Adelman, Richard, ‘Ruskin & Gothic literature’, The Wordsworth Circle 48:3 (Summer 2017): 152–63.CrossRefGoogle Scholar

Bécquer, Adolfo, Gustavo, Leyendas (Madrid: Cátedra, 2002).Google Scholar

Aird, Catherine, ‘Dickens and railway spine neurosis’, The Dickensian 108:486 (Spring 2012): 25–8.Google Scholar

Reyes, Aldana, Xavier, Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (Basingstoke: Palgrave Macmillan, 2017).Google Scholar

Alexander, Michael, Medievalism: The Middle Ages in Modern England (New Haven and London: Yale University Press, 2007).Google Scholar

Alexander, William, Bishop of Derby, ‘Sensationalism’, in Maunder, Andrew (ed.), Sensationalism and the Sensation Debate: Varieties of Women’s Sensation Fiction 1855–1890, 6 vols (London: Pickering & Chatto, 2004), vol. 1, pp. 263–74.Google Scholar

Allen, Grant, The Evolutionist at Large (London: Chatto and Windus, 1881).Google Scholar

Allen, Grant, ‘My New Year’s Eve Among the Mummies’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 59–78.Google Scholar

Altick, Richard D., The English Common Reader: A Social History of the Mass Reading Public, 1800–1900 (Chicago: Chicago University Press, 1957).Google Scholar

Altick, Richard D., The Shows of London (Cambridge, MA and London: Harvard University Press, 1978).Google Scholar

Amigoni, David, Colonies, Cults and Evolution: Literature, Science and Culture in Nineteenth-Century Writing (Cambridge: Cambridge University Press, 2007).CrossRefGoogle Scholar

Andrew, Lucy, ‘“Away with dark shadders!”: juvenile detection versus juvenile crime in The Boy Detective; or, The Crimes of London. A Romance of Modern Times’, Clues 30:1 (April 2012): 18–29.Google Scholar

Andrews, Stuart, Robert Southey: History, Politics, Religion (New York: Palgrave Macmillan, 2011).CrossRefGoogle Scholar

Angenot, Marc, ‘Science fiction in France before Verne’, trans. by J. M. Gouanvic and D. Suvin, Science Fiction Studies 5:1 (March 1978): 58–66.Google Scholar

Anon., The Black Forest; or, The Cavern of Horrors (London: Lemoine and Roe, 1802).Google Scholar

Anon., The Bleeding Nun, of the Castle of Lindenberg; or, The History of Raymond & Agnes. By the author of the Castle Spectre (London: Hodgson & Co., [1823]).Google Scholar

Anon., Lord Ruthven o i vampiri di Lord Byron (Napoli: R. Marotta and Vaspandoch, 1826).Google Scholar

Anon., Il vampiro. Novella di Lord Byron tradotta dall’inglese (Udine: Fratelli Mattiuzzi, 1831).Google Scholar

Anon., Rocket 150: 150th Anniversary of the Liverpool and Manchester Railway 1830–1980: Official Handbook (London: British Rail, 1980).Google Scholar

Anon., ‘A Desperate Run’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 47–50.Google Scholar

Apel, Johann August and Laun, Friedrich, Gespensterbuch, 5 vols (Leipzig: Göschen, 1810–15).Google Scholar

Appel, Toby A., The Cuvier-Geoffroy Debate: French Biology in the Decades Before Darwin (Oxford: Oxford University Press, 1987).Google Scholar

Arata, Stephen, ‘Stevenson and Fin-de-Siècle Gothic’, in Fielding, Penny (ed.), The Edinburgh Companion to Robert Louis Stevenson (Edinburgh: Edinburgh University Press, 2010), pp. 53–69.Google Scholar

Arata, Stephen D., ‘The occidental tourist: Dracula and the anxiety of reverse colonialism’, Victorian Studies 33:4 (Summer 1990): 621–45.Google Scholar

Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993).Google Scholar

Atkinson, Edmund, Natural Philosophy for General Readers and Young Persons (London: Longmans, Green, and Co., 1884).Google Scholar

Atterbury, Paul, ‘Steam and Speed: Industry, Transport and Communications’, in Mackenzie, John M. (ed.), The Victorian Vision: Inventing New Britain (London: V&A Publications, 2001), pp. 147–71.Google Scholar

Auerbach, Nina, Our Vampires, Ourselves (Chicago: University of Chicago Press, 1995).Google Scholar

Auerbach, Nina, ‘Ghosts of ghosts’, Victorian Literature and Culture 32:1 (2004): 277–84.CrossRefGoogle Scholar

Ayguals de Izco, Wenceslao, La bruja de Madrid (Barcelona: Editorial Taber, 1969).Google Scholar

Backus, Margot Gayle, The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (Durham, NC: Duke University Press, 1999).Google Scholar

Baker, William and Clarke, William W. (eds), The Letters of Wilkie Collins, 2 vols (Basingstoke: Macmillan, 1999).Google Scholar

Baldick, Chris and Mighall, Robert, ‘Gothic Criticism’, in Punter, David (ed.), A New Companion to the Gothic (Oxford: Blackwell, 2012), pp. 265–87.Google Scholar

Bann, Jennifer, ‘Ghostly hands and ghostly agency: the changing figure of the nineteenth-century specter’, Victorian Studies 51:4 (Summer 2009): 663–85.Google Scholar

Bann, Stephen, Romanticism and the Rise of History (New York: Twayne Publishers, 1995).Google Scholar

Barber, X. Theodore, ‘Phantasmagorical wonders: the magic lantern ghost show in nineteenth-century America’, Film History 3:2 (1989): 73–86.Google Scholar

Barnes, James J. and Barnes, Patience P., ‘Reassessing the reputation of Thomas Tegg, London publisher, 1776–1846’, Book History 3 (2000): 45–60.Google Scholar

Barnes, John (ed.), The Beginnings of the Cinema in England 1894–1901, 5 vols (Exeter: University of Exeter Press, 1998).Google Scholar

Barr, Alan P. (ed.), The Major Prose of Thomas Henry Huxley (Athens, GA: University of Georgia Press, 1997).Google Scholar

Barrow, Robin, ‘Braddon’s haunting memories: rape, class and the Victorian popular press’, Women’s Writing 13:3 (2006): 348–68.CrossRefGoogle Scholar

Barzilai, Shuli, Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times (London: Routledge, 2009).Google Scholar

Basham, Diana, The Trial of Woman: Feminism and the Occult Sciences in Victorian Literature and Society (Baltimore: Johns Hopkins University Press, 1993).Google Scholar

Bataille, Georges, ‘Le Collège de Sociologie’, Mardi 4 juillet 1939, in Le Collège de Sociologie (1937–1939), edited by Hollier, Denies (Paris: Gallimard, 1995).Google Scholar

Bate, Jonathan, Romantic Ecology: Wordsworth and the Environmental Tradition (London: Routledge, 1991).Google Scholar

Bearden-White, Roy, ‘A history of guilty pleasure: chapbooks and the Lemoines’, Papers of the Bibliographical Society of America 103 (2009): 284–318.Google Scholar

Beatty, Bernard and Newey, Vincent (eds), Byron and the Limits of Fiction (Liverpool: Liverpool University Press, 1988).Google Scholar

Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar

Belcher, Margaret (ed.), The Letters of A. W. N. Pugin, 1830–1842, 5 vols (Oxford: Oxford University Press, 2001).Google Scholar

Bendixen, Alfred, ‘Romanticism and the American Gothic’, in Andrew Weinstock, Jeffrey (ed.), The Cambridge Companion to American Gothic (Cambridge: Cambridge University Press, 2017), pp. 31–43.CrossRefGoogle Scholar

Bennett, Bridget, ‘“The Dear Old Sacred Terror”: Spiritualism and the Supernatural from The Bostonians to The Turn of the Screw’, in Kontou, Tatiana and Willburn, Sarah (eds), The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult (Farnham: Ashgate, 2012), pp. 311–31.Google Scholar

Bennett, Gillian, ‘Introduction’, in Crowe, Catherine, The Night Side of Nature; or, Ghosts and Ghost Seers (Ware, Herts: Wordsworth, 2000).Google Scholar

Bergland, Renée L., The National Uncanny: Indian Ghosts and American Subjects (Hanover, NH: University Press of New England, 2000).Google Scholar

Bernheimer, Charles, Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and the Culture of the Fin de Siècle in Europe (Baltimore, MA: Johns Hopkins University Press, 2002).Google Scholar

Bersani, Leo, ‘Is the rectum a grave?’, October 43 (Winter 1987): 197–222.Google Scholar

Bertman, Stephen, ‘The role of the golem in the making of Frankenstein’, Keats-Shelley Review 29:1 (2015): 42–50.CrossRefGoogle Scholar

Bienstock Anolik, Ruth, ‘Reviving the golem: cultural negotiations in Ozick’s The Puttermesser Papers and Piercy’s He, She and It’, Studies in American Jewish Literature 19 (2000): 37–48.Google Scholar

Bienstock Anolik, Ruth, ‘Appropriating the golem, possessing the dybbuk: female retellings of Jewish tales’, Modern Language Studies 31:2 (2001): 39–55.Google Scholar

Billiani, Francesca. ‘Delusional identities: the politics of the Italian gothic and fantastic’, in Igino Ugo Tarchetti’s trilogy ‘Amore nell’arte’ and Luigi Gualdo’s short stories ‘Allucinazione’, ‘La canzone di Weber’ and ‘Narcisa’, Forum for Modern Language Studies 44:4 (2008): 497–9.CrossRefGoogle Scholar

Birch, Dinah (ed.), John Ruskin: Selected Writings (Oxford: Oxford University Press, 2004).Google Scholar

Bizup, Joseph, Manufacturing Culture: Vindications of Early Victorian Industry (Charlottesville and London: University of Virginia Press, 2003).Google Scholar

Blanco White, Joseph, Vargas: A Tale of Spain (London: Baldwin, Cradock and Joy, 1822).Google Scholar

Bleasdale, John, ‘“To Laughter”: Shelley’s sonnet and solitude’, Romanticism on the Net 22 (2001) <http://id.erudit.org/iderudit/005972ar> (last accessed 19 September 2019).Google Scholar

Bloom, Clive, Victoria’s Madmen: Revolution and Alienation (Basingstoke: Palgrave Macmillan, 2013).Google Scholar

Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (Oxford: Oxford University Press, 1973).Google Scholar

Bloom, Harold, A Map of Misreading (Oxford: Oxford University Press, 1975).Google Scholar

Boerner, Peter, ‘Bürger’s “Lenore” in Germany, France and England’, in Riesz, Janos and Boerner, Peter (eds), Sensus Communis: Contemporary Trends in Comparative Literature (Tübingen: G. Narr, 1986), pp. 305–11.Google Scholar

