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Cambridge Studies in Opera

Published online by Cambridge University Press:  05 October 2015

Christina Fuhrmann
Christina Fuhrmann
Affiliation:
Ashland University, Ohio
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Foreign Opera at the London Playhouses
From Mozart to Bellini
 , pp. iii - iv
Publisher: Cambridge University Press
Print publication year: 2015

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References

Published titles

Opera Buffa in Mozart's Vienna Edited by Hunter, Mary and Webster, JamesGoogle Scholar
German Opera: From the Beginnings to Wagner Warrack, JohnGoogle Scholar
Johann Strauss and Vienna: Operetta and the Politics of Popular Culture Crittenden, CamilleGoogle Scholar
Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance Woodfield, IanCrossRefGoogle Scholar
Opera Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive Hallman, Diana R.Google Scholar
Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosi fan tutte Goehring, Edmund J.CrossRefGoogle Scholar
Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini Senici, EmanueleGoogle Scholar
Aesthetics of Opera in the Ancien Régime, 1647–1785 Thomas, Downing A.Google Scholar
The Puccini Problem: Opera, Nationalism, and Modernity Wilson, AlexandraCrossRefGoogle Scholar
The Prima Donna and Opera, 1815–1930 Rutherford, SusanGoogle Scholar
Opera and Society in Italy and France from Monteverdi to Bourdieu Edited by Johnson, Victoria, Fulcher, Jane F., and Ertman, ThomasCrossRefGoogle Scholar
Wagner's Ring Cycle and the Greeks Foster, Daniel H.Google Scholar
When Opera Meets Film Citron, Marcia J.CrossRefGoogle Scholar
Situating Opera: Period, Genre, Reception Lindenberger, HerbertCrossRefGoogle Scholar
Rossini in Restoration Paris: The Sound of Modern Life Walton, BenjaminGoogle Scholar
Italian Opera in the Age of the American Revolution Polzonetti, PierpaoloGoogle Scholar
Opera in the Novel from Balzac to Proust Newark, CormacCrossRefGoogle Scholar
Opera in the Age of Rousseau: Music, Confrontation, Realism Charlton, DavidCrossRefGoogle Scholar
The Sounds of Paris in Verdi's La traviata Sala, EmilioGoogle Scholar
The Rival Sirens: Performance and Identity on Handel's Operatic Stage Aspden, SuzanneCrossRefGoogle Scholar
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama Castelvecchi, StefanoGoogle Scholar
Verdi, Opera, Women Rutherford, SusanCrossRefGoogle Scholar
Rounding Wagner's Mountain: Richard Strauss and Modern German Opera Gilliam, BryanGoogle Scholar
Opera and Modern Spectatorship in Late Nineteenth-Century Italy Campana, AlessandraCrossRefGoogle Scholar
Opera Acts: Singers and Performance in the Late Nineteenth Century Henson, KarenCrossRefGoogle Scholar
Foreign Opera at the London Playhouses: From Mozart to Bellini Fuhrmann, ChristinaCrossRefGoogle Scholar

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