Book contents
- Frontmatter
- Dedication
- Epigraph
- Contents
- Acknowledgments
- Introduction: What Is the Criminal Baroque?
- 1 The Theatrical Jácara and the Celebration of “Desórdenes Públicos”
- 2 The Alguaciles as Theatrical Peacekeepers and Lawbreakers
- 3 The Criminal Leading Man as Brawler and Soldier
- 4 Criminality, Theatricality and Nobility, Part I: Corpus Christi Chaos in Seville
- 5 Criminality, Theatricality and Nobility, Part II: The Spectacular Fall of Don Rodrigo Calderón
- 6 Criminality and Kingship on Stage
- Conclusion
- Bibliography
- Index
- Frontmatter
- Dedication
- Epigraph
- Contents
- Acknowledgments
- Introduction: What Is the Criminal Baroque?
- 1 The Theatrical Jácara and the Celebration of “Desórdenes Públicos”
- 2 The Alguaciles as Theatrical Peacekeepers and Lawbreakers
- 3 The Criminal Leading Man as Brawler and Soldier
- 4 Criminality, Theatricality and Nobility, Part I: Corpus Christi Chaos in Seville
- 5 Criminality, Theatricality and Nobility, Part II: The Spectacular Fall of Don Rodrigo Calderón
- 6 Criminality and Kingship on Stage
- Conclusion
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- The Criminal BaroqueLawbreaking, Peacekeeping, and Theatricality in Early Modern Spain, pp. xi - xiiPublisher: Boydell & BrewerPrint publication year: 2020