Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-21T08:30:05.657Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 November 2018

Shane Weller
Affiliation:
University of Kent, Canterbury
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, Theodor W., Aesthetic Theory, ed. Adorno, Gretel and Tiedemann, Rolf, trans. Robert Hullot-Kentor (London: The Athlone Press, 1997).Google Scholar
Leppert, Richard Essays on Music, ed. Leppert, Richard, trans. Susan H. Gillespie (Berkeley, Los Angeles, and London: University of California Press, 2002).Google Scholar
Leppert, Richard Metaphysics: Concept and Problems, ed. Tiedemann, Rolf, trans. Edmund Jephcott (Cambridge: Polity, 2001).Google Scholar
Leppert, Richard Negative Dialectics, trans. E. B. Ashton (London: Routledge & Kegan Paul, 1973).Google Scholar
Leppert, RichardNotes on Beckett’s The Unnamable,” in Dirk Van Hulle and Shane Weller, “Dossier: Adorno’s Notes on Beckett,” Journal of Beckett Studies 19:2 (2010): 157–78.Google Scholar
Leppert, Richard Notes to Literature, Volume One, ed. Tiedemann, Rolf, trans. Shierry Weber Nicolsen (New York: Columbia University Press, 1991).Google Scholar
Leppert, Richard Notes to Literature, Volume Two, ed. Tiedemann, Rolf, trans. Shierry Weber Nicolsen (New York: Columbia University Press, 1992).Google Scholar
Leppert, Richard Prisms, trans. Samuel and Shierry Weber (Cambridge, MA: The MIT Press, 1981).Google Scholar
Albright, Daniel, Beckett and Aesthetics (Cambridge: Cambridge University Press, 2003).Google Scholar
Alexander, Archibald B. D., A Short History of Philosophy, 3rd ed. (Glasgow: Maclehose, Jackson & Co., 1922).Google Scholar
Allen, William S., Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (New York: Fordham University Press, 2016).Google Scholar
Allen, William S. Ellipsis: Of Poetry and the Experience of Language after Heidegger, Hölderlin, and Blanchot (Albany: State University of New York Press, 2007).CrossRefGoogle Scholar
Améry, Jean, At the Mind’s Limits: Contemplations by a Survivor on Auschwitz and Its Realities, trans. Sidney Rosenfeld and Stella P. Rosenfeld (Bloomington: Indiana University Press, 1980).Google Scholar
Antliff, Mark, Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909–1939 (Durham, NC: Duke University Press, 2007).Google Scholar
Arendt, Hannah, Eichmann and the Holocaust (Harmondsworth, UK: Penguin, 2005).Google Scholar
Artaud, Antonin, Collected Works, Volume One, trans. Victor Corti (London: Calder and Boyars, 1968).Google Scholar
Artaud, Antonin Œuvres complètes XXIV. Cahiers du retour à Paris, octobre–novembre 1946 (Paris: Gallimard, 1988).Google Scholar
Artaud, Antonin Suppôts et Suppliciations, ed. Grossman, Évelyne (Paris: Gallimard “Poésie,” 2006).Google Scholar
Artaud, Antonin The Theatre and Its Double, trans. Mary Caroline Richards (New York: Grove Press, 1958).Google Scholar
Auster, Paul, “Book of the Dead,” in Ground Work: Selected Poems and Essays, 1970–1979 (London: Faber & Faber, 1990), pp. 183210.Google Scholar
Baer, Ulrich, Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Stanford, CA: Stanford University Press, 2000).Google Scholar
Barthes, Roland, The Neutral: Lecture Course at the Collège de France (1977–1978), trans. Rosalind E. Krauss and Denis Hollier (New York and London: Columbia University Press, 2005).Google Scholar
Barthes, Roland Writing Degree Zero, trans. Annette Lavers and Colin Smith (London: Jonathan Cape, 1967).Google Scholar
Bataille, Georges, Blue of Noon, trans. Harry Mathews (London and Boston: Marion Boyars, 1979).Google Scholar
Bataille, Georges Choix de lettres 1917–1962, ed. Surya, Michel (Paris: Gallimard, 1997).Google Scholar
Bataille, Georges Histoire de l’œil (Paris: Jean-Jacques Pauvert, 1985).Google Scholar
Bataille, Georges Œuvres complètes, 12 vols. (Paris: Gallimard, 1970–88).Google Scholar
Bataille, Georges Story of the Eye, trans. Joachim Neugroschel (London and Boston: Marion Boyars, 1979).Google Scholar
Bataille, Georges Visions of Excess: Selected Writings, ed. Stoekl, Allan, trans. Allan Stoekl with Carl R. Lovitt and Donald M. Leslie Jr. (Minneapolis: University of Minnesota Press, 1985).Google Scholar
Baudelaire, Charles, Fusées, Mon Cœur mis à nu, et autres fragments posthumes, ed. Guyaux, André (Paris: Gallimard Folio, 2016).Google Scholar
Baudelaire, Charles The Painter of Modern Life and Other Essays, trans. Jonathan Mayne (London: Phaidon, 1995).Google Scholar
Baxter, Jeannette, Henetiuk, Valerie, and Hutchinson, Ben, eds., A Literature of Restitution: Critical Essays on W. G. Sebald (Manchester: Manchester University Press, 2013).Google Scholar
Beckett, Samuel, Cap au pire, trans. Édith Fournier (Paris: Les Éditions de Minuit, 1991).Google Scholar
Beckett, Samuel Collected Poems, ed. Lawlor, Seán and Pilling, John (London: Faber & Faber, 2012).Google Scholar
Beckett, Samuel Comment c’est (Paris: Les Éditions de Minuit, 1961).Google Scholar
Beckett, Samuel Company, Ill Seen Ill Said, Worstward Ho, Stirrings Still, ed. Van Hulle, Dirk (London: Faber & Faber, 2009).Google Scholar
Beckett, Samuel The Complete Short Prose, 1929–1989, ed. Gontarski, S. E. (New York: Press, Grove, 1995).Google Scholar
Beckett, SamuelDante … Bruno . Vico .. Joyce,” in Beckett, Samuel et al., Our Exagmination Round His Factification for Incamination of Work in Progress (New York: New Directions, 1962), pp. 122.Google Scholar
Beckett, Samuel Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Cohn, Ruby (London: John Calder, 1983).Google Scholar
Beckett, Samuel Dream of Fair to Middling Women, ed. O’Brien, Eoin and Fournier, Édith (Dublin: The Black Cat Press, 1992).Google Scholar
Beckett, Samuel Endgame (London: Faber & Faber, 2009).Google Scholar
Beckett, Samuel How It Is, ed. O’Reilly, Édouard Magessa (London: Faber & Faber, 2009).Google Scholar
Beckett, Samuel The Letters of Samuel Beckett, Volume I: 1929–1940, ed. Fehsenfeld, Martha Dow and Overbeck, Lois More (Cambridge: Cambridge University Press, 2009).Google Scholar
Beckett, Samuel The Letters of Samuel Beckett, Volume II: 1941–1956, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2011).Google Scholar
