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256 - Musical Comedy

from Part XXVI - Shakespeare and the Performing Arts

Published online by Cambridge University Press:  17 August 2019

By
Tetsuo Kishi
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Astaire, FredThe Band WagonBerkeley, BusbyBerlin, IrvingBolt, RanjitBranagh, KennethDoran, GregoryEnglishby, PaulGershwin, GeorgeGershwin, IraHart, LorenzJonson, BenKern, JeromeLove’s Labour’s LostThe Merry Wives of WindsorMerry Wives – The MusicalOedipus RexPorter, ColeRobinson, BillRodgers, RichardRogers, GingerRoyal Shakespeare CompanyThacker, DavidThe Two Gentlemen of VeronaWoolfenden, Guy
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1827 - 1831
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Abbott, George, Hart, Lorenz, and Rodgers, Richard. The Boys from Syracuse. Unpublished typescript. Library of Congress, Washington, D.C.Google Scholar
Carlton, Bob. Return to the Forbidden Planet. New York: Samuel French, 1998.Google Scholar
Comden, Betty, and Green, Adolph. The Band Wagon. London: Lorrimer, 1986.Google Scholar
Doran, Gregory, Englishby, Paul, and Bolt, Ranjit. Merry Wives – The Musical. London: Oberon Books, 2006.Google Scholar
Driver, Donald, and Valenti, Michael. Oh, Brother! New York: Samuel French, 1982.Google Scholar
Fink, Bert. Liner notes to Shakespeare on Broadway. CD.Google Scholar
Hischak, Thomas. The Oxford Companion to the American Musical. New York: Oxford UP, 2008.Google Scholar
Rich, Frank. “‘Oh, Brother!,’ A Musical.” New York Times, 11 November 1981.Google Scholar
Richards, Stanley, ed. Great Rock Musicals. New York: Stein and Day, 1979. Contains scripts of Two Gentlemen of Verona and Your Own Thing.Google Scholar

Further reading

Buhler, Stephen M. “Musical Shakespeare: Attending to Ophelia, Juliet, and Desdemona.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007.Google Scholar
Dash, Irene G. Shakespeare and the American Musical. Bloomington: Indiana UP, 2010.Google Scholar
Richards, Stanley, ed. Ten Great Musicals of the American Theatre. Radnor: Chilton, 1973. Contains scripts of Kiss Me, Kate and West Side Story.Google Scholar
Teague, Frances. Shakespeare and the American Popular Stage. Cambridge: Cambridge University Press, 2006.Google Scholar

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