Book contents
- Frontmatter
- Contents
- Acknowledgements
- Series Editor’s Preface
- Introduction
- PART I MOTION
- Introduction: The Physics and Metaphysics of Metaphor
- 1 The Erotic Potential of Idleness in Lyly’s Drama
- 2 The ‘Raging Motions’ of Eros on Shakespeare’s Stage
- PART II SPACE
- Introduction: In Love
- 3 ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion
- 4 Binding the Void: The Erotics of Place in Antony and Cleopatra
- PART III CREATIVITY
- Introduction: Erotic Subject, Object, Instrument
- 5 ‘Love’s Use’ in Campaspe
- 6 ‘You lie, in faith’: Making Marriage in The Taming of the Shrew
- Conclusion: Metaphorical Constraints: Making ‘frenzy . . . Fine’
- Bibliography
- Index
PART III - CREATIVITY
Published online by Cambridge University Press: 01 October 2020
- Frontmatter
- Contents
- Acknowledgements
- Series Editor’s Preface
- Introduction
- PART I MOTION
- Introduction: The Physics and Metaphysics of Metaphor
- 1 The Erotic Potential of Idleness in Lyly’s Drama
- 2 The ‘Raging Motions’ of Eros on Shakespeare’s Stage
- PART II SPACE
- Introduction: In Love
- 3 ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion
- 4 Binding the Void: The Erotics of Place in Antony and Cleopatra
- PART III CREATIVITY
- Introduction: Erotic Subject, Object, Instrument
- 5 ‘Love’s Use’ in Campaspe
- 6 ‘You lie, in faith’: Making Marriage in The Taming of the Shrew
- Conclusion: Metaphorical Constraints: Making ‘frenzy . . . Fine’
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Conceiving Desire in Lyly and ShakespeareMetaphor, Cognition and Eros, pp. 169 - 170Publisher: Edinburgh University PressPrint publication year: 2020