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5 - All in the Mind? The Cognitive Status of Film Grammar

Published online by Cambridge University Press:  02 December 2009

Warren Buckland
Affiliation:
Liverpool John Moores University
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Summary

The problem for the linguist … is to determine from the data of performance the underlying system of rules that has been mastered by the speaker-hearer and that he puts to use in actual performance. Hence, in the technical sense, linguistic theory is mentalistic, since it is concerned with discovering a mental reality underlying actual behavior.

(Noam Chomsky)

My aim … is to argue for what I will gladly call a grammar of film, and adhere at the same time to a conception of scientific work broadly comparable to that of Metz (and [Sol] Worth), but advancing different theses as to the general nature of rules committed to representing this model of the structure of film.

(Dominique Chateau)

One indication that linguistics has become a mature science is its ability to handle in a formalized manner the problem of ‘grammaticality’, or to define in formal terms the boundary between ‘grammatical’ and ‘ungrammatical’ sentences. A technical formulation of this boundary was one of Noam Chomsky's primary aims in his transformational generative grammar (TGG). We can claim that film theory has reached a relatively mature stage (in comparison with other disciplines in the humanities) thanks in part to attempts to develop a film ‘grammar’ based on Chomsky's early theories of TGG.

David Bordwell has expressed his surprise “that theorists who assign language a key role in determining subjectivity have almost completely ignored the two most important contemporary developments in linguistic theory: Chomsky's Transformational Generative Grammar and his Principles-and-Parameters theory.”

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Publisher: Cambridge University Press
Print publication year: 2000

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