Beckett, Samuel The Letters of Samuel Beckett, Volume III: 1957–1965, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2014).Google Scholar
Beckett, Samuel The Letters of Samuel Beckett, Volume IV: 1966–1989, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2016).Google Scholar
Beckett, Samuel L’Innommable (Paris: Gallimard, 1992).Google Scholar
Beckett, Samuel Malone Dies, ed. Boxall, Peter (London: Faber & Faber, 2010).Google Scholar
Beckett, Samuel Malone meurt (Paris: Les Éditions de Minuit, 1951).Google Scholar
Beckett, Samuel Molloy (Paris: Les Éditions de Minuit, 2009).Google Scholar
Beckett, Samuel Molloy, ed. Weller, Shane (London: Faber & Faber, 2010).Google Scholar
Beckett, Samuel Murphy, edMays, . J. C. C. (London: Faber & Faber, 2010).Google Scholar
Beckett, Samuel Nouvelles et Textes pour rien (Paris: Les Éditions de Minuit, 1958).Google Scholar
Beckett, Samuel Proust and Three Dialogues (London: Calder & Boyars, 1987).Google Scholar
Beckett, Samuel“Sottisier” Notebook, Beckett International Foundation, University of Reading. MS 2901.Google Scholar
Beckett, Samuel Têtes-mortes (Paris: Les Éditions de Minuit, 1972).Google Scholar
Beckett, Samuel Texts for Nothing and Other Shorter Prose, 1950–1976, ed. Nixon, Mark (London: Faber & Faber, 2010).Google Scholar
Beckett, Samuel The Unnamable, ed. Connor, Steven (London: Faber & Faber, 2010).Google Scholar
Beckett, Samuel Watt, ed. Ackerley, C. J. (London: Faber & Faber, 2009).Google Scholar
Benjamin, Walter, Illuminations, trans. Harry Zohn (London: Fontana, 1973).Google Scholar
Berlin, Isaiah, The Proper Study of Mankind: An Anthology of Essays (London: Vintage, 2013).Google Scholar
Bernstein, J. M., Against Voluptuous Bodies: Adorno’s Late Modernism and the Meaning of Painting (Stanford, CA: Stanford University Press, 2006).Google Scholar
Bersani, Leo, The Death of Stéphane Mallarmé (Cambridge: Cambridge University Press, 1982).Google Scholar
Bersani, Leoand Dutoit, Ulysse, Arts of Impoverishment: Beckett, Rothko, Resnais (Cambridge, MA: Harvard University Press, 1994).Google Scholar
Blanchot, Maurice, Aminadab (Paris: Gallimard, 1972).Google Scholar
Blanchot, Maurice Aminadab, trans. Jeff Fort (Lincoln and London: University of Nebraska Press, 2002).Google Scholar
Blanchot, Maurice Après Coup, précédé par Le Ressassement éternel (Paris: Les Éditions de Minuit, 1983).Google Scholar
Blanchot, Maurice L’Arrêt de mort (Paris: Gallimard “L’Imaginaire,” 1980).Google Scholar
Blanchot, Maurice L’Attente l’oubli (Paris: Gallimard, 1962).Google Scholar
Blanchot, Maurice Au moment voulu (Paris: Gallimard, 1982).Google Scholar
Blanchot, Maurice Awaiting Oblivion, trans. John Gregg (Lincoln and London: University of Nebraska Press, 1999).Google Scholar
Blanchot, Maurice The Book to Come, trans. Charlotte Mandell (Stanford, CA: Stanford University Press, 2003).Google Scholar
Blanchot, Maurice Celui qui ne m’accompagnait pas (Paris: Gallimard, 1987).Google Scholar
Blanchot, Maurice Chroniques politiques des années trente, 1931–1940, ed. Uhrig, David (Paris: Gallimard, 2017).Google Scholar
Blanchot, Maurice La Communauté inavouable (Paris: Les Éditions de Minuit, 1983).Google Scholar
Blanchot, Maurice Death Sentence, trans. Lydia Davis (Barrytown, NY: Station Hill, 1978).Google Scholar
Blanchot, Maurice De Kafka à Kafka (Paris: Gallimard “Idées,” 1981).Google Scholar
Blanchot, Maurice Le Dernier à parler (Montpellier: Fata Morgana, 1984).Google Scholar
Blanchot, Maurice Le Dernier Homme, nouvelle version (Paris: Gallimard, 1985).Google Scholar
Blanchot, Maurice Écrits politiques, 1953–1993 (Paris: Gallimard, 2008).Google Scholar
Blanchot, Maurice L’Écriture du désastre (Paris: Gallimard, 1980).Google Scholar
Blanchot, Maurice L’Entretien infini (Paris: Gallimard, 1969).Google Scholar
Blanchot, Maurice L’Espace littéraire (Paris: Gallimard Folio, 1988).Google Scholar
Blanchot, Maurice Faux Pas, trans. Charlotte Mandell (Stanford, CA: Stanford University Press, 2001).Google Scholar
Blanchot, Maurice Faux Pas (Paris: Gallimard, 1971).Google Scholar
Blanchot, Maurice La Folie du jour (Paris: Gallimard, 2002).Google Scholar
Blanchot, Maurice The Infinite Conversation, trans. Susan Hanson (Minneapolis: University of Minnesota Press, 1993).Google Scholar
Blanchot, Maurice L’Instant de ma mort (Paris: Gallimard, 2002).Google Scholar
Blanchot, Maurice The Last Man, trans. Lydia Davis (New York and London: Columbia University Press, 1987).Google Scholar
Blanchot, Maurice Lautréamont and Sade, trans. Stuart Kendall and Michelle Kendall (Stanford, CA: Stanford University Press, 2004).Google Scholar
Blanchot, Maurice Le Livre à venir (Paris: Gallimard Folio, 1986).Google Scholar
Blanchot, Maurice The Madness of the Day, trans. Lydia Davis (Barrytown, NY: Station Hill, 1981).Google Scholar
Blanchot, Maurice The Most High, trans. Allan Stoekl (Lincoln and London: University of Nebraska Press, 1996).Google Scholar
Blanchot, MauriceOh All to End,” trans. Leslie Hill, in Holland, Michael (ed.), The Blanchot Reader (Oxford: Blackwell, 1995), pp. 298300.Google Scholar
Blanchot, MauriceOh tout finir,” Critique 51920 (August–September 1990): 635–7.Google Scholar
Blanchot, Maurice The One Who Was Standing Apart from Me, trans. Lydia Davis (Barrytown, NY: Station Hill, 1993).Google Scholar
Blanchot, Maurice La Part du feu (Paris: Gallimard, 1949).Google Scholar
Blanchot, Maurice The Space of Literature, trans. Ann Smock (Lincoln and London: University of Nebraska Press, 1982).Google Scholar
Blanchot, Maurice Thomas l’obscur, nouvelle version (Paris: Gallimard, 1950).Google Scholar
Blanchot, Maurice Thomas l’obscur, première version, 1941 (Paris: Gallimard, 2005).Google Scholar
Blanchot, Maurice Thomas the Obscure, trans. Robert Lamberton (Barrytown, NY: Station Hill, 1988).Google Scholar
Blanchot, Maurice Le Très-haut (Paris: Gallimard, 1948).Google Scholar
Blanchot, Maurice The Unavowable Community, trans. Pierre Joris (Barrytown, NY: Station Hill, 1988).Google Scholar
Blanchot, Maurice Vicious Circles: Two Fictions and “After the Fact,” trans. Paul Auster (Barrytown, NY: Station Hill, 1985).Google Scholar
