Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-qks25 Total loading time: 0 Render date: 2024-08-16T18:21:12.744Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  12 February 2021

Get access

Summary

The early twenty-first century is witnessing a revival of cultural promotion as a factor in foreign policy. A peak in this field of activity was reached during the Cold War decades of the previous century, when most notably the government of the United States of America made intense use of cultural means – ranging from its Voice of America radio broadcasts to so-called ‘jazz diplomacy’ – to weaken communism in the Soviet block. After the fall of the Berlin Wall and the collapse of the Soviet Union in 1989, as the contours of a multipolar world emerged, US expenditure and programmes in this domain were considerably reduced. This trend was reversed by the attacks on 11 September 2001 on the World Trade Centre and the Pentagon. The conflict laid bare by 9/11 reignited the idea of a ‘clash of civilizations’ hypothesized in the early 1990s of the world now being divided not by ideologies but by conflicting cultures. This raised the question whether the United States government should once again invest in a cultural programme to ‘win the hearts and minds’ of people in parts of the world where anti-Western sentiment is brewing. Considerable interest has since emerged for what was coined ‘soft power’, defined as ‘the ability to get what you want through attraction rather than coercion or payments [i.e. hard power]’, using culture as well as political values and societal ideals to project an appealing image of one's country. Cultural diplomacy too has become a frequently used term, both in actual policy and in academic study. Originally it referred specifically to the governmental deployment of culture for foreign policy objectives, but nowadays it also applies to the multifarious cultural activities inititiated by non-governmental actors aimed more generally at promoting international understanding.

Within the European Union, the need for a joint cultural strategy in EU external relations has been repeatedly advocated from 2005 onwards. In 2012, this led to the European Parliament's launch of a Preparatory Action that entrusted the European Commission and an expert consortium with the task of developing such a strategy. As a result, on 31 March 2016, the European Commission together with this same consortium established a European Platform for Cultural Diplomacy.

Type
Chapter
Information
Foreign Cultural Policy in the Interbellum
The Italian Dante Alighieri Society and the British Council Contesting the Mediterranean
, pp. 9 - 18
Publisher: Amsterdam University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Tamara van Kessel
  • Book: Foreign Cultural Policy in the Interbellum
  • Online publication: 12 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048527410.001
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Tamara van Kessel
  • Book: Foreign Cultural Policy in the Interbellum
  • Online publication: 12 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048527410.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Tamara van Kessel
  • Book: Foreign Cultural Policy in the Interbellum
  • Online publication: 12 February 2021
  • Chapter DOI: https://doi.org/10.1017/9789048527410.001
Available formats
×