Skip to main content Accessibility help
×
Hostname: page-component-6d856f89d9-sp8b6 Total loading time: 0 Render date: 2024-07-16T04:31:43.544Z Has data issue: false hasContentIssue false

3 - Quiet Americans: The CIA and Hollywood in the Early Cold War

Published online by Cambridge University Press:  12 September 2017

Simon Willmetts
Affiliation:
University of Hull
Get access

Summary

BARTHOLEMEW: Do you know what C.I.A. is Mrs. Lambert?

REGGIE: I don't suppose it's an airline, is it?

(Charade, 1963)

If the historical record was comprised solely of Hollywood movies, one could be forgiven for thinking that the CIA did not exist for the first decade of the Cold War. From its creation in the National Security Act of 1947 up to an all-too-fleeting reference in Hitchcock's North by Northwest in 1959, buried amidst an ‘alphabet soup’ of other US intelligence agencies, the CIA existed without even a dim flicker of explicit recognition from the silver screen. It was not that the Agency went entirely unnoticed by the American public. Although certainly, relative to today, where the Agency features in American culture like a Leviathan – a metastatising cultural hieroglyph for all that is malignant with American foreign policy – it kept a remarkably low profile. Yet the image of the CIA that did make it, on occasion, into the public domain – an image that is, which the CIA endorsed – was a long way from the narratives of romance, action and intrigue that Hollywood had traditionally created.

On 3 August 1953, Time Magazine ran its cover story on Allen Dulles, who would become the CIA's longest-standing and most charismatic spy-chief. The image on the cover perfectly evoked the iconoclastic purpose of the article within, which sought to point out the difference, at least as Allen Dulles and Time Magazine saw it, between the myth and reality of America's first peacetime centralised foreign intelligence agency. In the background was the archetypal sleuth, with dagger pulled and cloak drawn to conceal the bottom half of his face. Beneath his brimmed black hat gazed a single uncovered eye, leering with nefarious intent. In the foreground, in sharp relief, was the instantly recognisable profile of Allen Dulles, puffing on his trademark pipe. His placid smile and neatly trimmed grey moustache and hair were reassuringly avuncular – giving a sense of a man at ease with the world, and his profession. His slightly skewed bowtie, along with his dated rimless oval spectacles, lent him a professorial air. Indeed, it was no coincidence that North by Northwest's CIA chief, played by Leo G. Carroll who would later reprise the same role in The Man from U.N.C.L.E., was named only ‘The Professor’.

Type
Chapter
Information
In Secrecy's Shadow
The OSS and CIA in Hollywood Cinema 1941–1979
, pp. 121 - 169
Publisher: Edinburgh University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×