Boitard, Pierre, Paris Avant Les Hommes, trans. by Stephen Trussel (Paris: Passard, 1861) <www.trussel.com/prehist/boitarde.htm> (last accessed 21 February 2019).Google Scholar

Boos, Florence S. (ed.), History and Community: Essays in Victorian Medievalism (Abingdon: Routledge, 2016).Google Scholar

Booth, Michael R., ‘Aspects of Staging in Irving’s The Corsican Brothers’, in Booth, Michael R. (ed.), English Plays of the Nineteenth Century II: Drama 1850–1900 (Oxford: Clarendon Press, 1969), pp. 71–5.Google Scholar

Booth, Michael R., Victorian Spectacular Theatre 1850–1910 (Boston, London and Henley: Routledge & Kegan Paul, 1981).Google Scholar

Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991).Google Scholar

Botrel, Jean-François, ‘Los nuevos lectores en la España del siglo XIX’, Siglo Diecinueve 2 (1996): 47–64.Google Scholar

Botting, Fred, Gothic, 2nd edition (London and New York: Routledge, 2014).Google Scholar

Botting, Fred and Spooner, Catherine, ‘Introduction: Monstrous Media/Spectral Subjects’, in Botting, Fred and Spooner, Catherine (eds), Monstrous Media/Spectral Subjects: Imaging Gothic Fictions from the Nineteenth Century to the Present (Manchester: Manchester University Press, 2015), pp. 1–12.Google Scholar

Bowen, John, Other Dickens: Pickwick to Chuzzlewit (Oxford: Oxford University Press, 2000).Google Scholar

Bowen, John, ‘Uncanny Gifts, Strange Contagion: Allegory in Dickens’s The Haunted Man’, in David, Deirdre and Gillooly, Eileen (eds), Contemporary Dickens (Columbus: Ohio State University Press, 2009), pp. 75–92.Google Scholar

Bowen, John, ‘Introduction to the Cresset Press edition of Uncle Silas, by Sheridan Le Fanu, 1947’, in Walshe, Eibhear (ed.), Elizabeth Bowen’s Selected Irish Writings (Cork: Cork University Press, 2011), pp. 143–57.Google Scholar

Bowen, John, ‘Chapter 1: The Life of Dickens 1: Before Ellen Ternan’, in Ledger, Sally and Furneaux, Holly (eds), Dickens in Context (Cambridge: Cambridge University Press, 2011), pp. 3–10.Google Scholar

Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela, ‘Introduction’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 1–19.Google Scholar

Braddon, Mary Elizabeth, The Black Band; or, The Mysteries of Midnight (London: George Vickers, 1864).Google Scholar

Braddon, Mary Elizabeth, Lady Audley’s Secret, edited by Houston, Natalie (Peterborough, Ont.: Broadview, 2003).Google Scholar

Braddon, Mary Elizabeth, ‘At Chrighton Abbey’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. 163–89.Google Scholar

Brantlinger, Patrick, Rule of Darkness: British Literature and Imperialism, 1830–1914 (Ithaca, NY: Cornell University Press, 1988).Google Scholar

Bratton, Jacky, New Readings in Theatre History (Cambridge: Cambridge University Press, 2003).Google Scholar

Bratton, Jacky, ‘Romantic Melodrama’, in Moody, Jane and Quinn, Daniel (eds), The Cambridge Companion to British Theatre, 1730–1830 (Cambridge: Cambridge University Press, 2007), pp. 115–27.Google Scholar

Breen, Jennifer (ed.), Victorian Women Poets 1830–1900: An Anthology (London: Everyman, 1994).Google Scholar

Brewster, David, Letters on Natural Magic Addressed to Sir Walter Scott, Bart, reprint of 1832 edition (New York: Harper and Brothers, 1842).Google Scholar

Brewster, Scott, ‘Gothic Hogg’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 115–28.Google Scholar

Brewster, Scott and Thurston, Luke, ‘Introduction’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 1–15.Google Scholar

Bricchi, Mariarosa, ‘“Come una magnifica veste gittata sopra un manichino manierato e logoro”. I ‘Promessi Sposi’, il gusto gotico e Ann Radcliffe’, Autografo. La letteratura italiana e l’Europa nell’Ottocento 31 (1995): 29–70.Google Scholar

Briggs, Julia, ‘The Ghost Story’, in Punter, David (ed.), A New Companion to the Gothic (Oxford: Wiley-Blackwell, 2012), pp. 176–85.Google Scholar

Brontë, Anne, The Tenant of Wildfell Hall, edited by Hargreaves, G. D. (Harmondsworth: Penguin, 1979).Google Scholar

Brontë, Charlotte, Jane Eyre, edited by Newman, Beth (Boston: Bedford/St. Martin’s, 1996).Google Scholar

Brontë, Charlotte, Shirley, edited by Rosengarter, Herbert, intro. by Smith, Margaret (Oxford: Oxford University Press, 1981).Google Scholar

Brontë, Emily, Wuthering Heights, edited by Jack, Ian (Oxford: Oxford University Press, 1995).Google Scholar

Brooke, John Hedley, ‘Visions of the Past: Religious Belief and the Historical Sciences’, in Brooke, John Hedley, Science and Religion: Some Historical Perspectives (Cambridge: Cambridge University Press, 2014), pp. 307–73.Google Scholar

Brooker, Jeremy, ‘The polytechnic ghost: Pepper’s Ghost, metempsychosis and the magic lantern at the Royal Polytechnic Institution’, Early Popular Visual Culture 5:2 (2007): 189–206.CrossRefGoogle Scholar

Brooker, Jeremy, The Temple of Minerva: Magic and the Magic Lantern at the Royal Polytechnic Institution, London 1837–1901 (London: The Magic Lantern Society, 2013).Google Scholar

Brooks, Chris, The Gothic Revival (London: Phaidon, 1999).Google Scholar

Brown, Charles Brockden, Three Gothic Novels: Wieland, Arthur Mervyn, Edgar Huntly, edited by Krause, Sydney J. (New York: Library of America, 1998).Google Scholar

Brown, Rica, ‘The Bécquer legend’, Bulletin of Hispanic Studies 18:69 (1941): 4–18.Google Scholar

Browning, Robert, The Poems of Robert Browning (Oxford: Oxford University Press, 1928).Google Scholar

Bulfin, Ailise, ‘The fiction of gothic Egypt and imperial paranoia: the curse of the Suez Canal’, English Literature in Transition, 1880–1920 54:4 (2011): 411–43.Google Scholar

Burdekin, R., ‘Pepper’s Ghost at the opera’, Theatre Notebook 69:3 (2015): 152–64.Google Scholar

Burke, Edmund, Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, edited by Phillips, Adam (Oxford: Oxford University Press, 1998).Google Scholar

Burke, Peter, ‘A Short History of Distance’, in Phillips, Mark Salber, Caine, Barbara and Thomas, Julia Adeney (eds), Rethinking Historical Distance (Basingstoke and New York: Palgrave Macmillan, 2013), pp. 21–33.Google Scholar

Butler, Marilyn, ‘The first Frankenstein and radical science’, Times Literary Supplement 9 (April 1993), pp. 12–14.Google Scholar

Byron, Lord Gordon, George, The Prisoner of Chillon and Other Poems (London: Printed for John Murray, 1816).Google Scholar

Byron, Lord Gordon, George, ‘“A Fragment”, June 17, 1816’, in Shelley, Mary, Frankenstein; or, The Modern Prometheus: The 1818 Text, edited by Rieger, James, Phoenix edition (Chicago: University of Chicago Press, 1982), pp. 260–5.Google Scholar

Byron, Lord Gordon, George, Lord Byron: The Major Works, edited by McGann, Jerome (Oxford: Oxford University Press, 2000).Google Scholar

Calder, Jenni, ‘Introduction’, in Oliphant, Margaret, A Beleaguered City and Other Tales of the Seen and the Unseen, edited by Calder, Jenni (Edinburgh: Canongate, 2000), pp. vii–xviii.Google Scholar

Calvino, Italo (ed.), Fantastic Tales: Visionary and Everyday (Boston: Mariner Books, 1997).Google Scholar

Camilletti, Fabio, ‘Beyond the uncanny: Fantasmagoriana, intertextuality, and the pleasure principle’, Compar(a)ison 1–2 (2009): 61–81.Google Scholar

Camilletti, Fabio, ‘From Villa Diodati to Villa Gabrielli: a manuscript appendix to Fantasmagoriana’, Gothic Studies 20:1–2 (November 2018), pp. 214–26.CrossRefGoogle Scholar

Capuana, Luigi, Novelle dal mondo occulto, edited by Cedola, Andrea (Bologna: Pendragon, 2007).Google Scholar

Capuana, Luigi, ‘Il vampiro’, in Melani, Costanza (ed.), Fantastico italiano (Milano: BUR Rizzoli, 2009), pp. 290–308.Google Scholar

Carleton, William, ‘The Lianhan Shee: An Irish Superstition’, Traits and Stories of the Irish Peasantry, 2nd series, 2nd edition, 3 vols (Dublin: William Wakeman, 1834), vol. 2, pp. 3–44.Google Scholar

[Carlyle, Thomas], ‘Signs of the times’, Edinburgh Review, 49 (1829): 439–59.Google Scholar

Carlyle, Thomas, Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh (London: Oxford University Press, 1943).Google Scholar

Carlyle, Thomas, Reminiscences, edited by Fielding, K. J. and Campbell, Ian (Oxford: Oxford University Press, 1997).Google Scholar

Carlyle, Thomas, Past and Present, edited by Vanden Bossche, Chris R. (Berkeley, Los Angeles and London: University of California Press, 2005).Google Scholar

Cassuto, Leonard, ‘Urban American Gothic’, in Jeffrey Andrew Weinstock (ed.), The Cambridge Companion to American Gothic (Cambridge: Cambridge University Press, 2017), pp. 156–70.Google Scholar

Castle, Terry, ‘Phantasmagoria: spectral technology and the metaphorics of modern reverie’, Critical Inquiry 15:1 (1988): 26–61.Google Scholar

Castle, Terry, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (New York and Oxford: Oxford University Press, 1995).Google Scholar

Ceserani, Remo, ‘Fantastic and Literature’, in Puppa, Paolo and Somigli, Luca (eds), Encyclopedia of Italian Literary Studies, gen ed. Marrone, Gaetana (London and New York, Routledge, 2007), pp. 684–8.Google Scholar

Chernaik, Judith and Burnett, Timothy, ‘The Byron and Shelley notebooks in the Scrope Davies find’, The Review of English Studies 29:113 (1978): 36–49.CrossRefGoogle Scholar

