Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-17T19:13:47.554Z Has data issue: false hasContentIssue false

11 - SF and the Weird

from Part II - Genres

Published online by Cambridge University Press:  21 July 2022

Stephen Shapiro
Affiliation:
University of Warwick
Mark Storey
Affiliation:
University of Warwick
Get access

Summary

This chapter examines the way two related genres, science fiction (SF) and the weird, deploy horror to critique the sources and expressions of “American horror” – namely, the dark side of American exceptionalism and the social and environmental consequences of its imperialist projects. The two genres share similar generic genealogies, but they diverge teleologically. SF is built on the assumptions of scientific rationalism and therefore follows an identifiable internal logic, relying on our implicit or explicit belief in the plausibility of the story. The weird, by contrast, is resolutely committed to the inexplicable. Both, however, use horror to disrupt our reliance on realist modes of representation that flatter our epistemological certainties. As such, both SF and the weird have been platforms for colonialist and nationalist imaginations, but both have also been potent vehicles for revealing, resisting, and repairing the brutalities of such imaginations.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Anker, Elizabeth. “The Liberalism of Horror.” Social Research: An International Quarterly 81, no. 4 (Winter 2014): 795819.CrossRefGoogle Scholar
“The Best of Both Worlds.” Star Trek: The Next Generation, Season 3, Episode 26. June 18, 1990. Written by Michael Piller. Directed by Cliff Bole.Google Scholar
Butler, Octavia E. “Bloodchild.” In Bloodchild and Other Stories. Seven Stories Press, 1995.Google Scholar
Butler, Octavia E. Lilith’s Brood. 1987–89. Grand Central Publishing, 2000.Google Scholar
Butler, Octavia E. “The Monophobic Response.” In Dark Matter: A Century of Speculative Fiction from the African Diaspora, ed. Thomas, Sheree R.. New York: Warner Books, 2000. 415–16.Google Scholar
Carroll, Jordan S., and Sperling, Alison. “Weird Temporalities: An Introduction.” Studies in the Fantastic 9 (Summer–Fall 2020): 117.Google Scholar
Clark, Timothy. “Ecological Grief and Anthropocene Horror.American Imago 77, no. 1 (Spring 2020): 6178.CrossRefGoogle Scholar
Claverie, Ezra. “Weird Interpellation.” New Formations: A Journal of Culture/Theory/Politics 84–85 (2015): 261–64.Google Scholar
Delany, Samuel R. “Samuel R. Delany Speaks.” Interviewed by Cecelia D’Anastasio. The Nation, August 24, 2015.Google Scholar
Dillon, Grace. Walking the Clouds: An Anthology of Indigenous Science Fiction. University of Arizona Press, 2012.Google Scholar
Dunning, Stefanie K.What Is the Future? Weirdness and Black Time in Sorry to Bother You.” Studies in the Fantastic 9 (Summer–Fall 2020): 4460.CrossRefGoogle Scholar
Haraway, Donna. Primate Visions: Gender, Race, and Nature in the World of Modern Science. New York: Routledge, 1989.Google Scholar
Hayles, Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.Google Scholar
Le Guin, Ursula K. “American SF and the Other.” Science Fiction Studies 2, no. 3 (1975): 208–10.Google Scholar
Miéville, China. “Afterweird.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar
Miller, John MacNeill. “Weird Beyond Description: Weird Fiction and the Suspicion of Scenery.” Victorian Studies 62, no. 2 (Winter 2020): 244–51.Google Scholar
Moorcock, Michael. “Foreweird.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar
Morton, Timothy. Hyberobjects: Philosophy and Ecology after the End of the World. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Roberts, Adam. Science Fiction: The New Critical Idiom. London: Routledge, 2005.Google Scholar
Sontag, Susan. “The Imagination of Disaster.” In Science Fiction: Stories and Contexts, ed. Masri, Heather. New York: Bedford, 2009. 1002–14.Google Scholar
Sperling, Alison. “Acknowledgment Is Not Enough.” Los Angeles Review of Books, March 4, 2017. https://lareviewofbooks.org/article/acknowledgment-not-enough-coming-terms-lovecrafts-horrors/.Google Scholar
Tompkins, David. “Weird Ecology: On the Southern Reach Trilogy.” Los Angeles Review of Books, September 30, 2014. https://lareviewofbooks.org/article/weird-ecology-southern-reach-trilogy/.Google Scholar
VanderMeer, Ann, and VanderMeer, Jeff. “Introduction.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×