Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-20T06:23:45.978Z Has data issue: false hasContentIssue false

“I Felt I Was a German, and Proud to Be a German”. A Crisis of Allegiance in the Letters of Charles Hamilton Sorley

Published online by Cambridge University Press:  16 July 2022

Get access

Summary

Abstract: By virtue of his premature death in World War I, Charles Hamilton Sorley's promising literary career was cut short when he was only twenty years old. He remains one of the most under-represented of the British war poets, which may be attributed to his death early in the conflict. The present essay is concerned with his depiction of a crisis of allegiance in his letters, published posthumously as The Letters of Charles Sorley, with a Chapter of Biography (1919). As Kingsbury observes, World War I was unprecedented in terms of the scope of propaganda (2010: 6). In his letters, Sorley expresses his disdain for propagandists and subverts the traditional notions of patriotism. The outbreak of World War I precipitates his personal crisis of allegiance to his native country, to which he is bound by a sense of duty. Having professed his readiness to die for Germany, Sorley is faced with the prospect of fighting against it. Thus, his ties to both Britain and Germany are threatened and he is forced to suppress his individualism and cosmopolitanism. The essay also employs Janet Gurkin Altman's theory of epistolary discourse and Sidonie Smith and Julia Watson's definition of the narrative moment to analyse Sorley's letters.

In his discussion of poets’ letter writing Jonathan Ellis claims that “its greatest legacy for literature has been the freedom it offers writers to exchange ideas and thoughts they would not necessarily feel comfortable expressing in public, the freedom moreover simply to practise being a writer” (2015: 5). This freedom facilitates expressing unorthodox ideas and processing internal crises, which is visible in Charles Hamilton Sorley's writing.

Although Sorley (1895–1915) occupies a marginal place in the canon of 20th-century British literature, his work, both in the realm of poetry and life writing, embodies the very qualities that contemporary audiences find most appealing about World War I literature. It offers a perceptive commentary on the war, not clouded by propaganda, as well as considerable emotional resonance. Therefore, it is worth investigating his work in more detail. Despite his current relative obscurity, Sorley exerted a significant influence on his contemporary war poets, especially on Robert Graves, who subsequently surpassed him in terms of reputation.

Type
Chapter
Information
Faces of Crisis in 20th- and 21st-Century Prose
An Anthology of Criticism
, pp. 41 - 50
Publisher: Jagiellonian University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×