Book contents
- Aboriginal Rock Art and the Telling of History
- Aboriginal Rock Art and the Telling of History
- Copyright page
- Dedication
- Contents
- Figures
- Foreword
- Acknowledgements
- Note on the Text
- Abbreviations
- Chapter 1 Rock Beats Paper
- Chapter 2 Change and Tradition in West Arnhem Land Rock Art
- Chapter 3 The Counter-Archive of First Nations Biography
- Chapter 4 Reading the Writing on the Wall
- Chapter 5 Touchstones for Memory, Bedrocks for History
- Chapter 6 Timelessness and Permanence
- Conclusions
- Afterword
- Glossary
- Bibliography
- Index
Chapter 6 - Timelessness and Permanence
Rock Art and Time
Published online by Cambridge University Press: 12 November 2024
- Aboriginal Rock Art and the Telling of History
- Aboriginal Rock Art and the Telling of History
- Copyright page
- Dedication
- Contents
- Figures
- Foreword
- Acknowledgements
- Note on the Text
- Abbreviations
- Chapter 1 Rock Beats Paper
- Chapter 2 Change and Tradition in West Arnhem Land Rock Art
- Chapter 3 The Counter-Archive of First Nations Biography
- Chapter 4 Reading the Writing on the Wall
- Chapter 5 Touchstones for Memory, Bedrocks for History
- Chapter 6 Timelessness and Permanence
- Conclusions
- Afterword
- Glossary
- Bibliography
- Index
Summary
Academic disciplines, and especially history and archaeology, presume that a particular kind and experience of time is normal and universal. Although deeply concerned with history, rock art confounds ‘settler-time’ and the temporalities assumed by academic disciplines. This chapter considers the ‘re-appearance’ of ever-present buffalos in west Arnhem art, as well as the ever-presence of seemingly ‘disappeared’ art to reveal how the knowledge on the rocks points to alternative ways of experiencing time.
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- Aboriginal Art and the Telling of History , pp. 126 - 149Publisher: Cambridge University PressPrint publication year: 2024