Blanchot, Maurice A Voice from Elsewhere, trans. Charlotte Mandell (Albany: State University of New York Press, 2007).Google Scholar
Blanchot, Maurice When the Time Comes, trans. Lydia Davis (Barrytown, NY: Station Hill, 1985).Google Scholar
Blanchot, Maurice The Work of Fire, trans. Charlotte Mandell (Stanford, CA: Stanford University Press, 1995).Google Scholar
Blanchot, Maurice The Writing of the Disaster, trans. Ann Smock (Lincoln and London: University of Nebraska Press, 1986).Google Scholar
Blanchot, Mauriceand Derrida, Jacques, “The Instant of My Death” and “Demeure,” trans. Elizabeth Rottenberg (Stanford, CA: Stanford University Press, 2000).Google Scholar
Blanchot, Maurice and Derrida, Jacquesand Madaule, Pierre, Correspondance 1953–2002, ed. Madaule, Pierre (Paris: Gallimard, 2012).Google Scholar
Blanton, C. D., Epic Negation: The Dialectical Poetics of Late Modernism (Oxford: Oxford University Press, 2015).CrossRefGoogle Scholar
Bloom, Harold, The Western Canon: The Books and School of the Ages (London and Basingstoke: Macmillan, 1995).Google Scholar
Bois, Yves-Alain, and Krauss, Rosalind E., Formless: A User’s Guide (New York: Zone, 1997).Google Scholar
Bollack, Jean, “Paul Celan sur la langue. Le poème ‘Sprachgitter’ et ses interprétations,” in Broda, Martine (ed.), Contre-jour. Études sur Paul Celan (Paris: Cerf, 1986), pp. 87115.Google Scholar
Borges, Jorge Luis, Ficciones (New York: Alfred A. Knopf, 1993).Google Scholar
Böschenstein, Bernhard, “Tübingen, Jänner,” in Meinecke, Dietlind (ed.), Über Paul Celan (Frankfurt am Main: Suhrkamp, 1970), pp. 101–5.Google Scholar
Bowie, Malcolm, Mallarmé and the Art of Being Difficult (Cambridge: Cambridge University Press, 1978).Google Scholar
Broch, Hermann, The Death of Virgil, trans. Jean Starr Untermeyer (Oxford: Oxford University Press, 1983).Google Scholar
Broch, Hermann Der Tod des Vergil (Frankfurt am Main: Suhrkamp, 1995).Google Scholar
Brod, Max, The Biography of Franz Kafka, trans. G. Humphrey Roberts (London: Secker & Warburg, 1947).Google Scholar
Bronner, Stephen, Critical Theory (Oxford: Oxford University Press, 2011).Google Scholar
Bruns, Gerald L., Maurice Blanchot: The Refusal of Philosophy (Baltimore: The Johns Hopkins University Press, 1997).Google Scholar
Bryden, Mary (ed.), Beckett and Animals (Cambridge: Cambridge University Press, 2013).Google Scholar
Budick, Sanford, and Iser, Wolfgang (eds.), Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory (Stanford, CA: Stanford University Press, 1987).Google Scholar
Burnet, John, Early Greek Philosophy, Part I: Thales to Plato, 3rd ed. (London and Edinburgh: A. & C. Black, 1920).Google Scholar
Celan, Paul, Atemwende. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino and Wittkop, Christiane (Frankfurt am Main: Suhrkamp, 2000).Google Scholar
Celan, Paul La Bibliothèque philosophique/Die philosophische Bibliothek, Catalogue raisonné des annotations établi par Alexandra Richter, Patrik Alac, and Bertrand Badiou (Paris: Éditions Rue d’Ulm, 2004).Google Scholar
Celan, Paul Breathturn into Timestead: The Collected Later Poetry, trans. Pierre Joris (New York: Farrar Straus Giroux, 2014).Google Scholar
Celan, Paul Collected Prose, trans. Rosmarie Waldrop (Riverdale-on-Hudson, NY: The Sheep Meadow Press, 1986).Google Scholar
Celan, Paul Die Gedichte aus dem Nachlass, ed. Badiou, Bertrand, Rambach, Jean-Claude, and Wiedemann, Barbara (Frankfurt am Main: Suhrkamp, 1997).Google Scholar
Celan, Paul Die Niemandsrose. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino and Schwarzkopf, Michael (Frankfurt am Main: Suhrkamp, 1996).Google Scholar
Celan, Paul Fadensonnen. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino, Heilmann, Markus, and Wittkop, Christiane (Frankfurt am Main: Suhrkamp, 2000).Google Scholar
Celan, Paul Fathomsuns and Benighted, trans. Ian Fairley (Manchester: Carcanet, 2001).Google Scholar
Celan, Paul From Threshold to Threshold, trans. David Young (Grosse Pointe Farms, MI: Marick Press, 2010).Google Scholar
Celan, Paul Gesammelte Werke in fünf Bänden, 5 vols., ed. Beda Allemann, Stefan Reichert, and Rudolf Bücher (Frankfurt am Main: Suhrkamp, 1992).Google Scholar
Celan, Paul Language behind Bars, trans. David Young (Grosse Pointe Farms, MI: Marick Press, 2012).Google Scholar
Celan, Paul Lichtzwang. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino, Heilmann, Markus, and Wittkop, Christiane (Frankfurt am Main: Suhrkamp, 2001).Google Scholar
Celan, Paul“Mikrolithen sinds, Steinchen.” Die Prosa aus dem Nachlass, Kritische Ausgabe, ed. Barbara Wiedemann and Bertrand Badiou (Frankfurt am Main: Suhrkamp, 2005).Google Scholar
Poems, trans. Michael Hamburger (London: Anvil Press Poetry, 1988).Google Scholar
Schneepart. Vorstufen – Textgenese – Reinschrift, ed. Schmull, Heino and Heilmann, Markus (Frankfurt am Main: Suhrkamp, 2002).Google Scholar
Schmull, Heino and Heilmann, Markus Selected Poems and Prose, ed. and trans. John Felstiner (New York and London: W. W. Norton, 2001).Google Scholar
Schmull, Heino and Heilmann, Markus Sprachgitter. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino and Schwarzkopf, Michael (Frankfurt am Main: Suhrkamp, 1996).Google Scholar
Schmull, Heino and Heilmann, Markus Von Schwelle zu Schwelle. Vorstufen – Textgenese – Endfassung, ed. Schmull, Heino, Braun, Christiane, and Heilmann, Markus (Frankfurt am Main: Suhrkamp, 2002).Google Scholar
Schmull, Heino and Heilmann, Markusand Dischner, Gisela, Wie aus weiter Ferne zu Dir. Briefwechsel (Berlin: Suhrkamp, 2012).Google Scholar
Schmull, Heino and Heilmann, Markusand Hirsch, Rudolf, Briefwechsel (Frankfurt am Main: Suhrkamp, 2004).Google Scholar
Schmull, Heino and Heilmann, Markusand Wurm, Franz, Briefwechsel (Frankfurt am Main: Suhrkamp, 1995).Google Scholar
Céline, Louis-Ferdinand, Conversations with Professor Y, trans. Stanford Luce (Hanover, NH: Brandeis University Press/University of New England, 1986).Google Scholar
Céline, Louis-Ferdinand Death on Credit, trans. Ralph Manheim (London: John Calder, 1989).Google Scholar
Chesney, Duncan McColl, , “Beckett’s Silences and Late Modernity,” NTU Studies in Language and Literature 26 (December 2011): 121–36.Google Scholar
