Abstract

In the seventeenth century, the Dutch Republic dominated global trade. Historical research has stressed the positive effects of exchanges of goods and knowledge. In literary criticism, the merchant-poet Joannes Six van Chandelier (1620–1695) is similarly presented as a poet with an interest in the material world. But Six’s work includes a number of poems on exotic materials that not yet have been examined. These texts show that global trade, to a greater extent than previously understood, gave rise to a certain moral anxiety. I argue that Six’s approach to exotics drugs is therefore determined by a process of self-criticism, but that it also contributed to an important shift in early modern science, from drug lore based on mythical concepts, to botany based on experience and observation.

Keywords: Global trade, early modern, poetry, exotic drugs, history of science, botany

[I]t gives me […] pleasure to watch the ships arriving, laden with all the produce of the Indies and all the rarities of Europe. Where else on earth could you find, as easily as you do here, all the conveniences of life and all the curiosities you could hope to see?