Book contents
- Engaging Bach
- Series page
- Engaging Bach
- Copyright page
- Contents
- Illustrations
- Musical examples
- Tables
- Preface
- Abbreviations
- Part I The posthumous reassessment of selected works
- Chapter 1 Why the keyboard works?
- Chapter 2 Inventing the Bach chorale
- Chapter 3 What Mozart learned from Bach
- Part II Divergent streams of reception in the early nineteenth century
- Select bibliography
- Index
Chapter 2 - Inventing the Bach chorale
from Part I - The posthumous reassessment of selected works
Published online by Cambridge University Press: 05 April 2012
- Engaging Bach
- Series page
- Engaging Bach
- Copyright page
- Contents
- Illustrations
- Musical examples
- Tables
- Preface
- Abbreviations
- Part I The posthumous reassessment of selected works
- Chapter 1 Why the keyboard works?
- Chapter 2 Inventing the Bach chorale
- Chapter 3 What Mozart learned from Bach
- Part II Divergent streams of reception in the early nineteenth century
- Select bibliography
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781139027908/resource/name/firstPage-9781139027908c2_p34-54_CBO.jpg)
- Type
- Chapter
- Information
- Engaging BachThe Keyboard Legacy from Marpurg to Mendelssohn, pp. 34 - 54Publisher: Cambridge University PressPrint publication year: 2012