Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-23T07:38:24.270Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  10 February 2021

Get access

Summary

In his classic 1947 ethnography of New Caledonia, Do Kamo: Person and Myth in a Melanesian World, Maurice Leenhardt reports on a conversation between himself and an elderly indigenous philosopher regarding the impact of European civilization on the cosmocentric world of the Canaques. Leenhardt suggested that the Europeans had introduced the notion of ‘spirit’ to indigenous thought. His interlocutor did not agree and remarked that on the contrary, they have ‘always acted in accord with the spirit.’ What the Europeans brought to the Canaques was the notion of body (Csordas in Weiss & Haber, 1999, p. 143). Of course, the Canaques had already been bodies; they existed as bodily beings before and after their ‘discovery’ by Europeans. However, the character of this existence is what was altered by ‘discovery’, and it is that alteration that is at stake in the difference of opinion to which Leenhardt's text testifies.

When discussing Leenhardt 's observations, Thomas Csordas remarks that, for Leenhardt, the Canaque philosopher's remark is a startling pronouncement. It overturns a stereotypical presumption that the body is allied with nature, and that spirit belongs to the civilized. Quoting Leenhardt, Csordas interprets the philosopher's remark as follows:

[The body] had no existence of its own, nor specific name to distinguish it. It was only support. But henceforth the circumscription of the physical being is completed, making possible its objectification. The idea of a human body becomes explicit. The discovery leads forthwith to a discrimination between body and the mythic world. (Weiss & Haber, 1999, p. 143)

The Canaques became body through European intervention. It is only with the arrival of European civilization that ‘the human body becomes explicit’, which involved the objectification of the body. For Csordas, this implies that the very possibility of individuation, or the creation of the individual that we understand as the core of the ideological structure of Western culture, has as its condition of possibility a particular mode of inhabiting the world as a bodily being.

Type
Chapter
Information
Anatomy Live
Performance and the Operating Theatre
, pp. 11 - 22
Publisher: Amsterdam University Press
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×