Chesterton, G. K., ‘A Defence of Penny Dreadfuls’, in The Defendant (London: Dent, 1907), pp. 8–17.Google Scholar

Chichester, Teddi Lynn, ‘Evading “earth’s dungeon tomb”: Emily Brontë, A. G. A., and the fatally feminine’, Victorian Poetry 29:1 (Spring 1991): 1–15.Google Scholar

Child, Francis J., The English and Scottish Popular Ballads, 5 vols (New York: Dover Publications, 1965).Google Scholar

Chisholm, Hugh, ‘How to counteract the “penny dreadful”’, Fortnightly Review 58: 347 (1895): 765–75.Google Scholar

Clark, Kenneth, The Gothic Revival: An Essay on the History of Taste, revised and enlarged edition (London: Constable, 1950).Google Scholar

Clemens, Valdine, The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien (New York: New York University Press, 1999).Google Scholar

Clery, E. J., ‘The Genesis of “Gothic” Fiction’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 21–40.Google Scholar

Clery, E. J. and Miles, Robert (eds), Gothic Documents: A Sourcebook 1700–1820 (Manchester and New York: Manchester University Press, 2000).Google Scholar

Cochran, Peter, Byron and Bob: Lord Byron’s Relationship with Robert Southey (Newcastle upon Tyne: Cambridge Scholars, 2010).Google Scholar

Cohen, Jeffrey Jerome, ‘Monster Culture (Seven Theses)’, in Monster Theory: Reading Culture (Minneapolis: University of Minnesota Press, 1996), pp. 3–25.Google Scholar

Cohn, Jan, Romance and the Erotics of Property (Durham, NC: Duke University Press, 1988).Google Scholar

Colby, Vineta and Colby, Robert A., The Equivocal Virtue: Mrs Oliphant and the Victorian Market Place (Hamden, Connecticut: Archon Books, 1966).Google Scholar

Colclough, Stephen and Vincent, David, ‘Reading’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 281–323.Google Scholar

Coleridge, Samuel Taylor, The Statesman’s Manual (London: Gale and Jenner, 1816).Google Scholar

Coleridge, Samuel Taylor, On the Constitution of the Church and State, edited by Colmer, John (London and Princeton, NJ: Routledge & Kegan Paul, Princeton University Press, 1976).Google Scholar

Coleridge, Samuel Taylor, , Lectures 1808–1819: On Literature, edited by Foakes, R, 2 vols (London and Princeton, NJ: Routledge & Kegan Paul, Princeton University Press, 1987).Google Scholar

Coleridge, Samuel Taylor, Christabel 1816, intro. by Wordsworth, Jonathan (Oxford: Woodstock Books, 1991).Google Scholar

Coleridge, Samuel Taylor, The Collected Works of Samuel Taylor Coleridge: Poetical Works; Poems (Variorum Text), Part I, Vol. XVI, edited by Mays, J. C. C. (Princeton, NJ: Princeton University Press, 2001).Google Scholar

Coleridge, Samuel Taylor and Wordsworth, William, Lyrical Ballads, 1798 and 1800, edited by Gamer, Michael and Porter, Dahlia (Peterborough, Ont.: Broadview, 2008).Google Scholar

The Collected Letters of Robert Southey, 6 parts, edited by Lynda Pratt, Ian Packer, Tim Fulford and Carol Bolton, 2009–16 <www.rc.umd.edu/editions/southeys_letters/> (last accessed 22 January 2019).+(last+accessed+22+January+2019).>Google Scholar

Collodi, Carlo [pseud. of Carlo Lorenzini], The Story of a Puppet or The Adventures of Pinocchio, trans. by Mary Alice Murray, illust. C. Mazzanti [sic] (London: Fisher Unwin, 1892).Google Scholar

Colman, George the Younger, Blue-Beard; or, Female Curiosity! A Dramatick Romance (London: Printed by T. Woodfall for Cadell and Davies, 1798).Google Scholar

Colvin, Howard M. and Newman, John (eds), Of Building: Roger North’s Writings on Architecture (Oxford: Clarendon, 1981).Google Scholar

Conan Doyle, Arthur, ‘The Adventure of the Creeping Man’, in The Casebook of Sherlock Holmes, edited by Robson, W. W. (Oxford: Oxford University Press, 2009), pp. 50–71.Google Scholar

Connell, Philip, Romanticism, Economics and the Question of ‘Culture’ (Oxford: Oxford University Press, 2001).Google Scholar

Conner, Patrick R. M., ‘Pugin and Ruskin’, Journal of the Warburg and Courtauld Institutes 41 (1978): 344–50.CrossRefGoogle Scholar

Connolly, Claire, ‘Writing the Union’, in Keogh, Daíre and Whelan, Kevin (eds), Acts of Union: The Causes, Contexts, and Consequences of the Act of Union (Dublin: Four Courts Press, 2001), pp. 171–86.Google Scholar

Connolly, Claire, ‘Theater and nation in Irish romanticism: the tragic drama of Charles Robert Maturin and Richard Lalor Shiel’, Éire-Ireland 41:3&4 (2006): 185–214.Google Scholar

Connolly, Claire, A Cultural History of the Irish Novel (Cambridge: Cambridge University Press, 2011).Google Scholar

Connor, Steven, ‘The Machine in the Ghost: Spiritualism, Technology and the “Direct Voice”’, in Buse, Peter and Stott, Andrew (eds), Ghosts: Deconstruction, Psychoanalysis, History (London: Macmillan, 1999), pp. 203–25.Google Scholar

Connor, Steven, ‘Afterword’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 258–77.Google Scholar

Conrad, Joseph, The Secret Agent, edited by Lyon, John (Oxford: Oxford University Press, 2008).Google Scholar

Cook, Edward Tyas, , The Life of John Ruskin, 2 vols (New York: Haskell House, 1968).Google Scholar

Cook, E. T. and Wedderburn, Alexander (eds), The Works of John Ruskin, 39 vols (London: George Allen, 1903–12).Google Scholar

Courthope, William John, The Liberal Movement in English Literature (London: John Murray, 1885).Google Scholar

Cox, Jeffrey N. (ed.), Seven Gothic Dramas 1789–1825 (Athens, OH: Ohio University Press, 1992).Google Scholar

Cox, Jeffrey N., ‘English Gothic Theatre’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 125–44.Google Scholar

Cox, Jeffrey N., ‘The Death of Tragedy; or, the Birth of Melodrama’, in Davis, Tracy C. and Holland, Peter (eds), The Performing Century: Nineteenth-Century Theatre’s History (Basingstoke: Palgrave Macmillan, 2007), pp. 161–81.Google Scholar

Cox, Michael, and Gilbert, R. A., ‘Introduction’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. ix–xvii.Google Scholar

Croce, Benedetto, ‘Arrigo Boito’, in La letteratura della Nuova Italia. Saggi Critici, 6 vols (Bari: Laterza, 1914), vol. 1, pp. 259–76.Google Scholar

Croce, Benedetto, ‘Gli ultimi romanzi di Francesco Domenico Guerrazzi’, in Croce, Benedetoo, La letteratura della Nuova Italia. Saggi Critici, 6 vols (Bari: Laterza, 1914), vol. 1, pp. 27–44.Google Scholar

Crookenden, Isaac, The Mysterious Murder; or, The Usurper of Naples: An Original Romance. To Which Is Prefixed, The Nocturnal Assassin; or, Spanish Jealousy (London: Lee, 1808).Google Scholar

Crow, Charles L., ‘Under the Upas Tree: Charles Chesnutt’s Gothic’, in McElrath, Joseph R., Jr (ed.), Critical Essays on Charles Chesnutt (New York: G. K. Hall, 1999), pp. 261–70.Google Scholar

Crowe, Catherine, The Night Side of Nature; or, Ghosts and Ghost Seers (Ware, Herts: Wordsworth, 2000).Google Scholar

Curry, Kenneth (ed.), New Letters of Robert Southey, 2 vols (New York and London: Columbia University Press, 1965).Google Scholar

Curry, Kenneth, Southey, 2nd edition (London and New York: Routledge, 2016).Google Scholar

Cusack, Andrew, ‘Cultural Transfer in the Dublin University Magazine: James Clarence Mangan and the German Gothic’, in Cusask, Andrew and Murnane, Barry (eds), Popular Revenants: The German Gothic and Its International Reception, 1800–2000 (Rochester, NY: Camden House, 2012), pp. 87–104.Google Scholar

Cvetcovich, Ann, Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (New Brunswick: Rutgers University Press, 1992).Google Scholar

Dacre, Charlotte, Zofloya, or The Moor, edited by Craciun, Adriana (Peterborough, Ont.: Broadview Press, 1997).Google Scholar

Daniele, Antonio (ed.), Vampiriana: Novelle italiane di vampiri (Salerno: Keres Edizioni, 2011).Google Scholar

D’Arcy Wood, Gillen, Tambora: The Eruption that Changed the World (Princeton, NJ and Oxford: Princeton University Press, 2014).CrossRefGoogle Scholar

Darwin, Charles, On the Origin of Species by Means of Natural Selection, 2nd edition (London: John Murray, 1860).Google Scholar

Darwin, Charles, The Expression of the Emotions in Man and Animals (London: John Murray, 1872).Google Scholar

Darwin, Charles, The Descent of Man, 2nd edition (New York: D. Appleton, 1875).Google Scholar

Darwin, Charles, The Variation of Animals and Plants under Domestication, 2nd edition, 2 vols (London: John Murray, 1875).Google Scholar

Darwin, Charles, The Origin of Species by Means of Natural Selection, edited by Burrow, John W. (Baltimore: Penguin, 1968).Google Scholar

Darwin Correspondence Project <www.darwinproject.ac.uk/> (last accessed 13 August 2019).+(last+accessed+13+August+2019).>Google Scholar

Darwin, Erasmus, Zoonomia; or, the Laws of Organic Life (London: Joseph Johnson, 1794–6).Google Scholar

Davidson, Cathy N., Revolution and the Word: The Rise of the Novel in America (New York: Oxford University Press, 1987).Google Scholar

Davidson, Jane P., ‘Golem–Frankenstein–golem of your own’, The Journal of the Fantastic in the Arts 7:2/3 (1995): 228–43.Google Scholar

Davies, Ann, Contemporary Spanish Gothic (Edinburgh: Edinburgh University Press, 2016).Google Scholar

Davison, Carol Margaret, Gothic Literature 1764–1824 (Cardiff: University of Wales Press, 2009).Google Scholar

Davison, Carol Margaret, ‘The Victorian Gothic and Gender’, in Smith, Andrew and Hughes, William (eds), The Victorian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2012), pp. 124–41.Google Scholar