Chesney, Duncan Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett (Oxford: Peter Lang, 2013).Google Scholar
Clément, Bruno, L’Œuvre sans qualités. Rhétorique de Samuel Beckett (Paris: Seuil, 1989).Google Scholar
Collin, Françoise, Maurice Blanchot et la question de l’écriture (Paris: Gallimard “Tel,” 1986).Google Scholar
Corngold, Stanley, Franz Kafka: The Necessity of Form (Ithaca, NY, and London: Cornell University Press, 1989).Google Scholar
Crispi, Luca, and Slote, Sam (eds.), How Joyce Wrote “Finnegans Wake”: A Chapter-by-Chapter Genetic Guide (Madison: University of Wisconsin Press, 2008).Google Scholar
Critchley, Simon, Very Little … Almost Nothing: Death, Philosophy, Literature (London and New York: Routledge, 1997).Google Scholar
Deleuze, Gilles, and Guattari, Félix, Kafka: Toward a Minor Literature, trans. Dana Polan (Minneapolis: University of Minnesota Press, 1986).Google Scholar
de Man, Paul, Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism, 2nd ed. (Minneapolis: University of Minnesota Press, 1983).Google Scholar
Denham, Scott, and McCulloh, Mark (eds.), W. G. Sebald: History – Memory – Trauma (Berlin: de Gruyter, 2006).Google Scholar
Derrida, Jacques, Of Grammatology, trans. Gayatri Spivak (Baltimore: The Johns Hopkins University Press, 1976).Google Scholar
Derrida, Jacques Parages, ed. John, P. Leavey, trans. Tom Conley, James Hulbert, John P. Leavey, and Avital Ronell (Stanford, CA: Stanford University Press, 2011).Google Scholar
Derrida, Jacques Writing and Difference, trans. Bass, Alan (London: Routledge, 2001).Google Scholar
Lisa, Downing, Desiring the Dead: Necrophilia and Nineteenth-Century French Literature (Oxford: Legenda, 2003).Google Scholar
Driver, Tom F., “Beckett by the Madeleine,” Columbia University Forum (Summer 1961): 21–5; reprinted in Graver, Lawrence and Federman, Raymond (eds.), Samuel Beckett: The Critical Heritage (London: Routledge & Kegan Paul, 1979), pp. 217–23.Google Scholar
Durafour, Annick, and Taguieff, Pierre-André, Céline, la race, le juif. Légende littéraire et vérité historique (Paris: Fayard, 2017).Google Scholar
Durantaye, Leland de la, Beckett’s Art of Mismaking (Cambridge, MA: Harvard University Press, 2016).Google Scholar
Duttlinger, Carolin, The Cambridge Introduction to Franz Kafka (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
Dydo, Ulla E., and Rice, William, Gertrude Stein: The Language That Rises, 1923–1934 (Evanston, IL: Northwestern University Press, 2009).Google Scholar
Eaglestone, Robert, The Broken Voice: Reading Post-Holocaust Literature (Oxford: Oxford University Press, 2017).Google Scholar
Eaglestone, Robert The Holocaust and the Postmodern (Oxford: Oxford University Press, 2000).Google Scholar
Eagleton, Terry, “Political Beckett?,” New Left Review 40 (July–August 2006): 6774.Google Scholar
Ebner, Christopher, Sprachskepsis und Sprachkrise. Fritz Mauthners Sprachphilosophie im Kontext der Moderne (Hamburg: Diplomatica Verlag, 2014).Google Scholar
Eliot, T. S., Collected Poems, 1909–1962 (London: Faber & Faber, 1974).Google Scholar
Eliot, T. S. Selected Prose of T. S. Eliot, ed. Frank Kermode (London: Faber & Faber, 1975).Google Scholar
Ellmann, Richard, Samuel Beckett: Nayman of Noland (Washington, DC: Library of Congress, 1986); reprinted in Four Dubliners: Oscar Wilde, William Butler Yeats, James Joyce, Samuel Beckett (New York: George Braziller, 1988), pp. 79–104.Google Scholar
Éluard, Paul, La Capitale de la douleur, suivi de L’Amour la poésie (Paris: Gallimard “Poésie,” 1966).Google Scholar
Engelberts, Matthijs, Frost, Everett, and Maxwell, Jane, Notes Diverse Holo: Catalogues of Beckett’s Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays (Amsterdam, The Netherlands, and New York: Rodopi, 2006).Google Scholar
Faye, Emmanuel, Heidegger: The Introduction of Nazism into Philosophy in Light of the Unpublished Seminars of 1933–1935, trans. Michael B. Smith (New Haven, CT: Yale University Press, 2010).Google Scholar
Feldman, Matthew, Beckett’s Books: A Cultural History of Samuel Beckett’s “Interwar Notes” (London and New York: Continuum, 2006).Google Scholar
Feldman, Matthew, Ezra Pound’s Fascist Propaganda, 1935–1945 (Basingstoke: Palgrave Macmillan, 2013).Google Scholar
ffrench, Patrick, The Cut: Reading Bataille’s “Histoire de l’œil” (Oxford: Oxford University Press, 2000).Google Scholar
Fifield, Peter, Late Modernist Style in Samuel Beckett and Emmanuel Levinas (Basingstoke: Palgrave Macmillan, 2013).Google Scholar
Fioretos, Aris (ed.), Word Traces: Readings of Paul Celan (Baltimore and London: The Johns Hopkins University Press, 1994).Google Scholar
Flaubert, Gustave, The Letters of Gustave Flaubert, 1830–1857, ed. Steegmuller, Francis (Cambridge, MA, and London: The Belknap Press of Harvard University Press, 1980).Google Scholar
Flaubert, Gustave Madame Bovary: A Story of Provincial Life, trans. Geoffrey Wall (Harmondsworth: Penguin, 2004).Google Scholar
Fordham, Finn, Lots of Fun at Finnegans Wake: Unravelling Universals (Oxford: Oxford University Press, 2013).Google Scholar
Fort, Jeff, The Imperative to Write: Destitutions of the Sublime in Kafka, Blanchot, and Beckett (New York: Fordham University Press, 2014).Google Scholar
Foucault, Michel, “Maurice Blanchot: The Thought from Outside,” trans. Brian Massumi, in Foucault, Michel and Blanchot, Maurice, Foucault/Blanchot: Maurice Blanchot: The Thought from Outside/Michel Foucault as I Imagine Him (New York: Zone Books, 1987), pp. 758.Google Scholar
Franke, William, “The Singular and the Other at the Limits of Language in the Apophatic Poetics of Edmond Jabès and Paul Celan,” New Literary History 36:4 (Autumn 2005): 621–38.Google Scholar
Fuchs, Anne, Die Schmerzensspuren der Geschichte. Zur Poetik der Erinnerung in W. G. Sebalds Prosa (Weimar, Vienna, and Cologne: Böhlau, 2004).Google Scholar
Fuchs, Anneand Long, Jonathan (eds.), W. G. Sebald and the Writing of History (Würzburg: Königshausen & Naumann, 2007).Google Scholar
Geulincx, Arnold, Ethics, with Samuel Beckett’s Notes, ed. van Ruler, Han, Uhlmann, Anthony, and Wilson, Martin, trans. Martin Wilson (Leiden, The Netherlands: Brill, 2012).Google Scholar
