, resistance, and decolonization, the twenty-one chapters of the book chart major aspects of British literature and empire. In rigorous yet accessible prose, an international team of experts provides an updated account of earlier and latest scholarship. Suitable for a general readership and academics in the field, the Companion will aid readers in familiarizing with Britain's imperial past and its continuing relevance for the present.
The idea that God became incarnate as a human is a doctrine at the core of historic Christianity. Defined by the Great Councils and Creeds of the Christian church, the study of this doctrine, christology, has been a focus of inquiry for two millennia. This Companion reflects the most recent paths of inquiry for our understanding of christology. Covering Biblical and other sources, it explores the reception of christology over the course of Christianity's history, from the early patristic ages to postmodernity, as well Jewish and Islamic treatments of the christological claims. The volume also considers the recent contributions of systematic theology, metaphysics, and political theology to the study of christology. It demonstrates how the conceptual substance of christological doctrine interacts with a range of areas on the intellectual landscape. Designed for use by students and experts, The Cambridge Companion to Christology also points to the new and dynamic directions in scholarship on this topic.
Throughout the long history of Christianity, Christians have celebrated their faith in a myriad of ways. This Companion offers new insights into the theological depths of the liturgical mysteries that are the essence of Christian worship services, rituals, and sacraments. It investigates how these mysteries order time and space, and how they permeate the life of the Churches. The volume explores how Christian liturgy, as a corporeal and communal set of activities, has had a profound impact on spiritualities, preaching, pastoral engagement, and ecumenical relations, as well as encounters with religious others. Written by an international team of scholars, it also explores the intrinsic connections between liturgy and the arts, and why liturgy matters theologically. Ultimately, The Cambridge Companion to Christian Liturgy demonstrates the inextricable link between theology and liturgy and provides incentives for critical and constructive reflections about the relevance of liturgy in today's world.
This chapter explores how the ancient literary and philosophical dialogue form maintained its relevance as a tool of cultural and religious identity formation and competition. It addresses the ongoing scholarly discussion regarding the scope for dialogue in the face of rising authoritarianism and dogmatism in late antiquity.
Heresiological catalogues are one of the most distinctive forms of literature concerning heresy and have also traditionally been one of the most difficult to interpret. This chapter traces the development of this form of writing, focusing on the most productive period in late antiquity, and explores how much such works were intended to be employed in active ‘heresy-hunting’ and what other purposes they might have had, including increasing the authority and status of their authors.
Numerous Christian authors from the seventh century to the twenty-first have classified Islam as a Christian heresy. Writers from John of Damascus in the seventh century to Hilaire Belloc in the twentieth have seen Muhammad as a heresiarch who forged a heresy based on elements of Judaism, Christianity and Paganism. Comparison between Muhammad and earlier heresiarchs (such as Arius or Nestorius) allowed Christian authors to denigrate and dismiss Islamic doctrine. Such comparison also facilitated the denunciation of new heretics closer to home: Luther and Calvin, for Catholic polemicists of the sixteenth century, or on the contrary the ‘papists’, for Protestant writers.
This chapter examines the concept of heresy through the growth of papal decretals, canon law and conciliar legislation during the High and Late Middle Ages (eleventh to fifteenth centuries). It explores the growth of medieval heresy during a period of burgeoning papal power and examines how popes both reacted to and constructed ideas of heresy and heretics.
This chapter examines the reciprocal accusations of heresy between the Byzantine East and Latin West: such accusations were only sporadically made during the first millennium but increased exponentially from the twelfth century onwards on the Byzantine side and, to a lesser extent, from the thirteenth century on the Latin side (where they were generally subsumed under the accusation of schism or ‘disobedience’). The notions of ‘heretic’ and ‘schismatic’, which ought to be distinct and precisely defined according to canon law, increasingly overlapped within the polemical discourse and were collectively applied to the opposite population, in a process of construction of religious otherness.
The documentation related to inquisitorial practice included trial transcripts, consultations, sentences, manuals and accounts. But while this documentation was a key ingredient in inquisition’s power, the relationship between these sources and our knowledge of medieval heresy is complex.
Unlike many other forms of ‘heresy’, Manichaeism is not a polemical construct but an independent and organised church within the Christian tradition originating in Mesopotamia and Iran in the third century CE. It had its own heresiology against other communities such as the western Catholic-Orthodox church, identifying key points of difference and deviance from the ‘faithful and true Christianity’ of Manichaean doctrine and practice.