Davison, Carol Margaret, ‘Charles Brockden Brown: Godfather of American Gothic’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 110–23.Google Scholar

Davison, Carol Margaret, ‘Southern Gothic: Haunted Houses’, in Street, Susan Castillo and Crow, Charles L. (eds), The Palgrave Handbook of the Southern Gothic (Basingstoke: Palgrave Macmillan, 2016), pp. 55–67.Google Scholar

Davison, Carol Margaret, ‘Introduction: The Corpse in the Closet: The Gothic, Death, and Modernity’, in Davison, Carol Margaret (ed.), The Gothic and Death (Manchester: Manchester University Press, 2017), pp. 1–18.Google Scholar

Davison, Carol Margaret and Germanà, Monica, ‘Borderlands of Identity and the Aesthetics of Disjuncture: An Introduction to Scottish Gothic’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 1–13.Google Scholar

Deane, Bradley, ‘Mummy fiction and the occupation of Egypt: imperial striptease’, English Literature in Transition 1880–1920 51:4 (2008): 381–410.Google Scholar

Défourneaux, Marcelin, Inquisición y censura de libros en la España del siglo XVIII (Madrid: Taurus, 1973).Google Scholar

DeLamotte, Eugenia C., Perils of the Night: A Feminist Study of Nineteenth-Century Gothic (Oxford: Oxford University Press, 1990).Google Scholar

Delano, Cristina, ‘Gothic tales of the liberal nation in Juan Martínez Villergas’s Los misterios de Madrid (1844–1845)’, Bulletin of Hispanic Studies 93:3 (2016): 269–83.Google Scholar

Deleuze, Gilles and Guattari, Félix A, A Thousand Plateaus, trans. by Brian Massumi (London and New York: Continuum, 2004).Google Scholar

Desmond, Adrian, The Politics of Evolution Morphology, Medicine, and Reform in Radical London (Chicago: Chicago University Press, 1989).Google Scholar

Desmond, Adrian, Huxley: From Devil’s Disciple to Evolution’s High Priest (London: Penguin, 1998).Google Scholar

de Turris, Gianfranco, ‘Gotico popolare italiano. Appunti per una bibliostoria’, in Gentili, Enzo Biffi, with Squarotti, Giorgio Barberi, Boggione, Valter and Zandrino, Barbara (eds), Neogotico tricolore. Letteratura e altro (Milano and Cuneo: Cassa di Risparmio di Cuneo Foundation, 2015), pp. 129–42.Google Scholar

Dever, Carolyn, Death and the Mother from Dickens to Freud: Victorian Fiction and the Anxiety of Origins (Cambridge: Cambridge University Press, 1998).Google Scholar

Dickens, Charles, Bleak House, edited by Ford, George and Monod, Sylvère (New York: Norton, 1977).Google Scholar

Dickens, Charles, ‘Mugby Junction. No. 1 Branch Line. The Signal-Man’, in Selected Short Fiction, edited by Thomas, Deborah A. (Harmondsworth: Penguin, 1977), pp. 78–90.Google Scholar

Dickens, Charles, Dealings with the Firm of Dombey and Son, Wholesale, Retail and for Exportation, edited by Fairclough, Peter (Harmondsworth: Penguin, 1981).Google Scholar

Dickens, Charles, Little Dorrit, edited by Sucksmith, Peter Harvey (Oxford: Oxford University Press, 1982).Google Scholar

Dickens, Charles, The Mystery of Edwin Drood, edited by Cardwell, Margaret (Oxford: Oxford University Press, 1982).Google Scholar

Dickens, Charles, Our Mutual Friend, edited by Cotsell, Michael (Oxford: Oxford University Press, 1989).Google Scholar

Dickens, Charles, Great Expectations, edited by Cardwell, Margaret (Oxford: Oxford University Press, 1994).Google Scholar

Dickens, Charles, Christmas Stories, edited by Glancy, Ruth (London: Everyman, 1996).Google Scholar

Dickens, Charles, ‘A Christmas Tree’, in Pascoe, David (ed.), Charles Dickens: Selected Journalism, 1850–1870 (Harmondsworth: Penguin, 1997), pp. 3–16.Google Scholar

Dickens, Charles, ‘Nurse’s Stories’, in The Uncommercial Traveller and Other Papers 1859–70, edited by Slater, Michael and Drew, John (London: Dent, 2000), pp. 169–80.Google Scholar

Dickens, Charles, The Old Curiosity Shop, edited by Page, Norman (Harmondsworth: Penguin, 2000).Google Scholar

Dickens, Charles, Oliver Twist, edited by Horne, Philip (Harmondsworth: Penguin, 2002).Google Scholar

Dickens, Charles, A Christmas Carol and Other Christmas Books, edited by Douglas-Fairhurst, Robert (Oxford: Oxford University Press, 2006).Google Scholar

Dickerson, Vanessa D., Victorian Ghosts in the Noontide: Women Writers and the Supernatural (Columbia and London: University of Missouri Press, 1996).Google Scholar

Dickinson, Emily, The Poems of Emily Dickinson: Reading Edition, edited by Franklin, R. W. (Cambridge, MA: The Belknap Press of Harvard University Press, 1998).Google Scholar

di Giacomo, Salvatore. ‘La fine di Barth’, in Melani, Costanza (ed.), Fantastico italiano (Milano: BUR Rizzoli, 2009), pp. 381–4.Google Scholar

Doherty, Ruth, ‘Reading Reynolds: The Mysteries of London as “Microscopic Survey”’, in Rooney, Paul Raphael and Gasperini, Anna (eds), Media and Print Culture Consumption in Nineteenth-Century Britain: The Victorian Reading Experience (Basingstoke: Palgrave Macmillan, 2016), pp. 147–63.Google Scholar

Downey, Dara, ‘“Taking Noiseless Turns in the Passage”: Phantoms and Floor Plans in Henry James’s The Turn of the Screw’, in O’Briain, Helen Conrad and Stevens, Julie Anne (eds), The Ghost Story from the Middle Ages to the Twentieth Century (Dublin: Four Courts Press, 2010), pp. 189–202.Google Scholar

Downey, Dara, American Women’s Ghost Stories in the Gilded Age (Basingstoke: Palgrave Macmillan, 2014).Google Scholar

Doyle, Arthur Conan, ‘The Captain of the Polestar’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of Victorian Ghost Stories (Oxford: Oxford University Press, 2003), pp. 283–302.Google Scholar

Doyle, Arthur Conan, ‘Lot No. 249’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 127–70.Google Scholar

Doyle, Laura, ‘At world’s edge: post/coloniality, Charles Maturin, and the gothic wanderer’, Nineteenth-Century Literature 65:4 (March 2011): 513–47.Google Scholar

Drake, Nathan, Literary Hours; or, Sketches Critical and Narrative (London, 1798).Google Scholar

Duggett, Tom, Gothic Romanticism: Architecture, Politics, and Literary Form (Basingstoke and New York: Palgrave Macmillan, 2010).Google Scholar

Duggett, Tom, ‘Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets’, in Punter, David (ed.), The Edinburgh Companion to Gothic and the Arts (Edinburgh: Edinburgh University Press, 2019), pp. 15–35.Google Scholar

Duncan, Ian, ‘Walter Scott, James Hogg and Scottish Gothic’, in Punter, David (ed.), A New Companion to the Scottish Gothic (Oxford: Blackwell, 2012), pp. 123–34.Google Scholar

During, Simon, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, MA and London: Harvard University Press, 2002).Google Scholar

Eastlake, Charles Locke, A History of the Gothic Revival (London: Longmans, Green and Co., 1872).Google Scholar

Eckardt, Theodore, Physics in Pictures: The Principal Natural Phenomena and Appliances described and illustrated by thirty coloured plates for ocular instruction in schools and families, trans A. H. Keane (London: Edward Stanford, 1882).Google Scholar

Edgecombe, Rodney Stenning, ‘Anti-clerical gothic: the tale of the sisters in Nicholas Nickleby’, Modern Language Review 94:1 (January 1999): 1–10.Google Scholar

Edgeworth, Maria, Ennui, in Butler, Marilyn and Myers, Mitzi (eds), The Novels and Selected Works of Maria Edgeworth, 12 vols (London: Pickering & Chatto, 1999–2003), vol. 1, pp. 157–308.Google Scholar

Edmundson, Melissa, ‘The “uncomfortable houses” of Charlotte Riddell and Margaret Oliphant’, Gothic Studies 12:1 (2010): 51–67.Google Scholar

Edmundson, Melissa, ‘Women Writers and the Ghost Story’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 69–77.Google Scholar

Edwards, Amelia B., ‘The Phantom Coach’, in Cox, Michael and Gilbert, R. A. (eds), The Oxford Book of English Ghost Stories (Oxford: Oxford University Press, 2008), pp. 13–24.Google Scholar

Edwards, Bryan, An Historical Survey of the French Colony In the Island of St. Domingo (London, 1797).Google Scholar

Eimer, Manfred, ‘Einflüsse deutscher Räuber- und Schauerromantik auf Shelley, Mrs. Shelley und Byron’, Englische Studien 48 (1914–15): 231–45.Google Scholar

Elbert, Monika and Ryden, Wendy (eds), Haunting Realities: Naturalistic Gothic and American Realism (Tualoosa: University of Alabama Press, 2017).Google Scholar

Eliot, George, Felix Holt, The Radical, edited by Coveney, Peter (Harmondsworth: Penguin, 1975).Google Scholar

Eliot, Simon J. and Nash, Andrew, ‘Mass Markets: Literature’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 418–19.Google Scholar

Ellis, David, Byron in Geneva: The Summer of 1816 (Oxford: Oxford University Press, 2011).Google Scholar

Ellis, F. S., A Lexical Concordance to the Poetical Works of Percy Bysshe Shelley (London: Bernard Quadrich, 1892; rpt. Johnson Reprint Company 1967).Google Scholar

Ellis, Peter Beresford, H. Rider Haggard: A Voice from the Infinite (London: Routledge & Kegan Paul, 1978).Google Scholar

Eltis, Sos, ‘Corruption of the Blood and Degeneration of the Race: Dracula and Policing the Borders of Gender’, in Riquelme, John Paul (ed.), Dracula (Boston: Bedford/St. Martin’s, 2002), pp. 450–65.Google Scholar

Emerson, Ralph Waldo, ‘Nature’, in Porte, Joel (ed.), Emerson: Essays and Lectures (New York: Library of America, 1983), pp. 9–49.Google Scholar

Enns, Anthony, ‘The Undead Author: Spiritualism, Technology and Authorship’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 55–78.Google Scholar