Giacometti, Alberto, “La Voiture démythifiée,” Arts–Lettres–Spectacles 639 (9–15 October 1957), 1, 4.Google Scholar
Gibson, Andrew, Misanthropy: The Critique of Humanity (London: Bloomsbury Academic, 2017).Google Scholar
Gibson, Andrew Samuel Beckett (London: Reaktion Books, 2009).Google Scholar
Gide, André, The Counterfeiters, trans. Bussy, Dorothy (Harmondsworth: Penguin, 1966).Google Scholar
Gosetti-Ferencei, Jennifer Anna, Heidegger, Hölderlin, and the Subject of Poetic Language (New York: Fordham University Press, 2009).Google Scholar
Göttsche, Dirk, Die Produktivität der Sprachkrise in der modernen Prosa (Frankfurt am Main: Athenäum, 1987).Google Scholar
Graver, Lawrence, and Federman, Raymond (eds.), Samuel Beckett: The Critical Heritage (London: Routledge & Kegan Paul, 1979).Google Scholar
Gray, Richard T., “Aphorism and Sprachkrise in Turn-of-the-Century Austria,” Orbis Litterarum 41:4 (1986): 332–54.Google Scholar
Griffin, Roger, Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler (Basingstoke: Palgrave Macmillan, 2007).Google Scholar
Grossman, Évelyne, Défiguration. Artaud – Beckett – Michaux (Paris: Les Éditions de Minuit, 2004).Google Scholar
Hassan, Ihab, The Dismemberment of Orpheus: Toward a Postmodern Literature (New York: Oxford University Press, 1971).Google Scholar
Hegel, G. W. F., The Phenomenology of Spirit, trans. A. V. Miller (Oxford: Oxford University Press, 1977).Google Scholar
Heidegger, Martin, Elucidations of Hölderlin’s Poetry, trans. Keith Hoeller (Amherst, MA: Humanity Books, 2000).Google Scholar
Heidegger, Martin The Origin of the Work of Art, in Off the Beaten Track, ed. and trans. Julian Young and Kenneth Hayes (Cambridge: Cambridge University Press, 2002).Google Scholar
Henrich, Dieter, Sein oder Nichts. Erkundungen um Samuel Beckett und Hölderlin (Munich: C. H. Beck, 2016).Google Scholar
Hewitt, Andrew, Fascist Modernism: Aesthetics, Politics, and the Avant-Garde (Stanford, CA: Stanford University Press, 1996).Google Scholar
Hill, Geoffrey, Collected Critical Writings, ed. Haynes, Kenneth (Oxford: Oxford University Press, 2008).Google Scholar
Hill, Leslie, Bataille, Klossowski, Blanchot: Writing at the Limits (Oxford: Oxford University Press, 2001).Google Scholar
Hill, Leslie Blanchot: Extreme Contemporary (London and New York: Routledge, 1997).Google Scholar
Hill, Leslie Maurice Blanchot and Fragmentary Writing: A Change of Epoch (New York and London: Continuum, 2012).Google Scholar
Hofmannsthal, Hugo von, Der Brief des Lord Chandos. Schriften zur Literatur, Kultur und Geschichte, ed. Mayer, Mathias (Stuttgart: Reclam, 2000).Google Scholar
Hofmannsthal, Hugo von The Lord Chandos Letter, trans. Michael Hofmann (London: Syrens, 1995).Google Scholar
Hölderlin, Friedrich, Poems and Fragments, trans. Michael Hamburger (London: Anvil Press Poetry, 1994).Google Scholar
Horkheimer, Max, and Adorno, Theodor W., Dialectic of Enlightenment, trans. John Cumming (New York and London: Continuum, 1997).Google Scholar
Hutchinson, Ben, Der Erzähler als Schutzengel?’ W. G. Sebald’s Reading of Giorgio Bassani,” Gegenwartsliteratur 6 (2007): 6991.Google Scholar
Hutchinson, Ben Lateness and Modern European Literature (Oxford: Oxford University Press, 2016).Google Scholar
Hutchinson, Ben Modernism and Style (Basingstoke: Palgrave Macmillan, 2011).Google Scholar
Hutchinson, Ben“The Shadow of Resistance: W. G. Sebald and the Frankfurt School,” Journal of European Studies 41 (2011): 267–84.Google Scholar
Hutchinson, Ben W. G. Sebald. Die dialektische Imagination (Berlin and New York: De Gruyter, 2009).Google Scholar
Itkin, Alan, Underworlds of Memory: W. G. Sebald’s Epic Journeys through the Past (Evanston, IL: Northwestern University Press, 2017).Google Scholar
Jabès, Edmond, The Book of Questions: ● El, or the Last Book, trans. Rosmarie Waldrop (Middletown, CT: Wesleyan University Press, 1984).Google Scholar
Jabès, Edmond El, ou le dernier livre (Paris: Gallimard, 1973).Google Scholar
Jabès, Edmond From the Desert to the Book: Dialogues with Marcel Cohen, trans. Pierre Joris (Barrytown, NY: Station Hill Press, 1990).Google Scholar
Jameson, Frederic, Fables of Aggression: Wyndham Lewis, the Modernist as Fascist, illustrated ed. (London and New York: Verso, 2008).Google Scholar
Jameson, Frederic A Singular Modernity: Essay on the Ontology of the Present (London: Verso, 2002).Google Scholar
Jaron, Stephen, Edmond Jabès: The Hazard of Exile (Oxford: Legenda, 2003).Google Scholar
Jaurretche, Colleen, Beckett, Joyce and the Art of the Negative, European Joyce Studies 16 (Amsterdam and New York: Rodopi, 2011).Google Scholar
Jolas, Eugene, “The Revolution of Language and James Joyce,” in Beckett, Samuel et al., Our Exagmination Round His Factification for Incamination of Work in Progress (New York: New Directions, 1962), 7792.Google Scholar
Josipovici, Gabriel, Whatever Happened to Modernism? (New Haven, CT, and London: Yale University Press, 2010).Google Scholar
Joyce, James, Anna Livia Plurabelle (London: Faber & Faber, 1997).Google Scholar
Joyce, James Finnegans Wake (Harmondsworth: Penguin, 2000).Google Scholar
Juliet, Charles, Fouilles, suivi de L’œil se scrute, Approches, Une lointaine lueur (Paris: P.O.L, 1998).Google Scholar
Juliet, Charles Giacometti (Paris: Hazan, 1985).Google Scholar
Juliet, Charles Journal II. 1965–1968 (Paris: Hachette, 1991).Google Scholar
Juliet, Charles Rencontres avec Bram van Velde (Paris: P.O.L, 2016).Google Scholar
Juliet, Charles Rencontres avec Samuel Beckett (Paris: P.O.L, 1999).Google Scholar
Julius, Anthony, T. S. Eliot, Anti-Semitism, and Literary Form (Cambridge: Cambridge University Press, 1995).Google Scholar
Kafka, Franz, Briefe 1902–1924, ed. Brod, Max (Frankfurt am Main: Fischer, 1975).Google Scholar
Kafka, Franz The Castle, trans. Willa and Edwin Muir (New York: Alfred A. Knopf, 1992).Google Scholar
Kafka, Franz The Collected Aphorisms, trans. Malcolm Pasley (London: Syrens, 1994).Google Scholar
Kafka, Franz Collected Stories, ed. Josipovici, Gabriel, trans. Willa and Edwin Muir et al. (New York: Alfred A. Knopf, 1993).Google Scholar
