Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-22T20:47:54.640Z Has data issue: false hasContentIssue false

Constructing the Fabel: Tony Kushner in Conversation with Tom Kuhn

Published online by Cambridge University Press:  09 April 2021

Get access

Summary

The first event of the Recycling Brecht symposium took place on June 25, 2016 (the day after the Brexit vote result was announced) at Oxford's North Wall Arts Centre, with multi-award-winning playwright Tony Kushner in conversation with Brecht scholar Tom Kuhn.

Kuhn: It's not every day that you get to introduce the greatest English-language playwright since … (maybe) Pinter! But Tony is a man whose works demand superlatives of us. His great 1994 play Angels in America is one of those truly exceptional works which is—perhaps a little bit like the Threepenny Opera—always playing somewhere in the world. In fact if you have a private jet at your disposal, you’re just in time to set off for the second half at the Thalia Theater in Hamburg.

For that play Tony won a Pulitzer Prize, two Tony Awards, and then in 2013 a National Arts Medal from Barack Obama. His plays are extraordinary in the breadth of their intellectual and formal ambition, and in their political and moral passion. I wanted to say he's created a whole new theatrical language for a generation, but I think actually there are so few people who can tread in his footsteps and develop what he's done—who have either the writerly skills or the chutzpah to bring Angels to America or a Homebody to Kabul.

He's also a great Brecht fan—which is why he's here. He's translated The Good Person of Szechwan and adapted that and Mother Courage—the latter was of course a triumph on Broadway in 2006 with Meryl Streep.

We’re here to talk about Brecht, and the importance of Brecht for your work and in your work, but I can't resist first asking you what you make of the most recent political developments in this sad country of ours.

Kushner: What do you mean? [laughter] I arrived in London on Thursday night and turned on the news at my hotel to see if any of the referendum results had started to come in. And they started to come in around ten, but by eleven my eyes were … and I fell fast asleep. And somebody, one of the Tories, had just announced that it was going to be a very good day for Remain, and so I fell asleep feeling good and then woke up to horror.

Type
Chapter
Information
The Brecht Yearbook / Das Brecht-Jahrbuch 42
Recycling Brecht
, pp. 203 - 215
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×