Evans, Dewi, ‘The Victorian Ghost Story and the Invention of Christmas’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 78–86.Google Scholar

Eyriès, Jean-Baptiste Benoît, Fantasmagoriana, ou Recueil d’Histoires d’Apparitions de Spectres, Revenans, Fantômes, etc.; Traduit de l’allemand, par un Amateur, 2 vols (Paris: Schoell, 1812).Google Scholar

Ezra, Elizabeth, Georges Méliès: The Birth of the Auteur (Manchester: Manchester University Press, 2000).Google Scholar

Faflak, Joel and Haslam, Jason, ‘Introduction’, in Faflak, Joel and Haslam, Jason (eds), American Gothic Culture: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 1–22.Google Scholar

Fanon, Frantz, Black Skin, White Masks, trans. by Charles Lam Markmann (New York: Grove Press, 1967).Google Scholar

Faulkner, Peter (ed.), William Morris: The Critical Heritage (London: Routledge and Kegan Paul, 1973).Google Scholar

Faulkner, Peter, ‘Ruskin and Morris’, Journal of the William Morris Society 14:1 (2000): 6–17.Google Scholar

Feldman, Paula R. and Scott-Kilvert, Diana (eds), The Journals of Mary Shelley, 1814–1844, 2 vols (Oxford: Clarendon Press, 1987).Google Scholar

Fennell, Jack, A Brilliant Void: A Selection of Classic Irish Science Fiction (Dublin: Tramp Press, 2018).Google Scholar

Ferguson, Frances, ‘Shelley’s “Mont Blanc”: What the Mountain Said’, in O’Neill, Michael (ed.), Shelley (London: Longman, 1993), pp. 43–55.Google Scholar

Ferriar, John, An Essay Towards a Theory of Apparitions (London: Cadell and Davies, 1813).Google Scholar

Fielding, Penny, Writing and Orality: Nationality, Culture, and Nineteenth-Century Scottish Fiction (Oxford: Oxford University Press, 1996).Google Scholar

Fisher, Benjamin F., ‘Early American Gothic Drama’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 96–109.Google Scholar

Fisher, Benjamin Franklin, IV (ed.), The Gothic’s Gothic: Study Aids to the Tradition of the Tale of Terror (New York: Routledge, 2018).Google Scholar

Fitzball, Edward, The Flying Dutchman; or, The Phantom Ship: A Nautical Drama (London: G. H. Davidson, n.d.).Google Scholar

Fitzgerald, F. Scott, ‘A Short Trip Home’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 257–83.Google Scholar

Fitzgerald, Lauren, ‘Female Gothic and the institutionalization of Gothic studies’, Gothic Studies 6:1 (2004): 8–18.Google Scholar

Foni, Fabrizio, Alla fiera dei mostri. Racconti pulp, horror e arcane fantasticherie nelle riviste italiane 1899–1932 (Latina: Tanué, 2007).Google Scholar

Fontes da Costa, Palmira, ‘The Meaning of Monstrosities in Charles Darwin’s Understanding of the Origin of Species’, in Pereira, Ana Leonor, Pita, João and Fonseca, Pedro Ricardo (eds), Darwin, Evolution, Evolutionists (Coimbra: Imprensa da Universidade de Coimbra, 2011), pp. 74–83.Google Scholar

Forster, E. M. ‘The Story of a Panic’, in Selected Stories, edited, and with an introduction and notes, by Leavitt, David and Mitchell, Mark (Harmondsworth: Penguin, 2001), pp. 1–23.Google Scholar

Forster, John, The Life of Charles Dickens (London: Chapman and Hall, 1892).Google Scholar

Fosbrooke, Thomas Dudley, British Monachism: or, Manners and Customs of the Monks and Nuns of England, 2nd edition, 2 vols (London: John Nichols, 1817).Google Scholar

Foscolo, Ugo, The Sepulchres. Addressed to Ippolito Pindemonte, trans. attrib. to Stratford Canning, Viscount Stratford de Redcliffe (London, 1820?).Google Scholar

Foucault, Michel, The Order of Things: An Archaeology of the Human Sciences (London and New York: Routledge, 2002).Google Scholar

Frangipani, Maria Antonietta, Motivi del romanzo nero nella letteratura lombarda (Roma: Editrice Elia, 1981).Google Scholar

Frank, Frederick S., ‘Gothic gold: the Sadleir-Black Gothic collection’, Studies in Eighteenth-Century Culture 26 (1997): 287–312Google Scholar

Franklin, Caroline (ed.), The Longman Anthology of Gothic Verse (Harlow: Pearson, 2011).Google Scholar

Franklin, J. Jeffrey, , ‘The counter-invasion of Britain by Buddhism in Marie Corelli’s A Romance of Two Worlds and H. Rider Haggard’s Ayesha: The Return of She’, Victorian Literature and Culture 31:1 (2003): 19–42.Google Scholar

Free, Melissa, ‘“Dirty linen”: legacies of empire in Wilkie Collins’s The Moonstone’, Texas Studies in Literature and Language 48:4 (2006): 340–71.Google Scholar

Freeman, Nick, ‘E. Nesbit’s new woman gothic’, Women’s Writing 15:3 (2008): 454–69.Google Scholar

Freeman, Nick, ‘The Victorian Ghost Story’, in Smith, Andrew and Hughes, William (eds), The Victorian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2012), pp. 93–107.Google Scholar

Freud, Sigmund, ‘The “Uncanny”’, in Collected Papers of Sigmund Freud, edited and trans. by Joan Riviere, 5 vols (London: Hogarth Press, 1949), vol. 4, pp. 368–407.Google Scholar

Freud, Sigmund, ‘Beyond the Pleasure Principle’, in Pelican Freud Library Volume XI: On Metapsychology, edited by Richards, Angela (Harmondsworth: Penguin, 1984), pp. 271–338.Google Scholar

Frith, Richard, ‘“The Worship of Courage”: William Morris’s Sigurd the Volsung and Victorian Medievalism’, in Holloway, L. M. and Palmgren, J. A. (eds), Beyond Arthurian Romances (New York: Palgrave Macmillan, 2005), pp. 117–32.Google Scholar

Fulford, Tim, ‘Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century’, Romanticism and Victorianism on the Net, 57–58 (February–May 2010) <http://id.erudit.org/iderudit/1006512ar> (last accessed 22 January 2019).+(last+accessed+22+January+2019).>Google Scholar

Furneaux, Holly, Queer Dickens: Erotics, Families, Masculinities (Oxford: Oxford University Press, 2009).Google Scholar

Gale, Steven H. (ed.), Encyclopedia of British Humorists: Geoffrey Chaucer to John Cleese, 3 vols (New York and London: Garland, 1996).Google Scholar

Gallagher, Catherine and Greenblatt, Stephen, Practicing New Historicism (Chicago: Chicago University Press, 2000).Google Scholar

Gamer, Michael, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge: Cambridge University Press, 2000).Google Scholar

Gamer, Michael, ‘Gothic Melodrama’, in Williams, Carolyn (ed.), The Cambridge Companion to English Melodrama (Cambridge: Cambridge University Press, 2018), pp. 31–46.Google Scholar

Gange, David, ‘Religion and science in late nineteenth-century British Egyptology’, The Historical Journal 49:4 (December 2006): 1083–103.Google Scholar

Garside, Peter, ‘Introduction: Consolidation and Dispersal’, in Garside, Peter, Raven, James and Schöwerling, Rainer (eds), The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, 2 vols (Oxford: Oxford University Press, 2000), vol. 2, pp. 1–103.Google Scholar

Gaskell, Elizabeth, ‘The Old Nurse’s Story’, in Gothic Tales, edited by Kranzler, Laura (Harmondsworth: Penguin, 2000), pp. 11–32.Google Scholar

Gaudenzi, Cosetta, ‘Carolina Invernizio’s “Punishment”’, Forum Italicum: A Journal of Italian Studies 38:2 (2004): 562–81.Google Scholar

Geffarth, Renko, ‘The Masonic Necromancer: Shifting Identities in the Lives of Johann Georg Schrepfer’, in Hammer, Olav and von Stuckrad, Kocku (eds), Polemical Encounters: Esoteric Discourse and Its Others (Leiden and Boston: Brill, 2007), pp. 181–97.Google Scholar

Gerard, Emily, ‘Transylvanian superstitions’, The Nineteenth Century 20 (July 1885): 128–44.Google Scholar

Ghidetti, Enrico (ed.), Notturno italiano. Racconti fantastici dell’Ottocento (Roma: Editori Riuniti, 1984).Google Scholar

Ghidetti, Enrico, Dal racconto fantastico al romanzo popolare (Roma: Editori Riuniti, 1987).Google Scholar

Ghislanzoni, Antonio, Racconti (Milano: Sonzogno, 1884).Google Scholar

Gianquitto, Tina, ‘Criminal Botany: Progress, Degeneration, and Darwin’s Insectivorous Plants’, in Gianquitto, Tina and Fisher, Lydia (eds), America’s Darwin: Darwinian Theory and U.S. Literary Culture (Athens, GA: University of Georgia Press, 2014), pp. 235–62.Google Scholar

Gilbert, Sandra M. and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale University Press, 1979).Google Scholar

Gilbert, Suzanne, ‘James Hogg and the Authority of Tradition’, in Alker, Sharon and Nelson, Holly Faith (eds), James Hogg and the Literary Marketplace: Scottish Romanticism and the Working-Class Author (Farnham: Ashgate, 2009), pp. 93–109.Google Scholar

Gillespie, Niall, ‘Irish Jacobin Gothic, c. 1796–1825’, in Morin, Christina and Gillespie, Niall (eds), Irish Gothics: Genres, Forms, Modes, and Traditions, c. 1760–1890 (Basingstoke: Palgrave Macmillan, 2014), pp. 58–73Google Scholar

Ginger, Andrew, Painting and the Turn to Cultural Modernity in Spain: The Time of Eugenio Lucas Velázquez (1850–1870) (Selinsgrove, PA: Susquehanna University Press, 2007).Google Scholar

Gledhill, Christine, ‘Domestic Melodrama’, in Williams, Carolyn (ed.), The Cambridge Companion to English Melodrama (Cambridge: Cambridge University Press, 2018), pp. 61–77.Google Scholar

Goddu, Teresa A., ‘The African American Slave Narrative and the Gothic’, in Crow, Charles L., A Companion to American Gothic (Walden, MA: Wiley Blackwell, 2014), pp. 71–83.Google Scholar

