Book contents
- Italian Opera in Global and Transnational Perspective
- Italian Opera in Global and Transnational Perspective
- Copyright page
- Contents
- Figures
- Tables
- Examples
- Notes on Contributors
- Preface and Acknowledgements
- 1 Opera and Italianità in Transnational and Global Perspective
- 2 Giving Singers a Voice
- 3 Nina d’Aubigny’s ‘Italian Voice’
- 4 Italian Opera and Creole Identities
- 5 Italian Opera in Vormärz Vienna
- 6 Southern Exchanges
- 7 ‘For a Moment, I Felt Like I Was Back in Italy’
- 8 Reimagining Rossini
- 9 From Heaven and Hell to the Grail Hall via Sant’Andrea della Valle
- 10 Arcadia Undone
- 11 Italian Impresarios, American Minstrels and Parsi Theatre
- 12 German National Identity and Operatic Italianità
- 13 (Opera) Fever in Belle Époque Manaus
- 14 Between ‘Sung Theatre’ and Asakusa Opera
- 15 Epilogue
- Index
Examples
Published online by Cambridge University Press: 17 March 2022
- Italian Opera in Global and Transnational Perspective
- Italian Opera in Global and Transnational Perspective
- Copyright page
- Contents
- Figures
- Tables
- Examples
- Notes on Contributors
- Preface and Acknowledgements
- 1 Opera and Italianità in Transnational and Global Perspective
- 2 Giving Singers a Voice
- 3 Nina d’Aubigny’s ‘Italian Voice’
- 4 Italian Opera and Creole Identities
- 5 Italian Opera in Vormärz Vienna
- 6 Southern Exchanges
- 7 ‘For a Moment, I Felt Like I Was Back in Italy’
- 8 Reimagining Rossini
- 9 From Heaven and Hell to the Grail Hall via Sant’Andrea della Valle
- 10 Arcadia Undone
- 11 Italian Impresarios, American Minstrels and Parsi Theatre
- 12 German National Identity and Operatic Italianità
- 13 (Opera) Fever in Belle Époque Manaus
- 14 Between ‘Sung Theatre’ and Asakusa Opera
- 15 Epilogue
- Index
Summary
- Type
- Chapter
- Information
- Italian Opera in Global and Transnational PerspectiveReimagining Italianità in the Long Nineteenth Century, pp. xPublisher: Cambridge University PressPrint publication year: 2022