Kafka, Franz The Diaries of Franz Kafka, 1910–1923, ed. Brod, Max, trans. Kresh, Joseph (The Diaries of Franz Kafka 1910–13) and Martin Greenberg, with the cooperation of Hannah Arendt (The Diaries of Franz Kafka 1914–23) (London: Penguin, 1964).Google Scholar
Kafka, Franz Drucke zu Lebzeiten, ed. Koch, Hans-Gerd, Kittler, Wolf, and Neumann, Gerhard (Frankfurt am Main: S. Fischer, 1994).Google Scholar
Kafka, Franz Ein Hungerkünstler. Vier Geschichten (Berlin: Verlag Die Schmiede, 1924).Google Scholar
Kafka, Franz Letters to Friends, Family, and Editors, trans. Richard and Clara Winston (London: John Calder, 1978).Google Scholar
Kafka, Franz Nachgelassene Schriften und Fragmente I, in der Fassung der Handschriften, ed. Pasley, Malcolm (Frankfurt am Main: S. Fischer, 1993).Google Scholar
Kafka, Franz Nachgelassene Schriften und Fragmente II, in der Fassung der Handschriften, ed. Schillemeit, Jost (Frankfurt am Main: S. Fischer, 1992).Google Scholar
Schillemeit, Jost Der Proceß, in der Fassung der Handschrift, ed. Pasley, Malcolm (Frankfurt am Main: S. Fischer, 1990).Google Scholar
Schillemeit, Jost Das Schloß, in der Fassung der Handschrift, ed. Pasley, Malcolm (Frankfurt am Main: S. Fischer, 1982).Google Scholar
Schillemeit, Jost Stories 1904–1924, trans. J. A. Underwood (London: Abacus, 1995).Google Scholar
Schillemeit, Jost Tagebücher, in der Fassung der Handschrift, ed. Koch, Hans-Gerd, Müller, Michael, and Pasley, Malcolm (Frankfurt am Main: S. Fischer, 1990).Google Scholar
Schillemeit, Jost The Trial, trans. Willa and Edwin Muir, rev. E. M. Butler (New York: Alfred A. Knopf, 1992).Google Scholar
Kant, Immanuel, The Critique of Judgement, trans. James Creed Meredith (Oxford: The Clarendon Press, 1952).Google Scholar
Katz, Daniel, Saying “I” No More: Subjectivity and Consciousness in the Prose of Samuel Beckett (Evanston, IL: Northwestern University Press, 1999).Google Scholar
Kennedy, Seán (ed.), Beckett and Ireland (Cambridge: Cambridge University Press, 2010).Google Scholar
Kermode, Frank, The Sense of an Ending: Studies in the Theory of Fiction (Oxford: Oxford University Press, 1968).Google Scholar
Klemperer, Victor, The Language of the Third Reich, trans. Martin Brady (London: Bloomsbury Academic, 2013).Google Scholar
Knowlson, James, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996).Google Scholar
Knowlson, Jamesand Pilling, John, Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett (London: John Calder, 1979).Google Scholar
Koelb, Clayton, Kafka’s Rhetoric: The Passion of Reading (Ithaca, NY: Cornell University Press, 1989).Google Scholar
Kojève, Alexandre, Introduction to the Reading of Hegel: Lectures on “The Phenomenology of Spirit,” ed. Bloom, Allan (Ithaca, NY: Cornell University Press, 1980).Google Scholar
Kristeva, Julia, Powers of Horror: An Essay on Abjection, trans. Leon S. Roudiez (New York: Columbia University Press, 1982).Google Scholar
Kristeva, Julia Revolution in Poetic Language, trans. Louis S. Roudiez (New York: Columbia University Press, 1984).Google Scholar
Kuna, Frank (ed.), On Kafka: Semi-Centenary Perspectives (London: Paul Elek, 1976).Google Scholar
Lacoue-Labarthe, Philippe, Poetry as Experience, trans. Andrea Tarnowski (Stanford, CA: Stanford University Press, 1999).Google Scholar
Laporte, Roger, Études (Paris: P.O.L, 1991).Google Scholar
Laporte, Roger Une vie. La veille – Une voix de fin silence – Pourquoi? – Fugue – Supplément – Fugue 3 – Codicille – Suite – Moriendo. Biographie (Paris: P.O.L, 1986).Google Scholar
Laporte, Rogerand Noël, Bernard, Deux lectures de Maurice Blanchot (Montpellier: Fata Morgana, 1973).Google Scholar
Leavis, F. R., The Critic as Anti-Philosopher: Essays and Papers, ed. Singh, G. (London: Chatto & Windus, 1982).Google Scholar
Leiris, Michel, Glossaire, j’y serre mes gloses, suivi de Bagatelles végétales (Paris: Gallimard “Poésie,” 2014).Google Scholar
Lernout, Geert, “James Joyce and Fritz Mauthner and Samuel Beckett,” in Rathjen, Friedhelm (ed.), In Principle, Beckett Is Joyce (Edinburgh: Split Pea Press, 1994), pp. 21–7.Google Scholar
Levi, Primo, The Drowned and the Saved, trans. Raymond Rosenthal (New York: Summit Books, 1986).Google Scholar
Levinas, Emmanuel, Existence and Existents, trans. Alphonso Lingis (Pittsburgh: Duquesne University Press, 2001).Google Scholar
Lewis, Pericles, The Cambridge Introduction to Modernism (Cambridge: Cambridge University Press, 2007).Google Scholar
Lewis, Wyndham, Hitler (London: Chatto & Windus, 1931).Google Scholar
Lewis, Wyndham The Hitler Cult (London: J. M. Dent, 1939).Google Scholar
Locatelli, Carla, Unwording the World: Samuel Beckett’s Prose After the Nobel Prize (Philadelphia: University of Pennsylvania Press, 1990).Google Scholar
Loevlie, Elizabeth Marie, Literary Silences in Pascal, Rousseau, and Beckett (Oxford: Oxford University Press, 2003).Google Scholar
Lomas, David, The Haunted Self: Surrealism, Psychoanalysis, Subjectivity (New Haven, CT, and London: Yale University Press, 2000).Google Scholar
Long, J. J., “W. G. Sebald: The Anti-Tourist,” in Zisselsberger, Markus (ed.), The Undiscover’d Country: W. G. Sebald and the Poetics of Travel (Rochester, NY: Camden House, 2010), pp. 6391.Google Scholar
Lukács, Georg, The Meaning of Contemporary Realism, trans. John and Necke Mander (London: Merlin, 1963).Google Scholar
Lyon, James K., Paul Celan and Martin Heidegger: An Unresolved Conversation, 1951–1970 (Baltimore: The Johns Hopkins University Press, 2006).Google Scholar
MacCabe, Colin, James Joyce and the Revolution of the Word, 2nd ed. (London and Basingstoke: Macmillan, 2003).Google Scholar
Maclachlan, Ian, Roger Laporte: The Orphic Text (Oxford: Legenda, 2000).Google Scholar
Madaule, Pierre “Grammaire de L’Arrêt de mort,” in Bident, Christophe and Vilar, Pierre (eds.), Maurice Blanchot. Récits critiques (Tours: Éditions Farrago/Éditions Léo Scheer, 2003), 523–45.Google Scholar
Mallarmé, Stéphane, Divagations, trans. Barbara Johnson (Cambridge, MA: The Belknap Press of Harvard University Press, 2007).Google Scholar
Mallarmé, Stéphane Selected Poetry and Prose, ed. Ann Caws, Mary (New York: New Directions, 1982).Google Scholar