Gómez de Avellaneda, Gertrudis, ‘La dama de Amboto’, Leyendas del siglo XIX (Madrid: Akal, 2013), pp. 153–62.Google Scholar

de Vega, González, Gerardo, ‘La literatura fantástica española bajo el Antiguo Régimen’, El demonio meridiano: Cuentos fantásticos y de terror en la España del Antiguo Régimen (Madrid: Miraguano Ediciones, 2015), pp. 13–148.Google Scholar

Gorky, Maxim, ‘Newspaper review of the Lumière programme at the Nizhni-Novgorod Fair, Nizhegorodski listok, 4 July 1896’, in Harding, Colin and Popple, Simon (eds), In the Kingdom of Shadows: A Companion to Early Cinema (London: Cygnus arts, 1996), pp. 5–6.Google Scholar

Goslee, Nancy Moore, Shelley’s Visual Imagination (Cambridge: Cambridge University Press, 2011).Google Scholar

Gosse, Edmund, A History of Eighteenth Century Literature (1660–1780) (London and New York: Macmillan and Co., 1889).Google Scholar

Gray, Thomas, The Complete English Poems of Thomas Gray, edited by Reeves, James (London: Heineman, 1973).Google Scholar

Gray, William, Robert Louis Stevenson: A Literary Life (New York: Palgrave Macmillan, 2004).Google Scholar

Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare, revised edition (Chicago: University of Chicago Press, 2005).Google Scholar

Greenblatt, Stephen, Hamlet in Purgatory: Expanded Edition (Princeton, NJ and Oxford: Princeton University Press, 2013).Google Scholar

Grierson, Herbert J. C., Sir Walter Scott, Bart (London: Constable & Co., 1938).Google Scholar

Griffin, Gerald, ‘The Brown Man’, in Holland-Tide; or, Irish Popular Tales, 2nd edition (London: Saunders and Otley, 1827), pp. 295–307.Google Scholar

Groom, Nick, ‘“The Celtic Century” and the Genesis of Scottish Gothic’, in Davison, Carol Margaret and Germanà, Monica (eds), Scottish Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2017), pp. 14–27.Google Scholar

Groom, Nick, ‘Catachthonic romanticism: buried history, deep ruins’, Romanticism 24:2 (2018): 118–33.Google Scholar

Gruner, Elisabeth Rose, ‘Plotting the mother: Caroline Norton, Helen Huntingdon, and Isabel Vane’, Tulsa Studies in Women’s Literature 16:2 (Autumn 1997): 303–25.Google Scholar

Guerrazzi, Francesco Domenico, Note autobiografiche e poema (Firenze: Successori Le Monnier, 1899).Google Scholar

Gutiérrez, Luis, Cornelia Bororquia, o víctima de la Inquisición (Madrid: Cátedra, 2005).Google Scholar

Habegger, Alfred, Henry James and the ‘Woman Business’ (Cambridge: Cambridge University Press, 1989).Google Scholar

Hackenberg, Sara, ‘Vampires and resurrection men: the perils and pleasures of the embodied past in 1840s sensational fiction’, Victorian Studies 52:1 (2009): 63–75.Google Scholar

Haining, Peter (ed.), The Shilling Shockers: Stories of Terror from the Gothic Bluebooks (London: Gollancz, 1978).Google Scholar

Hale, Terry (ed.), Tales of the Dead: The Ghost Stories of the Villa Diodati (Chislehurst: The Gothic Society, 1992).Google Scholar

Hale, Terry, ‘Roman Noir’, in Mulvey-Roberts, Marie (ed.), The Handbook of the Gothic (Basingstoke: Palgrave Macmillan, 2009), pp. 307–9.Google Scholar

Hall, Michael, ‘Introduction’, in Hall, Michael (ed.), Gothic Architecture and Its Meanings, 1550–1830 (Reading: Spire Books, 2002), pp. 7–24.Google Scholar

Harries, Susie, Nikolaus Pevsner: The Life (London: Pimlico, 2013).Google Scholar

Harris, Elisha, ‘Introduction’, in Dugdale, Richard, ‘The Jukes’: A Study in Crime, Pauperism, Disease, and Heredity, 3rd edition (New York: G. P. Putnam’s sons, 1877), pp. v–vi.Google Scholar

Harris, Mason, ‘Introduction’, in Wells, H. G., The Island of Dr Moreau, edited by Harris, Mason (Peterborough, Ont.: Broadview, 2009), pp. 13–58.Google Scholar

Harson, Robert R., ‘Byron’s “Tintern Abbey”’, Keats-Shelley Journal 20 (1971): 113–21.Google Scholar

Hartman, Mary S., Victorian Murderesses: A True History of Thirteen Respectable French and English Women Accused of Unspeakable Crimes (New York: Schocken, 1977).Google Scholar

Hazlitt, William, Lectures on the English Poets. Delivered at the Surrey Institution (London: Printed for Taylor and Hessey, 1818).Google Scholar

Heard, Mervyn, Phantasmagoria: The Secret Life of the Magic Lantern (Hastings: The Projection Box, 2006).Google Scholar

Heard, Mervyn and Crangle, Richard, ‘The Temperance Phantasmagoria’, in Crangle, Richard, Heard, Mervyn and van Dooren, Ine (eds), Realms of Light: Uses and Perceptions of the Magic Lantern from the 17th to the 21st Century (London: The Magic Lantern Society, 2005), pp. 46–55.Google Scholar

Hecht, Hermann, ‘The history of projecting phantoms, ghosts, and apparitions – Part 1’, The New Magic Lantern Journal 3:1 (1984): 2–6.Google Scholar

Hecht, Hermann, ‘The history of projecting phantoms, ghosts, and apparitions – Part 2’, The New Magic Lantern Journal 3:2 (1984): 2–6.Google Scholar

Hecht, Hermann, ‘Stage magic and illusions’, The New Magic Lantern Journal 6:3 (1992): 10–13.Google Scholar

Heilman, Robert B., Tragedy and Melodrama: Versions of Experience (Seattle, WA and London: University of Washington Press, 1968).Google Scholar

Heller, Tamar, Dead secrets: Wilkie Collins and the Female Gothic (New Haven: Yale University Press, 1992).Google Scholar

Heller, Tamar, ‘Textual seductions: women’s reading and writing in Margaret Oliphant’s “The Library Window”’, Victorian Literature and Culture 25:1 (Spring 1997): 23–37.Google Scholar

Heller, Tamar, ‘Victorian sensationalism and the silence of maternal sexuality in Edith Wharton’s The Mother’s Recompense’, Narrative 5.2 (May 1997): 135–42.Google Scholar

Heller, Tamar, ‘Haunted Bodies: The Female Gothic of Wuthering Heights’, in Lonoff, Sue and Hasseler, Terri A. (eds), Approaches to Teaching Emily Brontë’s Wuthering Heights (New York: MLA Press, 2006), pp. 67–74.Google Scholar

Hendershot, Cindy, The Animal Within: Masculinity and the Gothic (Ann Arbor, MI: University of Michigan Press, 1998).Google Scholar

Henry, Eva M., ‘The Curse of Vasartas’, in Lost in a Pyramid & Other Classic Mummy Stories, edited and intro. by Smith, Andrew (London: British Library, 2016), pp. 107–25.Google Scholar

Henson, Louise, ‘Investigations and Fictions: Charles Dickens and Ghosts’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 44–63.Google Scholar

Herr, Curt, ‘Introduction’, in Rymer, James Malcolm, Varney the Vampire, edited by Herr, Curt (Crestline, CA: Zittaw Press, 2008), pp. 8–27.Google Scholar

Hervey, Thomas K., The Book of Christmas, reprint of 1836 edition (Boston, MA: Roberts Brothers, 1888).Google Scholar

Hill, Rosemary, God’s Architect: Pugin and the Building of Romantic Britain (London: Allen Lane, 2007).Google Scholar

Hill, Susan and Mallatratt, Stephen, The Woman in Black (London: Samuel French, 1989).Google Scholar

Hillis Miller, J., ‘The genres of A Christmas Carol’, Dickensian 89: 431 (Winter 1993): 193–206.Google Scholar

Hoeveler, Diane Long, Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 (Columbus, OH: Ohio State University Press, 2010).Google Scholar

Hoeveler, Diane Long, ‘More gothic gold: the Sadleir-Black chapbook collection at the University of Virginia Library., Papers on Language and Literature 46 (2010): 164–93.Google Scholar

Hoeveler, Diane Long, ‘Anti-Catholicism and the Gothic Imaginary: The Historical and Literary Contexts’, in McInelly, Brett C. (ed.), Religion in the Age of Enlightenment, 5 vols (New York: AMS Press, 2012), vol. 3, pp. 1–31.Google Scholar

Hoeveler, Diane Long, ‘Gothic Adaptation, 1764–1830’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (Abingdon and New York: Routledge, 2014), pp. 185–98.Google Scholar

Hoeveler, Diane Long, The Gothic Ideology: Religious Hysterias and Anti-Catholicism in British Popular Fiction, 1780–1880 (Cardiff: University of Wales Press, 2014).Google Scholar

Hogg, James, The Private Memoirs and Confessions of a Justified Sinner, edited by Garside, P. D. (Edinburgh: Edinburgh University Press, 2001).Google Scholar

Hogg, James, ‘The Brownie of the Black Haggs’, in The Shepherd’s Calendar, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2002), pp. 242–55.Google Scholar

Hogg, James, ‘Mary Burnet’, in The Shepherd’s Calendar, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2002), pp. 200–22.Google Scholar

Hogg, James, ‘Kilmeny’, in The Queen’s Wake, edited by Mack, Douglas S. (Edinburgh: Edinburgh University Press, 2004), pp. 288–96.Google Scholar

Hogg, James, ‘The Pedlar’, in The Mountain Bard, edited by Gilbert, Suzanne (Edinburgh: Edinburgh University Press, 2007), pp. 26–36.Google Scholar

Hogle, Jerrold E., ‘“Christabel” as gothic: the abjection of instability’, Gothic Studies 7:1 (2005): 18–28.Google Scholar

Hogle, Jerrold E., ‘The gothic image at the Villa Diodati’, The Wordsworth Circle 47 (2017): 16–26.Google Scholar

Hollington, Michael, ‘Dickens’s gothic gargoyles’, Dickens Quarterly 16:3 (September 1999): 160–77.Google Scholar

Holmes, Richard (ed.), Coleridge: Selected Poems (London: HarperCollins, 1996).Google Scholar

‘Homicidal Heroines’, in Maunder, Andrew (ed.), Sensationalism and the Sensation Debate: Varieties of Women’s Sensation Fiction 1855–1890, 6 vols (London: Pickering & Chatto, 2004), vol. 1, pp. 145–9.Google Scholar

Hood, Thomas, The Poetical Works of Thomas Hood, edited by Rossetti, William Michael (London: Ward, Lock, and Co., 1870).Google Scholar

