Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Traditions in World Cinema
- Introduction: Regional/National/Transnational Debates in Francophone Belgian Cinema
- 1 The (Francophone) Belgian Film Ecosystem: Trends in Production, Distribution and Exhibition
- 2 ‘No Future’: Social Marginalisation, Social Precariousness and Depictions of Seraing in Le gamin au vélo (Jean-Pierre and Luc Dardenne, 2011) and Deux jours, une nuit (Jean-Pierre and Luc Dardenne, 2014)
- 3 ‘Stills’ and Fragmented Families: Contemplating the Private Sphere in Joachim Lafosse’s Wallonia
- 4 From Slag Heaps to Cliffs: The ‘Marked’ Regional Landscape in Cages (Olivier Masset-Depasse, 2006)
- 5 The Francophone Belgian Road Movie: Eldorado (Bouli Lanners, 2008) and Ultranova (Bouli Lanners, 2005)
- 6 Lucas Belvaux’s Return: The Thriller Genre and Heists in Liège
- Conclusion
- Works Cited
- Films Cited
- Index
Acknowledgements
Published online by Cambridge University Press: 29 April 2021
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Traditions in World Cinema
- Introduction: Regional/National/Transnational Debates in Francophone Belgian Cinema
- 1 The (Francophone) Belgian Film Ecosystem: Trends in Production, Distribution and Exhibition
- 2 ‘No Future’: Social Marginalisation, Social Precariousness and Depictions of Seraing in Le gamin au vélo (Jean-Pierre and Luc Dardenne, 2011) and Deux jours, une nuit (Jean-Pierre and Luc Dardenne, 2014)
- 3 ‘Stills’ and Fragmented Families: Contemplating the Private Sphere in Joachim Lafosse’s Wallonia
- 4 From Slag Heaps to Cliffs: The ‘Marked’ Regional Landscape in Cages (Olivier Masset-Depasse, 2006)
- 5 The Francophone Belgian Road Movie: Eldorado (Bouli Lanners, 2008) and Ultranova (Bouli Lanners, 2005)
- 6 Lucas Belvaux’s Return: The Thriller Genre and Heists in Liège
- Conclusion
- Works Cited
- Films Cited
- Index
Summary
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- Francophone Belgian Cinema , pp. ixPublisher: Edinburgh University PressPrint publication year: 2018