Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-22T08:17:45.049Z Has data issue: false hasContentIssue false

Chapter 5 - Candi Pembakaran at Ratu Boko: Its Possible Function and Association with the Mediaeval Sri Lankan Monastery at Anurādhapura

Published online by Cambridge University Press:  30 June 2023

Get access

Summary

INTRODUCTION

Measuring 26 by 26 metres and situated on the northwestern side of the Ratu Boko complex, a square, two-terraced platform with a deep hole at the centre can be found just steps away from the entrance to the second enclosure. The structure is known locally as Candi Pembakaran, which literally means ‘Temple of Ash’ due to the fact that it was believed to be a crematorium or a sacrificial fire pit as ashes were said to have been found on the structure. However, its actual purpose remains unclear.

The fragment of an inscription unearthed near the entrance to the second enclosure reveals that the complex was modelled after the Abhayagirivihāra in Anurādhapura, Sri Lanka. The renowned Dutch epigraphist Johannes G. de Casparis (1961: 245) observed that it is ‘either a more or less exact replica of the Ceylonese monastery or, more probably, a building which had enough in common with it—in form or spirit or both—to deserve the same name.’ If the inscription and de Casparis’ observations are indeed reliable, a square pit or similar structure must also have existed in Anurādhapura. Faxian, a travelling Buddhist monk who lived in the 5th century CE, talks about a square Bodhi shrine at Abhayagirivihāra in his chronicle. In the light of the brief description of the Abhayagirivihāra's shrine given by the monk and of its location near a water source, one may surmise that the square structure at Ratu Boko might have had the same function, given that the Bodhi shrine is one part of a threefold Buddhist monastery consisting of a stūpa, a pratimāghara (temple for a Buddha image), and a bodhighara (outdoor shrine for the Bodhi tree). On the other hand, this structure could simply have been a part of a stūpa and the large square pit at the centre would then have been the dhātugarbha (relic chamber). Through the survey of inscriptions, chronicles, archaeological data as well as the comparison of the structure with a variety of existing monuments, this chapter aims to identify the function of Candi Pembakaran at Ratu Boko. The result suggests that the Candi may have had a function different from what archaeologists have imagined thus far.

Type
Chapter
Information
The Creative South
Buddhist and Hindu Art in Mediaeval Maritime Asia
, pp. 74 - 93
Publisher: ISEAS–Yusof Ishak Institute
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×