Hooper, Lucy H., ‘Carnivorine’, in Arment, Chad (ed.), Botanica Delira: More Stories of Strange, Undiscovered, and Murderous Vegetation (Landisville, PA: Coachwhip, 2010), pp. 73–81.Google Scholar

Hopkins, Albert A., Magic: Stage Illusions and Scientific Diversions including Trick Photography (London: Sampson, Low, Marston and Co, 1897).Google Scholar

Horn, David G., The Criminal Body: Lombroso and the Anatomy of Deviance (New York: Routledge, 2003).Google Scholar

Howe, Stephen, Ireland and Empire: Colonial Legacies in Irish History and Culture (Oxford: Oxford University Press, 2000).Google Scholar

Huggett, Richard, Supernatural on Stage: Ghosts & Superstitions of the Theatre (New York: Taplinger, 1975).Google Scholar

Hughes, William, ‘The Uncanny Space of Regionality: Gothic Beyond the Metropolis’, in Hughes, William, and Heholt, Ruth (eds), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles (Cardiff: University of Wales Press, 2018), pp. 1–24.Google Scholar

Humpherys, Anne, ‘An Introduction to G. W. M. Reynolds’s “Encyclopaedia of Tales”’, in Humpherys, Anne and James, Louis (eds), G. W. M. Reynolds: Nineteenth-Century Fiction, Politics and the Press (Aldershot and Burlington, VT: Ashgate, 2008), pp. 123–32.Google Scholar

Hurley, Kelly, The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (Cambridge: Cambridge University Press, 1996).Google Scholar

Hyder, Clyde K., ‘Rossetti’s “Rose Mary”: a study in the occult’, Victorian Poetry 1:3 (1963): 197–207.Google Scholar

Iarocci, Michael P., Properties of Modernity: Romantic Spain, Modern Europe, and the Legacies of Empire (Nashville, TN: Vanderbilt University Press, 2006).Google Scholar

Illustrated Catalogue of Magic Lanterns (Chicago, IL: McIntosh Battery and Optical Company Co., 1890).Google Scholar

Jackson, Rosemary, Fantasy: The Literature of Subversion (London and New York, Methuen, 1981).Google Scholar

James, Henry, ‘Miss Braddon’, in Page, Norman (ed.), Wilkie Collins: The Critical Heritage (London: Routledge, 1974), pp. 122–4.Google Scholar

James, Henry, ‘Preface’, in The Turn of the Screw, edited by Beidler, Peter G. (Boston and New York: Bedford/St Martin’s, 2004), pp. 179–86.Google Scholar

James, Henry, ‘Review of Aurora Floyd’, in Wilson, Mark and Edel, Leon (eds), Literary Criticism: Essays on Literature, American Writers, English Writers (New York: Library of America, 1984), pp. 741–6.Google Scholar

James, Henry, ‘The Turn of the Screw’, in The Turn of the Screw and Other Stories, edited by Lustig, T. J. (Oxford: Oxford University Press, 2008), pp. 113–236.Google Scholar

James, Louis, Fiction for the Working Man, 1830–1850: A Study of the Literature Produced for the Working Classes in Early Victorian Urban England (London: Oxford University Press, 1963).Google Scholar

James, M. R., ‘The Mezzotint’, in James, M. R., Collected Ghost Stories, edited by Jones, Darryl (Oxford: Oxford University Press, 2011), pp. 24–34.Google Scholar

James, M. R., ‘Some Remarks on Ghost Stories’, in James, M. R., Collected Ghost Stories, edited by Jones, Darryl (Oxford: Oxford University Press, 2011), pp. 410–16.Google Scholar

James, William, ‘The Confidences of a “Psychical Researcher”’ (1909), in Essays in Psychical Research, edited by Burkhardt, Frederick and Bowers, Fredson (Cambridge and London: Harvard University Press, 1986), pp. 361–75.Google Scholar

Jann, Rosemary, ‘Democratic myths in Victorian medievalism’, Browning Institute Studies 8 (1980): 129–49.Google Scholar

Jarrells, Anthony, ‘Short Fictional Forms and the Rise of the Tale’, in Garside, Peter and O’Brien, Karen (eds), The Oxford History of the Novel in English, Volume II: English and British Fiction, 1750–1820 (Oxford: Oxford University Press, 2015), pp. 478–94.Google Scholar

Jerrold, Douglas, The Rent Day: A Domestic Drama, in Two Acts (London: Printed for C. Chappel, 1832).Google Scholar

Jewett, Sarah Orne, ‘In Dark New England Days’, in Straub, Peter (ed.), American Fantastic Tales: Terror and the Uncanny, From Poe to the Pulps, 2 vols (New York: Library of America), vol. 1, pp. 112–30.Google Scholar

Jewsbury, Geraldine, ‘Reader’s Report on East Lynne’, Appendix B in Wood, Ellen, East Lynne, edited by Maunder, Andrew (Peterborough, Ont.: Broadview Press, 2000), pp. 698–9.Google Scholar

Johnson, Ray, ‘Tricks, traps, and transformations: illusion in Victorian spectacular theatre’, Early Popular Visual Culture 5:4 (2007): 151–65.Google Scholar

Jones, David Annwn, Gothic Effigy: A Guide to Dark Visibilities (Manchester: Manchester University Press, 2018).Google Scholar

Jones, David J., Gothic Machine: Textualities, Pre-cinematic Media and Film in Popular Visual Culture, 1670–1910 (Cardiff: University of Wales Press, 2011).Google Scholar

Jones, Timothy G., ‘The canniness of the Gothic: genre as practice’, Gothic Studies 11:1 (2009): 124–33.Google Scholar

Jonckheere, Evelien and Vanhoutte, Kurt, ‘Metempsychosis as attraction on the fairground: the migration of a ghost’, Early Popular Visual Culture 17:2 (2019): 261–78.Google Scholar

Joshi, S. T., The Weird Tale: Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, H. P. Lovecraft (Austin: University of Texas Press, 1990).Google Scholar

Kahane, Claire, ‘The Gothic Mirror’, in Garner, Shirley Nelson, Kahane, Claire and Sprengnether, Madelon (eds), The (M)Other Tongue: Essays in Feminist Psychoanalytic Interpretation (Ithaca, NY: Cornell University Press, 1985), pp. 43–64.Google Scholar

Kaplan, Morton and Kloss, Robert, The Unspoken Motive: A Guide to Psychoanalytic Literary Criticism (New York: Free Press, 1973).Google Scholar

Kattelman, Beth A., ‘Spectres and Spectators: The Poly-Technologies of the Pepper’s Ghost Illusion’, in Reilly, Kara (ed.), Theatre, Performance, and Analogue Technology (Basingstoke: Palgrave Macmillan, 2013), pp. 198–213.Google Scholar

Keetley, Dawn, ‘Six Theses on Plant Horror’, in Keetley, Dawn and Tenga, Angela (eds), Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film (Basingstoke: Palgrave Macmillan, 2016), pp. 1–30.Google Scholar

Kelly, Gary (ed.), Varieties of Female Gothic, Volume II: Street Gothic: Female Gothic Chapbooks (London and Brookfield VT, Pickering & Chatto, 2002).Google Scholar

Kelvin, Norman (ed.), The Collected Letters of William Morris, 4 vols (Princeton, NJ: Princeton University Press, 1984–96).Google Scholar

Kember, Joe, Marketing Modernity: Victorian Popular Shows and Early Cinema (Exeter: University of Exeter Press, 2009).Google Scholar

Kember, Joe, ‘Productive intermediality and the expert audiences of magic theatre and early film’, Early Popular Visual Culture 8:1 (2010): 31–46.Google Scholar

Khair, Tabish, ‘Summing Up’, in The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere (New York: Palgrave Macmillan, 2009), pp. 157–74.Google Scholar

Kidd, Colin, Subverting Scotland’s Past: Scottish Whig Historians and the Creation of an Anglo-British Identity, 1689–1830 (Cambridge: Cambridge University Press, 2003).Google Scholar

Kilfeather, Siobhán, ‘The Gothic Novel’, in Foster, John Wilson (ed.), The Cambridge Companion to the Irish Novel (Cambridge: Cambridge University Press, 2006), pp. 78–96.Google Scholar

Kilgour, Maggie, The Rise of the Gothic Novel (London: Routledge, 1995).Google Scholar

Killeen, Jarlath, Gothic Ireland: Horror and the Irish Anglican Imagination in the Long Eighteenth Century (Dublin: Four Courts Press, 2005).Google Scholar

Killeen, Jarlath, Gothic Literature 1825–1914 (Cardiff: University of Wales Press, 2009).Google Scholar

Killeen, Jarlath, The Emergence of Irish Gothic Fiction: History, Origins, Theory (Edinburgh: Edinburgh University Press, 2014).Google Scholar

Killick, Tim, British Short Fiction in the Early Nineteenth Century: The Rise of the Tale (Aldershot and Burlington, VT: Ashgate, 2008).Google Scholar

King, Andrew, ‘“Literature of the Kitchen”: Cheap Serial Fiction of the 1840s and 1850s’, in Gilbert, Pamela K. (ed.), A Companion to Sensation Fiction (Malden, MA: Wiley-Blackwell, 2011), pp. 38–53.Google Scholar

King, Jason, ‘Emigration and the Anglo-Irish novel: William Carleton, “home sickness”, and the coherence of gothic conventions’, The Canadian Journal of Irish Studies, 26:2/27:1 (2000–1): 104–18.Google Scholar

Kipling, Rudyard, The Collected Poems of Rudyard Kipling, edited by Jones, R. T. (Ware: Wordsworth, 1999).Google Scholar

Kipling, Rudyard, The Phantom ’Rickshaw and Other Ghost Stories (Fairfield, CT: 1st World Library, 2007).Google Scholar

Kirkpatrick, Jobert J., From the Penny Dreadful to the Ha’penny Dreadfuller: A Bibliographic History of the Boys’ Periodical in Britain 1762–1950 (London: British Library; New Castle, DE: Oak Knoll Press, 2013).Google Scholar

Kite, Stephen, ‘Shaping the Darks; Ruskin’s “Energetic Shadow”’, in Brittain- Catlin, Timothy, de Meyer, Jan and Bressani, Martin (eds), Gothic Revival Worldwide: A. W. N. Pugin’s Global Influence (Leuven: Leuven University Press, 2016), pp. 228–39.Google Scholar

Kitson, Peter J., ‘The Victorian Gothic’, in Baker, William and Womack, Kenneth (eds), A Companion to the Victorian Novel (Westport, CT: Greenwood Press, 2002), pp. 163–76.Google Scholar