Martin, Elaine, Nelly Sachs: The Poetics of Silence and the Limits of Representation (Berlin and Boston: Walter de Gruyter, 2011).Google Scholar
Mauriac, Claude, L’Alittérature contemporaine (Paris: Albin Michel, 1958).Google Scholar
Mauthner, Fritz, Beiträge zu einer Kritik der Sprache, 3 vols. (Leipzig: Felix Meiner, 1923).Google Scholar
McGuinness, Patrick, Maurice Maeterlinck and the Making of Modern Theatre (Oxford: Oxford University Press, 2000).Google Scholar
McMullan, Gordon, and Smiles, Sam (eds.), Late Style and Its Discontents: Essays in Art, Literature, and Music (Oxford: Oxford University Press, 2016).Google Scholar
Mehlman, Jeffrey, Legacies of Anti-Semitism in France (Minneapolis: University of Minnesota Press, 1983).Google Scholar
Meinecke, Dietlind (ed.), Über Paul Celan (Frankfurt am Main: Suhrkamp, 1970).Google Scholar
Mellors, Anthony, Late Modernist Poetics from Pound to Prynne (Manchester: Manchester University Press, 2005).Google Scholar
Miller, Tyrus, Late Modernism: Politics, Fiction and the Arts between the World Wars (Berkeley, Los Angeles, and London: University of California Press, 1999).Google Scholar
Morfee, Adrian, Antonin Artaud’s Writing Bodies (Oxford: Oxford University Press, 2005).Google Scholar
Morin, Emilie, Beckett’s Political Imagination (Cambridge: Cambridge University Press, 2017).Google Scholar
Murdoch, Iris, Metaphysics as a Guide to Morals (London: Chatto & Windus, 1992).Google Scholar
Murray, Ros, Antonin Artaud: The Scum of the Soul, Palgrave Studies in Modern European Literature (Basingstoke: Palgrave Macmillan, 2014).Google Scholar
Nancy, Jean-Luc, The Disavowed Community, trans. Philip Armstrong (New York: Fordham University Press, 2016).Google Scholar
Nietzsche, Friedrich, The Birth of Tragedy and Other Writings, ed. Geuss, Raymond and Spiers, Ronald, trans. Ronald Spiers, Cambridge Texts in the History of Philosophy (Cambridge: Cambridge University Press, 1999).Google Scholar
Nietzsche, Friedrich The Complete Works of Friedrich Nietzsche, 18 vols. (Edinburgh and London: T. N. Foulis, 1909–13).Google Scholar
Nietzsche, Friedrich Untimely Meditations, ed. Breazeale, Daniel, trans. R. J. Hollingdale, Cambridge Texts in the History of Philosophy (Cambridge: Cambridge University Press, 1997).Google Scholar
Nixon, Mark, Samuel Beckett’s German Diaries, 1936–1937 (London: Bloomsbury Academic, 2011).Google Scholar
Nixon, Mark“‘Text-void’: Silent Words in Paul Celan and Samuel Beckett,” in Feldman, Matthew and Nixon, Mark (eds.), Beckett’s Literary Legacies (Newcastle upon Tyne: Cambridge Scholars Publishing, 2007), 152–68.Google Scholar
Noble, C. A. M., Sprachskepsis. Über Dichtung der Moderne (Munich: text und kritik, 1978).Google Scholar
Öhlschläger, Claudia, and Niehaus, Michael (eds.), W. G. Sebald Handbuch. Leben – Werk – Wirkung (Stuttgart: J. B. Metzler, 2017).Google Scholar
Olschner, Leonard, “Poetic Mutations of Silence: At the Nexus of Paul Celan and Osip Mandelstam,” in Fioretos, Aris (ed.), Word Traces: Readings of Paul Celan (Baltimore and London: The Johns Hopkins University Press, 1994), 369–85.Google Scholar
O’Reilly, Edouard Magessa, Samuel Beckett’s “Comment c’est”/“How It Is” and “L’Image”: A Critical Genetic Edition/Une Édition Critico-Génétique (London and New York: Routledge, 2016).Google Scholar
Oser, Lee, The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett (Cambridge: Cambridge University Press, 2011).Google Scholar
Perloff, Marjorie, The Poetics of Indeterminacy: Rimbaud to Cage, new ed. (Evanston, IL: Northwestern University Press, 2000).Google Scholar
Piette, Adam, Remembering the Sound of Words: Mallarmé, Proust, Joyce, Beckett (Oxford: Oxford University Press, 1996).Google Scholar
Pilling, John, Beckett before Godot (Cambridge: Cambridge University Press, 1997).Google Scholar
Pountney, Rosemary, Theatre of Shadows: Samuel Beckett’s Drama 1956–1976 (Gerrards Cross: Colin Smythe, 1988).Google Scholar
Puchner, Martin, Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton, NJ: Princeton University Press, 2005).Google Scholar
Rabaté, Jean-Michel, “Beckett’s Negative Esthetics,” in Jaurretche, Colleen, Beckett, Joyce and the Art of the Negative, European Joyce Studies 16 (Amsterdam and New York: Rodopi, 2011), 181–96.Google Scholar
Rabaté, Jean-Michel Think Pig! Beckett at the Limit of the Human (New York: Fordham University Press, 2016).Google Scholar
Rancière, Jacques, Mallarmé: The Politics of the Siren, trans. Corcoran, Steven (London: Continuum, 2011).Google Scholar
Redman, Tim, Ezra Pound and Italian Fascism (Cambridge: Cambridge University Press, 1991).Google Scholar
Ricks, Christopher, T. S. Eliot and Prejudice (London: Faber & Faber, 1994).Google Scholar
Riha, Karl (ed.), Dada Berlin. Texte, Manifeste, Aktionen (Stuttgart: Philipp Reclam jun., 1977).Google Scholar
Riha, Karl 113 dada Gedichte (Berlin: Klaus Wagenbach, 1982).Google Scholar
Robertson, Ritchie, Kafka: Judaism, Politics, and Literature (Oxford: Clarendon Press, 1985).Google Scholar
Rousset, David, L’Univers concentrationnaire (Paris: Éditions du Pavois, 1946).Google Scholar
Ryland, Charlotte, Paul Celan’s Encounters with Surrealism: Trauma, Translation and Shared Poetic Space (Oxford: Legenda, 2010).Google Scholar
Sachs, Nelly, Collected Poems 1944–1949, trans. Michael Hamburger, Ruth and Matthew Mead, and Michael Roloff (Copenhagen and Los Angeles: Green Integer, 2011).Google Scholar
Sachs, Nelly Fahrt ins Staublose. Gedichte (Frankfurt am Main: Suhrkamp, 1988).Google Scholar
Sachs, Nelly Glowing Enigmas, trans. Michael Hamburger (Portland, OR: Tavern Books, 2013).Google Scholar
Sachs, Nelly Späte Gedichte (Frankfurt am Main: Suhrkamp, 1968).Google Scholar
Said, Edward W., On Late Style (London: Bloomsbury, 2006).Google Scholar
Sartre, Jean-Paul, Situations I. Essais critiques (Paris: Gallimard, 1947).Google Scholar
Sass, Louis A., Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought (New York: HarperCollins, 1992).Google Scholar
Schaffner, Anna Katharina, Exhaustion: A History (New York and London: Columbia University Press, 2016).Google Scholar
