Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Part I About Theories and Philosophies
- Part II About Self
- Part III About Memory
- Chapter 4 The Cultural Scene: Allure of Tales in the Living Texts
- Chapter 5 Remembering Mahabharata: The Story Telling Time and the Time of the Story
- Chapter 6 Gendered Memories: The Heroine's Journey in Time
- Part IV About Interpretation
- Part V About Self, Memory and Interpretation
- Appendix I Tables
- Appendix II Interview Documents
- References
Chapter 6 - Gendered Memories: The Heroine's Journey in Time
from Part III - About Memory
Published online by Cambridge University Press: 05 March 2012
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Part I About Theories and Philosophies
- Part II About Self
- Part III About Memory
- Chapter 4 The Cultural Scene: Allure of Tales in the Living Texts
- Chapter 5 Remembering Mahabharata: The Story Telling Time and the Time of the Story
- Chapter 6 Gendered Memories: The Heroine's Journey in Time
- Part IV About Interpretation
- Part V About Self, Memory and Interpretation
- Appendix I Tables
- Appendix II Interview Documents
- References
Summary
Women's history has a dual goal: to restore women to history and to restore our history to women.
Joan Kelly-GadolThe excursion into the past to recall the epic heroine raises a whole range of questions about memory, representation, retrieval and about the patriarchal structure within which these mental activities take place. The questions are about her very existence in the memory storehouse, and if she does exist, then the questions are about her “location” and about the nature of representation in the individual and collective memory. In the interviews that I conducted, I found a sharp contrast between the recollections of other characters in the Mahabharata and the recollections of its heroine Draupadi. A significant 67 percent of the subjects said that they either had no thoughts on Draupadi, or they didn't care about her or even disliked her or simply reported the events in which she was the central figure (See Appendix I, Table 5).
The questions that came to my mind were varied; has Draupadi disappeared from the memory storehouse, or was she never encoded in the memory to begin with, or is she disseminated, or is it a problem of retrieval, because recalling her would mean confronting some ugly gender questions and waging the gender battle, or is the memory in the Freudian sense repressed; the ego simply cannot handle the anxiety she produces.
- Type
- Chapter
- Information
- Dialogics of Self, the Mahabharata, and CultureThe History of Understanding and Understanding of History, pp. 141 - 154Publisher: Anthem PressPrint publication year: 2010