Kleiner, Fred S., Gardner’s Art Through the Ages: Non-Western Perspectives, 13th edition (Boston, MA: Wadsworth, 2010).Google Scholar

Kliger, Samuel, ‘The “Goths” in England: an introduction to the Gothic vogue in eighteenth-century aesthetic discussion’, Modern Philology 43:2 (1945): 107–17.Google Scholar

Klopp, Charles, ‘Workshops of Creation, Filthy and Not: Collodi’s “Pinocchio” and Shelley’s “Frankenstein”’, in Pizzi, Katia (ed.), Pinocchio, Puppets and Modernity: The Mechanical Body (London and New York: Routledge, 2012), pp. 63–74.Google Scholar

Koch, Angela, ‘Gothic bluebooks in the princely library of Corvey and beyond’, Cardiff Corvey: Reading the Romantic Text 9 (December 2002) <www.romtext.org.uk/articles/cc09_n01\> (last accessed 10 June 2019).Google Scholar

Koselleck, Reinhart, Futures Past: On the Semantics of Historical Time, trans. and edited by Tribe, Keith (New York and Chichester: Columbia University Press, 2004).Google Scholar

Kreilkamp, Vera, ‘The Novel of the Big House’, in Foster, John Wilson (ed.), The Cambridge Companion to the Irish Novel (Cambridge: Cambridge University Press, 2006), pp. 60–77.Google Scholar

Kristeva, Julia, Powers of Horror: An Essay on Abjection, trans. by Leon S. Roudiez (New York: Columbia University Press, 1982).Google Scholar

Lang, Andrew, ‘The comparative study of ghost stories’, The Nineteenth Century 17 (1885): 623–32.Google Scholar

Lang, Andrew, ‘Mrs. Radcliffe’s novels’, The Cornhill Magazine 9:49 (July 1900): 23–34.Google Scholar

Langdon, Perceval, ‘Railhead’, in Ashley, Mike (ed.), The Platform Edge: Uncanny Tales of the Railways (London: British Library, 2019), pp. 109–18.Google Scholar

Lankester, Edwin, Degeneration: A Chapter in Darwinism (London: Macmillan, 1880).Google Scholar

Law, Graham and Patten, Robert L., ‘The Serial Revolution’, in McKitterick, David (ed.), The Cambridge History of the Book in Britain, Volume VI: 1830–1914 (Cambridge: Cambridge University Press, 2009), pp. 144–71.Google Scholar

Ledger, Sally and Luckhurst, Roger (eds), The Fin-de-Siècle Reader: A Reader in Cultural History, c. 1880–1900 (Oxford: Oxford University Press, 2000).Google Scholar

Lee, Vernon, Hauntings and Other Fantastic Tales, edited by Maxwell, Catherine and Pulham, Patricia (Peterborough, Ont.: Broadview, 2006).Google Scholar

Le Fanu, Joseph Sheridan, ‘Fireside horrors for Christmas’, Dublin University Magazine 30: 180 (December 1847): 631–46.Google Scholar

Le Fanu, Joseph Sheridan, Uncle Silas, edited by Sage, Victor (London: Penguin Books, 2000).Google Scholar

Le Fanu, Sheridan, ‘Green Tea’, in Newton, Michael (ed.), The Penguin Book of Ghost Stories (Harmondsworth: Penguin, 2010), pp. 105–39.Google Scholar

Le Fanu, Joseph Sheridan, Carmilla: A Critical Edition, edited by Costello-Sullivan, Kathleen (Syracuse, NY: Syracuse University Press, 2013).Google Scholar

‘Lenora. A Ballad, from Bürger’, The Monthly Magazine, and British Register vol. 1 (1796): 135–7.Google Scholar

Leon, Derrick, Ruskin, the Great Victorian (London: Routledge and Kegan Paul, 1949).Google Scholar

Leopardi, Giacomo, Essays, Dialogues and Thoughts, trans. by Patrick Maxwell (London: Walter Scott, Ltd. 1880).Google Scholar

Leopardi, Giacomo, Zibaldone: The Notebooks of Leopardi, edited by Caesar, Michael and D’intino, Franco, trans. by Kathleen Baldwin, Richard Dixon, David Gibbons, Ann Goldstein, Gerard Slowey, Martin Thom and Pamela Williams (Harmondsworth: Penguin, 2013).Google Scholar

Levine, George, Darwin and the Novelists: Patterns of Science in Victorian Fiction (Cambridge, MA: Harvard University Press, 1989).Google Scholar

Levine, George, Darwin the Writer (Oxford: Oxford University Press, 2011)Google Scholar

Lévy, Maurice, ‘“Gothic” and the Critical Idiom’, in Smith, Allan Lloyd and Sage, Victor (eds), Gothick Origins and Innovations (Amsterdam and Atlanta, GA: Rodopi, 1994), pp. 1–15.Google Scholar

Lewis, Matthew Gregory, The Castle Spectre: A Drama. In Five Acts (London, Printed for J. Bell, 1798).Google Scholar

Liggins, Emma, ‘Gendering the spectral encounter at the fin de siècle: unspeakability in Vernon Lee’s supernatural stories’, Gothic Studies 15:2 (2013): 37–52.Google Scholar

Lockhart, J. G., Memoirs of the Life of Sir Walter Scott, Bart. 7 vols (Edinburgh: R. Cadell, 1837–8).Google Scholar

Logie Robertson, J. (ed.), Scott: Poetical Works (London: Oxford University Press, 1971).Google Scholar

Lombardo, Paul, ‘Return of the Jukes: eugenic mythologies and internet evangelism’, Journal of Legal Medicine 33:2 (2012): 207–33.Google Scholar

Lombroso, Cesare, Ricerche sui fenomeni ipnotici e spiritici (Torino: Unione Tipografico-Editrice Torinese, 1909).Google Scholar

Lombroso, Cesare, Criminal Man, trans. and edited by Mary Gibson and Nicole Hahn Rafter (Durham, NC: Duke University Press, 2006).Google Scholar

Lombroso-Ferrero, Gina, Criminal Man (New York: G. P. Putnam’s Sons, 1911).Google Scholar

Longueil, Alfred E., ‘The word “gothic” in eighteenth century criticism’, Modern Language Notes 38:8 (December 1923): 453‒60.Google Scholar

López Santos, Miriam, ‘Introducción’, Pascual Pérez y Rodríguez, La urna sangrienta o el panteón de Scianella (Madrid: Siruela, 2010), pp. 13–25.Google Scholar

López Santos, Miriam, La novela gótica en España (1788–1833) (Vigo: Academia del Hispanismo, 2010).Google Scholar

Rosamaria, Loretelli and Dunkley, John, ‘Translating Ann Radcliffe’s The Italian: André Morellet and Giovanni De Coureil’, in De Michelis, Lidia, Guerra, Lia and O’Gorman, Frank (eds), Politics and Culture in Eighteenth-Century Anglo-Italian Encounters. Entangled Histories (Newcastle: Cambridge Scholars, 2019), pp. 2–46.Google Scholar

Lotman, Juri, Culture and Explosion, edited by Grishakova, Marina (Berlin: De Gruyter, 2009).Google Scholar

Lucerna Magic Lantern Web Resource <www.slides.uni-trier.de/set/index.php?language=EN&id=3005238> (last accessed 28 May 2019).+(last+accessed+28+May+2019).>Google Scholar

Luck, Chad, ‘George Lippard and the Rise of the Urban Gothic’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden, MA: Wiley Blackwell, 2014), pp. 124–36Google Scholar

Luckhurst, Roger, The Mummy’s Curse: The True History of a Dark Fantasy (Oxford: Oxford University Press, 2012).Google Scholar

Luckhurst, Roger, ‘Psychoanalysis’, in Hughes, William, Punter, David and Smith, Andrew (eds), The Encyclopedia of the Gothic, 2 vols (Malden, MA and Chichester: Wiley-Blackwell, 2016), vol. 2, pp. 526–31.Google Scholar

Lutz, Deborah, ‘Gothic Fictions in the Nineteenth Century’, in Kucich, John and Taylor, Jenny Bourne (eds), The Oxford History of the Novel in English, Volume III: The Nineteenth-Century Novel 1820–1880 (Oxford: Oxford University Press, 2012), pp. 76–89.Google Scholar

Lynch, Eve M., ‘Spectral Politics: The Victorian Ghost Story and the Domestic Servant’, in Bown, Nicola, Burdett, Carolyn and Thurschwell, Pamela (eds), The Victorian Supernatural (Cambridge: Cambridge University Press, 2004), pp. 67–86.Google Scholar

MacCarthy, Fiona, William Morris: A Life for Our Time, 2nd edition (London: Faber and Faber, 2010).Google Scholar

Macdonald, D. L., Poor Polidori: A Critical Biography of the Author of The Vampyre (Toronto: University of Toronto Press, 1991).Google Scholar

Machen, Arthur, Selected Letters: The Private Writings of the Master of the Macabre, edited by Dobson, Roger, Brangham, Godfrey and Gilbert, R. A. (Wellingborough: Aquarian Press, 1988).Google Scholar

Machen, Arthur, ‘The Inmost Light’, in Wagner, Corinna (ed.), Gothic Evolutions: Poetry, Tales, Context, Theory (Peterborough, Ont.: Broadview, 2014), pp. 388–406.Google Scholar

Mack, Douglas S., Scottish Fiction and the British Empire (Edinburgh: Edinburgh University Press, 2006).Google Scholar

Madden, Lionel (ed.), Robert Southey: The Critical Heritage (London: Routledge, 1972).Google Scholar

Mahawatte, Royce, ‘Horror in the Nineteenth Century: Dreadful Sensations, 1820–80’, in Reyes, Xavier Aldana (ed.), Horror: A Literary History (London: British Library, 2016), pp. 77–101.Google Scholar

Makala, Melissa Edmundson, Women’s Ghost Literature in Nineteenth-Century Britain (Cardiff: University of Wales Press, 2013).Google Scholar

Malchow, Howard L., Gothic Images of Race in Nineteenth-Century Britain (Stanford: Stanford University Press, 1996).Google Scholar

Malley, Shawn, ‘“Time hath no power against identity”: historical continuity and archaeological adventure in H. Rider Haggard’s She’, English Literature in Transition 1880–1920 40:3 (1997): 275–97Google Scholar

Malthête, Jacques and Mannoni, Laurent, Méliès, Magie et Cinéma (Paris: Paris-Musées, 2002).Google Scholar

Mandal, Anthony, ‘The Ghost Story and the Victorian Literary Marketplace’, in Brewster, Scott and Thurston, Luke (eds), The Routledge Handbook to the Ghost Story (New York and London: Routledge, 2017), pp. 29–39.Google Scholar