Book contents
- Frontmatter
- Contents
- Introduction
- Auferstanden aus Ruinen: Die Konstruktion kultureller Traditionen einer traditionslosen Gesellschaft im Wiederaufbaufilm der SBZ
- “A Romance with One’s Own Fantasy”: The Nostalgia of Exile in Anna Seghers’s Mexico
- From Narrative to Symbol: The Development of the Antifascist Monument in the GDR
- Mama, ich lebe: Konrad Wolf’s Intermedial Parable of Antifascism
- Queering the Antifascist State: Ravensbrück as a Site of Lesbian Resistance
- Formalism, Naturalism, and the Elusive Socialist Realist Picture at the GDR’s Dritte deutsche Kunstausstellung, 1953
- “Cold, Clean, Meaningless”: Industrial Design and Cultural Politics in the GDR 1950−1965
- (Re)defining the Musical Heritage: Confrontations with Tradition in East German New Music
- Zwischen klassischem Erbe, marxistischer Geschichtsphilosophie und Strukturalismus: Dieter Schlenstedts Entwurf einer „sozialistischen“ Gattungstheorie
- Vom „Klassencharakter der Literatur“ zum „nationalen Kulturerbe“: Zum Zusammenhang von Kulturpolitik und Literaturwissenschaft in der DDR der siebziger und achtziger Jahre
- Polyphonic Traditions: Schiller, Sinn und Form and the “Thick” Literary Journal
- Composing the Canon: The Individual and the Romantic Aesthetic in the GDR
- Recalling the Goddess Pandora: From Utopia to Resignation, from Goethe to Peter Hacks in Irmtraud Morgner’s Amanda
- Distinktionsstrategien im literarischen Feld und Aktualisierung tabuisierter Traditionen in der selbst verlegten Literatur der DDR in den 1980er Jahren
Queering the Antifascist State: Ravensbrück as a Site of Lesbian Resistance
Published online by Cambridge University Press: 28 February 2023
- Frontmatter
- Contents
- Introduction
- Auferstanden aus Ruinen: Die Konstruktion kultureller Traditionen einer traditionslosen Gesellschaft im Wiederaufbaufilm der SBZ
- “A Romance with One’s Own Fantasy”: The Nostalgia of Exile in Anna Seghers’s Mexico
- From Narrative to Symbol: The Development of the Antifascist Monument in the GDR
- Mama, ich lebe: Konrad Wolf’s Intermedial Parable of Antifascism
- Queering the Antifascist State: Ravensbrück as a Site of Lesbian Resistance
- Formalism, Naturalism, and the Elusive Socialist Realist Picture at the GDR’s Dritte deutsche Kunstausstellung, 1953
- “Cold, Clean, Meaningless”: Industrial Design and Cultural Politics in the GDR 1950−1965
- (Re)defining the Musical Heritage: Confrontations with Tradition in East German New Music
- Zwischen klassischem Erbe, marxistischer Geschichtsphilosophie und Strukturalismus: Dieter Schlenstedts Entwurf einer „sozialistischen“ Gattungstheorie
- Vom „Klassencharakter der Literatur“ zum „nationalen Kulturerbe“: Zum Zusammenhang von Kulturpolitik und Literaturwissenschaft in der DDR der siebziger und achtziger Jahre
- Polyphonic Traditions: Schiller, Sinn und Form and the “Thick” Literary Journal
- Composing the Canon: The Individual and the Romantic Aesthetic in the GDR
- Recalling the Goddess Pandora: From Utopia to Resignation, from Goethe to Peter Hacks in Irmtraud Morgner’s Amanda
- Distinktionsstrategien im literarischen Feld und Aktualisierung tabuisierter Traditionen in der selbst verlegten Literatur der DDR in den 1980er Jahren
Summary
ON 10 MARCH 1984, a group of lesbians from the Berlin-based “Arbeitskreis Homosexuelle Selbsthilfe-Lesben in der Kirche” (Lesbians in the Church — LiC) made their first “official” trip to Ravensbrück, the former concentration camp in Fürstenberg, north of Berlin where they visited the museum and wrote a passage in the visitor's book memorializing the victims of fascism, especially lesbians, and placed a wreath. All evidence of their visit was removed within a week. In response, the group registered a formal complaint and were informed the group's name was the problem. A year later, eleven women from the same group attempted to travel to Ravensbrück again, on the 40th anniversary of its liberation. The day before the memorial, one woman from the group was taken to the nearest police station and interrogated. Despite warnings against attending as a group, all eleven women decided to attend individually. They were followed from their respective homes, rounded up at the train station in Fürstenberg, and loaded into a truck. The local riot police harassed, interrogated, and finally allowed them to leave, without going to the memorial. After further complaint, the LiC were encouraged to find an “appropriate” way to honor the lesbian victims of Ravensbrück. On 20 April 1986, the LiC once again made their way to Ravensbrück accompanied by representatives from the peace organization, Aktion Sühnezeichen, where they received a tour of the grounds and museum, wrote in the visitor's book, and placed a wreath.
After reviewing these events, the following questions emerge: Why the fuss? What could possibly have been the problem, especially in an antifascist state, with honoring women who died at the hands of Nazis? How could this behavior be contrary to the GDR's antifascist agenda? The lesbians involved asked ministry officials a similar question: “Inwiefern würden wir, wenn wir als Gruppe auftreten würden, den gesellschaftlichen Interessen widersprechen?” To which they received only the answer, “Das kann ich nicht beantworten” (GZ, transcript of meeting, 31 May 1985). It is clear throughout the whole set of events that the problem was the identifiable, or even the threat of an identifiable, lesbian presence in a public venue; it was then, and still is, a question of space and power.
This article examines the conflict between a specific social group, LiC, and the ruling body, the GDR state. The GDR state blocked lesbian participation at Ravensbrück to control East German civil society.
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- Edinburgh German Yearbook 3Contested Legacies: Constructions of Cultural Heritage in the GDR, pp. 76 - 89Publisher: Boydell & BrewerPrint publication year: 2009
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