Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- List of abbreviations
- 1 The sublime, the city and the present age
- 2 Kierkegaard and the world of the feuilletons
- 3 The present age: the age of the city
- 4 ‘Cosmopolitan faces’
- 5 Food for thought
- 6 A literary scandal
- 7 The reception of Either/Or
- 8 New Year's Day
- 9 Kierkegaard and the nineteenth century (1) Manet
- 10 Kierkegaard and the nineteenth century (2) Dostoevsky
- 11 Learning to read the signs of the times
- Bibliography
- Index
6 - A literary scandal
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Preface
- Acknowledgements
- List of abbreviations
- 1 The sublime, the city and the present age
- 2 Kierkegaard and the world of the feuilletons
- 3 The present age: the age of the city
- 4 ‘Cosmopolitan faces’
- 5 Food for thought
- 6 A literary scandal
- 7 The reception of Either/Or
- 8 New Year's Day
- 9 Kierkegaard and the nineteenth century (1) Manet
- 10 Kierkegaard and the nineteenth century (2) Dostoevsky
- 11 Learning to read the signs of the times
- Bibliography
- Index
Summary
In 1799 a small book called Lucinde was published in Berlin. Written by the brilliant young literary critic Friedrich Schlegel, it celebrated his (adulterous) affair with Dorothea Veit, daughter of the eminent Jewish philosopher Moses Mendelssohn. Though not widely read and still less widely understood the book provoked a considerable, and largely hostile, reaction among the reading public. It became to its generation what Lady Chatterley's Lover was to a more recent age: the quintessential embodiment of an obscene book. The author's mother gave utterance to the popular consensus when she wrote that ‘through his novel Fritz has shown himself to me as one who has no religion and no good principles’.
This literary scandal was, perhaps strangely, to become an important topic in the relationship between Romantic literature and religion because of the response it provoked from two of the leading religious thinkers of the nineteenth century, Friedrich Schleiermacher and Søren Kierkegaard, and, once again, Kierkegaard's interest in this shows something of the extraordinary internal heterogeneity of his work, its simultaneous projection along a spectrum of cultural concerns, and his engagement with the debate as to the shape and texture of contemporary cultural life.
Few commentators have sought to commend Lucinde simply as a work of literature.
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- Publisher: Cambridge University PressPrint publication year: 2002