Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-17T21:42:59.485Z Has data issue: false hasContentIssue false

6 - Performing identities

Published online by Cambridge University Press:  22 September 2009

Elaine Aston
Affiliation:
Lancaster University
Get access

Summary

Ideas of ‘inappropriate’ bodies, challenged by Kane in Cleansed, circulated in the 1990s: a decade that inherited the homophobic panic generated by the Aids crisis of the 1980s. In the popular imagination, fuelled by media representation, Aids had renewed the idea of homosexuality as a disease, a ‘disease more dangerous than diptheria’ as Clive claims in Churchill's Cloud Nine. ‘Healthy’ (heterosexual) citizens needed to be protected from the (gay) disease; the family needed to be kept safe from ‘contagion’. In 1988 the government passed the anti-gay legislation popularly known as Clause 28: legislation that prevents local councils from funding work perceived as promoting homosexuality. As legislation it creates, as one analyst explains, a ‘structure in which an otherwise unspeakable “private” concern can be brought into the public sphere and given a proper place in “public” official discourse’. In brief, Clause 28 legitimised homophobic fears. Among lesbians and gays that only fuelled the desire to see an end to discrimination and for greater recognition in all walks of life. Arguably the decade did give way (albeit grudgingly) to more liberal views though, despite the election of the New Labour government in 1997, Clause 28 has yet to be repealed in England.

Views on identity also shifted among lesbians and gays themselves. A younger generation advocated queer politics: looked to more flexible views on identity, ways of crossing a range of identities, rather than occupying just one.

Type
Chapter
Information
Feminist Views on the English Stage
Women Playwrights, 1990–2000
, pp. 98 - 124
Publisher: Cambridge University Press
Print publication year: 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Performing identities
  • Elaine Aston, Lancaster University
  • Book: Feminist Views on the English Stage
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486005.006
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Performing identities
  • Elaine Aston, Lancaster University
  • Book: Feminist Views on the English Stage
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486005.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Performing identities
  • Elaine Aston, Lancaster University
  • Book: Feminist Views on the English Stage
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486005.006
Available formats
×