Book contents
- Frontmatter
- Contents
- Introduction
- 1 Beginnings
- 2 Modernist Experiments: Gertrude Stein and Others
- 3 H.D. and the Limits of Vision
- 4 Ernest Hemingway: The Observer's Visual Field
- 5 Success and Stardom in F. Scott Fitzgerald
- 6 William Faulkner: Perspective Experiments
- 7 John Dos Passos and the Art of Montage
- 8 Dreiser, Eisenstein and Upton Sinclair
- 9 Documentary of the 1930s
- 10 John Steinbeck: Extensions of Documentary
- 11 Taking Possession of the Images: African American Writers and the Cinema
- 12 Into the Night Life: Henry Miller and Anaïs Nin
- 13 Nathanael West and the Hollywood Novel
- Bibliography
- Index
Bibliography
- Frontmatter
- Contents
- Introduction
- 1 Beginnings
- 2 Modernist Experiments: Gertrude Stein and Others
- 3 H.D. and the Limits of Vision
- 4 Ernest Hemingway: The Observer's Visual Field
- 5 Success and Stardom in F. Scott Fitzgerald
- 6 William Faulkner: Perspective Experiments
- 7 John Dos Passos and the Art of Montage
- 8 Dreiser, Eisenstein and Upton Sinclair
- 9 Documentary of the 1930s
- 10 John Steinbeck: Extensions of Documentary
- 11 Taking Possession of the Images: African American Writers and the Cinema
- 12 Into the Night Life: Henry Miller and Anaïs Nin
- 13 Nathanael West and the Hollywood Novel
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Cinematic FictionsThe Impact of the Cinema on the American Novel up to World War II, pp. 281 - 306Publisher: Liverpool University PressPrint publication year: 2009