Dostoevsky's artistic imagination always moved along oppositions embodied in characters brought together in the most intense and varied dialogic relations. Thus, memory in The Brothers Karamazov sometimes assumes painful, subversive and destructive forms which cause suffering and ‘catastrophe’. This category of memories we may label negative memory. Such memories form a system of negative responses to the system of affirmative memory, integrated into the novel's encompassing context of cultural memory through various modes of mockery, denial, hatred or subversion of the values contained in the sacred memory. Thus, forgiveness, veneration, faith, remembrances of good deeds, being the keeper of one's brother, love of God and humanity meet their opposites and struggle with revenge, sacrilege, cynicism, mockery of good deeds, fatal abandonments, hatred of God and contempt for humanity. If the timely arousal of a sacred memory illustrates the action of providential Grace, then the unrelenting painful memories of evil acts describe a moral drama of divine Retribution. And if there is the good seed of the Word inscribed in the characters' memories and the novel's cultural context bringing joy and compassion into their lives, there is also the evil seed of various anti-Words which settles in the recesses of their minds and spreads misery and destruction throughout the novel's world.