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5 - Some ideas concerning the relationship between form and texture

from Part II - Ideas and challenges

Published online by Cambridge University Press:  05 April 2016

By
Raúl Minsburg
Edited by
Simon Emmerson  and
Leigh Landy
Simon Emmerson
Affiliation:
De Montfort University, Leicester
Leigh Landy
Affiliation:
De Montfort University, Leicester
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Type
Chapter
Information
Expanding the Horizon of Electroacoustic Music Analysis , pp. 102 - 120
Publisher: Cambridge University Press
Print publication year: 2016

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References

References

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Kendall, Gary. 2008b. What is an event? The EVENT schema, circumstances, metaphor and gist. Proceedings of the 2008 International Computer Music Conference, Belfast.Google Scholar
Landy, Leigh. 2007a. The Music of Sounds. Série Musique et nouvelles Technologies 3. Paris: Mint/Sorbonne.Google Scholar
Landy, Leigh. 2007b. Understanding the Art of Sound Organization. Cambridge, MA: MIT Press.CrossRefGoogle Scholar
Meyer, Leonard. 1956. Emotion and Meaning in Music. University of Chicago Press.Google Scholar
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Roy, Stéphane. 2003. L’analyse des musiques électroacoustiques: modèles et propositions. Paris: L’Harmattan.Google Scholar
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Wishart, Trevor. 1994. Audible Design: A Plain and Easy Introduction to Practical Sound Composition. York: Orpheus The Pantomime.Google Scholar
Young, John. 2010. Formación de la forma. In Minsburg, R. and Landy, L. (eds.) En el límite – Escritos sobre arte y tecnología. Buenos Aires: Ediciones de la Unla.Google Scholar
Belloc, Enrique. 1998. Canto ancestral I. Unreleased electroacoustic work.Google Scholar
de Armas, Ricardo. 2011. El sueño de la razón roduce monstruos. Electroacoustic work. https://soundcloud.com/ricardodearmas/el-sue-o-de-la-raz-n-produce (accessed 11 April 2015).Google Scholar
Garzón, Eleazar. 2005. Marfíl y ebano. Electroacoustic work in Sonidos en mi laberinto.Google Scholar
Luna, Fabián Esteban. 2010. Omnipraesentia. Electroacoustic work. https://soundcloud.com/fabianestebanluna/omnipraesentia-2010 (accessed 11 April 2015).Google Scholar
Menezes, Flo. 2001. Harmonia das Esferas. Electroacoustic work in Música Maximalista * Maximal Music, Vol. 7, Studio PANaroma.Google Scholar
Parmegiani, Bernard. 1974. Incidences/Resonances. On De natura sonorum. INA/GRM, AM 714.01.Google Scholar
Rudy, Paul. 2007. In Lake’ch. Electroacoustic work. https://play.spotify.com/album/1Vp23oIlEAJ0PvmOw6llpp (accessed 11 April 2015).Google Scholar
Belloc, Enrique. 1998. Canto ancestral I. Unreleased electroacoustic work.Google Scholar
de Armas, Ricardo. 2011. El sueño de la razón roduce monstruos. Electroacoustic work. https://soundcloud.com/ricardodearmas/el-sue-o-de-la-raz-n-produce (accessed 11 April 2015).Google Scholar
Garzón, Eleazar. 2005. Marfíl y ebano. Electroacoustic work in Sonidos en mi laberinto.Google Scholar
Luna, Fabián Esteban. 2010. Omnipraesentia. Electroacoustic work. https://soundcloud.com/fabianestebanluna/omnipraesentia-2010 (accessed 11 April 2015).Google Scholar
Menezes, Flo. 2001. Harmonia das Esferas. Electroacoustic work in Música Maximalista * Maximal Music, Vol. 7, Studio PANaroma.Google Scholar
Parmegiani, Bernard. 1974. Incidences/Resonances. On De natura sonorum. INA/GRM, AM 714.01.Google Scholar
Rudy, Paul. 2007. In Lake’ch. Electroacoustic work. https://play.spotify.com/album/1Vp23oIlEAJ0PvmOw6llpp (accessed 11 April 2015).Google Scholar

Recordings

Belloc, Enrique. 1998. Canto ancestral I. Unreleased electroacoustic work.Google Scholar
de Armas, Ricardo. 2011. El sueño de la razón roduce monstruos. Electroacoustic work. https://soundcloud.com/ricardodearmas/el-sue-o-de-la-raz-n-produce (accessed 11 April 2015).Google Scholar
Garzón, Eleazar. 2005. Marfíl y ebano. Electroacoustic work in Sonidos en mi laberinto.Google Scholar
Luna, Fabián Esteban. 2010. Omnipraesentia. Electroacoustic work. https://soundcloud.com/fabianestebanluna/omnipraesentia-2010 (accessed 11 April 2015).Google Scholar
Menezes, Flo. 2001. Harmonia das Esferas. Electroacoustic work in Música Maximalista * Maximal Music, Vol. 7, Studio PANaroma.Google Scholar
Parmegiani, Bernard. 1974. Incidences/Resonances. On De natura sonorum. INA/GRM, AM 714.01.Google Scholar
Rudy, Paul. 2007. In Lake’ch. Electroacoustic work. https://play.spotify.com/album/1Vp23oIlEAJ0PvmOw6llpp (accessed 11 April 2015).Google Scholar

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