Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
26 - Jack Spicer
Published online by Cambridge University Press: 05 November 2015
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Edited by
Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
- Type
- Chapter
- Information
- The Cambridge Companion to American Poets , pp. 355 - 365Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Blaser, Robin, “The Practice of Outside” and “My Vocabulary Did This to Me,” in The Fire: Collected Essays of Robin Blaser, ed. Nichols, Miriam (Berkeley: University of California Press, 2006).CrossRefGoogle Scholar
Chamberlain, Lori, “Ghostwriting the Text: Translation and the Poetics of Jack Spicer,” Contemporary Literature 26.4 (1985): 426–442.CrossRefGoogle Scholar
Clarkson, Ross, “Jack Spicer’s Ghosts and the Immemorial Community,” Mosaic 34.4 (2001): 199–211.Google Scholar
Conte, Joseph, Unending Design: The Forms of Postmodern Poetry (Ithaca: Cornell University Press, 1991).Google Scholar
Damon, Maria, The Dark End of the Street: Margins in American Vanguard Poetry (Minneapolis: University of Minnesota Press, 1993).Google Scholar
Davidson, Michael, “Incarnations of Jack Spicer: Heads of the Town up to the Aether,” Boundary 2 6.1 (Autumn, 1977): 103–134.CrossRefGoogle Scholar
Davidson, Michael, The San Francisco Renaissance: Poetics and Community at Mid-Century (New York: Cambridge University Press, 1991).Google Scholar
Ellingham, Lewis, and Killian, Kevin, Poet, Be Like God: Jack Spicer and the San Francisco Renaissance (Hanover: Wesleyan University Press, 1998).Google Scholar
Gizzi, Peter, “Afterword: Jack Spicer and the Practice of Reading,” The House that Jack Built: The Collected Lectures of Jack Spicer (Hanover: Wesleyan University Press, 1998).Google Scholar
Hatlen, Burton, “‘Crawling into Bed with Sorrow’: Jack Spicer’s After Lorca,” Ironwood 14.2 (1986): 118–135.Google Scholar
Katz, Daniel, American Modernism’s Expatriate Scene: The Labour of Translation (Edinburgh: Edinburgh University Press, 2007).Google Scholar
Katz, Daniel, The Poetry of Jack Spicer (Edinburgh: Edinburgh University Press, 2013).CrossRefGoogle Scholar
Keenaghan, Eric, “Jack Spicer’s Pricks and Cocksuckers: Translating Homosexuality into Visibility,” The Translator 4.2 (1998): 273–294.CrossRefGoogle Scholar
Lerner, Ben, “My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer” (book review), Critical Quarterly 51 .2 (2009): 89–95.CrossRefGoogle Scholar
Nealon, Christopher, The Matter of Capital: Poetry and Crisis in the American Century (Cambridge, MA: Harvard University Press, 2011).CrossRefGoogle Scholar
Nichols, Miriam, Radical Affections: Essays on the Poetics of Outside (Tuscaloosa: University of Alabama Press, 2010).Google Scholar
Rasula, Jed, “Spicer’s Orpheus and the Emancipation of Pronouns,” Boundary 2 6.1 (Autumn 1977): 51–102.CrossRefGoogle Scholar
Riley, Peter, “The Narratives of The Holy Grail,” Boundary 2 6.1 (1977): 163–190.CrossRefGoogle Scholar
Snediker, M. D., “Prodigal Son (Midway along the Pathway).” Criticism 51.3 (Summer 2009): 489–504.CrossRefGoogle Scholar
Snediker, M. D., Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (Minneapolis: University of Minnesota Press, 2009).Google Scholar
Sorrentino, Gilbert, “Jack Spicer,” Something Said, 2nd ed. (Chicago: Dalkey Archive, 2001).Google Scholar
Vanderborg, Susan, Paratextual Communities: American Avant-Garde Poetry Since 1950 (Carbondale: Southern Illinois University Press, 2001).Google Scholar
Vincent, John Emil, ed., After Spicer: Critical Essays (Hanover: Wesleyan University Press, 2011).Google Scholar
Vincent, John Emil, Queer Lyrics: Difficulty and Closure in American Poetry (New York: Palgrave, 2002).CrossRefGoogle Scholar