Schaffner, Anna Katharina“How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry,” in Scheunemann, Dieter (ed.), Avant-Garde/Neo-Avant-Garde, Avant-Garde Critical Studies (Amsterdam and New York: Rodopi, 2005), 149–72.Google Scholar
Schaffner, Anna Katharina Sprachzerlegung in historischer Avantgardelyrik und konkreter Poesie (Berlin: ECA, 2007).Google Scholar
Schaffner, Anna Katharinaand Weller, Shane (eds.), Modernist Eroticisms: European Literature after Sexology, Palgrave Studies in Modern European Literature (Basingstoke: Palgrave Macmillan, 2012),Google Scholar
Schopenhauer, Arthur, The World as Will and Representation, trans. E. F. J. Payne, 2 vols. (New York: Dover, 1966).Google Scholar
Schulz, Georg-Michael, Negativität in der Dichtung Paul Celans, Studien zur deutschen Literatur, Band 54 (Berlin: Niemeyer, 1977).Google Scholar
Sebald, W. G., After Nature, trans. Michael Hamburger (London: Hamish Hamilton, 2002).Google Scholar
Sebald, W. G. A Place in the Country, trans. Jo Catling (London: Hamish Hamilton, 2013).Google Scholar
Sebald, W. G.“Aufzeichnungen aus Korsika. Zur Natur- und Menschenkunde,” ed. von Bülow, Ulrich, in von Bülow, Ulrich, Gfrereis, Heike, and Strittmatter, Ellen (eds.), Wandernde Schatten. W. G. Sebalds Unterwelt (Marbach am Neckar: Deutsche Schillergesellschaft, 2008), 128209.Google Scholar
Sebald, W. G. Die Ausgewanderten. Vier lange Erzählungen (Frankfurt am Main: Eichborn, 2001).Google Scholar
Sebald, W. G. Austerlitz (Munich and Vienna: Carl Hanser, 2001).Google Scholar
Sebald, W. G. Austerlitz, trans. Anthea Bell (Harmondsworth: Penguin, 2002).Google Scholar
Sebald, W. G. Campo Santo, ed. Meyer, Sven (Munich and Vienna: Carl Hanser, 2003).Google Scholar
Sebald, W. G. Carl Sternheim. Kritiker und Opfer der Wilhelminischen Ära (Stuttgart: W. Kohlhammer Verlag, 1969).Google Scholar
Sebald, W. G. Die Beschreibung des Unglücks. Zur österreichischen Literatur von Stifter bis Handke (Frankfurt am Main: Fischer, 1994).Google Scholar
Sebald, W. G. The Emigrants, trans. Michael Hulse (London: Vintage, 2002), 57.Google Scholar
Sebald, W. G.The Law of Ignominy: Authority, Messianism, and Exile in Kafka’s The Castle,” in Kuna, Frank (ed.), On Kafka: Semi-Centenary Perspectives (London: Paul Elek, 1976), 4258.Google Scholar
Sebald, W. G. Logis in einem Landhaus. Über Gottfried Keller, Johann Peter Hebel, Robert Walser und andere (Frankfurt am Main: Fischer, 2000).Google Scholar
Sebald, W. G. Der Mythus der Zerstörung im Werk Döblins (Stuttgart: Ernst Klett, 1980).Google Scholar
Sebald, W. G. Nach der Natur. Ein Elementargedicht (Frankfurt am Main: Fischer, 1995).Google Scholar
Sebald, W. G. On the Natural History of Destruction, trans. Anthea Bell (New York: The Modern Library, 2004).Google Scholar
Sebald, W. G. Die Ringe des Saturn. Eine englische Wallfahrt (Frankfurt am Main: Eichborn, 2001).Google Scholar
Sebald, W. G. The Rings of Saturn, trans. Michael Hulse (London: Vintage, 2002).Google Scholar
Sebald, W. G. Schwindel. Gefühle (Frankfurt am Main: Eichborn, 2001).Google Scholar
Sebald, W. G.Thanatos. Zur Motivstruktur in Kafkas Schloß,” Literatur und Kritik 8 (1972): 399411.Google Scholar
Sebald, W. G.The Undiscover’d Country: The Death Motif in Kafka’s Castle,” Journal of European Studies 2 (1972): 2234.Google Scholar
Sebald, W. G. Unheimatliche Heimat. Essays zur österreichischen Literatur (Frankfurt am Main: Fischer, 1995).Google Scholar
Sebald, W. G. Vertigo, trans. Michael Hulse (London: Vintage, 2002).Google Scholar
Shenker, Israel, “Moody Man of Letters: A Portrait of Samuel Beckett,” New York Times, May 5, 1956, Section II, 1, 3; reprinted as “An Interview with Beckett,” in Graver, Lawrence and Federman, Raymond (eds.), Samuel Beckett: The Critical Heritage (London: Routledge & Kegan Paul, 1979), 146–9.Google Scholar
Sheppard, Richard, “Dexter–Sinister: Some Observations on Decrypting the Mors Code in the Work of W. G. Sebald,” Journal of European Studies 35:4 (2005): 419–63.Google Scholar
Sheppard, Richard Modernism – Dada – Postmodernism (Evanston, IL: Northwestern University Press, 2000).Google Scholar
Sollers, Philippe, Portraits de femmes (Paris: Fayard, 2013).Google Scholar
Soucy, Robert, Fascist Intellectual: Drieu La Rochelle (Berkeley, Los Angeles, and London: University of California Press, 1992).Google Scholar
Spector, Scott, Prague Territories: National Conflict and Cultural Innovation in Franz Kafka’s Fin de Siècle (Berkeley, Los Angeles, and London: University of California Press, 2000).Google Scholar
Stach, Reiner, Kafka: The Years of Insight, trans. Shelley Frisch (Princeton, NJ: Princeton University Press, 2013).Google Scholar
Steiner, George, After Babel: Aspects of Language and Translation (Oxford: Oxford University Press, 1975).Google Scholar
Steiner, George Real Presences: Is There Anything in What We Say? (London: Faber & Faber, 1989).Google Scholar
Steiner, George Language and Silence (London: Faber & Faber, 1967).Google Scholar
Surette, Leon, Pound in Purgatory: From Economic Radicalism to Anti-Semitism (Urbana and Chicago: University of Illinois Press, 2003).Google Scholar
Szondi, Peter, Celan Studies, trans. Susan Bernofsky with Harvey Mendelsohn (Stanford, CA: Stanford University Press, 2003).Google Scholar
Thévenin, Paule, Antonin Artaud, ce Désespéré qui vous parle (Paris: Seuil, 1993).Google Scholar
Thomas, Merlin, Louis-Ferdinand Céline (London: Faber & Faber, 1979).Google Scholar
Timms, Edward, Karl Kraus: Apocalyptic Satirist: Culture and Catastrophe in Habsburg Vienna (New Haven, CT, and London: Yale University Press, 1986).Google Scholar
Tucker, David, Samuel Beckett and Arnold Geulincx: Tracing “a Literary Fantasia” (London: London: Bloomsbury Academic, 2014).Google Scholar
Tzara, Tristan, Seven Dada Manifestos and Lampisteries, trans. Barbara Wright (London: Calder Publications, 1992).Google Scholar
Vaihinger, Hans, The Philosophy of “As If,” trans. C. K. Ogden (London: Routledge & Kegan Paul, 1924).Google Scholar
Valéry, Paul, La Crise de l’esprit, suivi de Note (ou l’Européen) (Paris: Éditions Manucius, 2016).Google Scholar
Van Hulle, Dirk, “Beckett – Mauthner – Zimmer – Joyce,” in Staley, Thomas F. (ed.), Joyce Studies Annual 10 (Summer 1999): 143–83.Google Scholar
Van Hulle, Dirk“‘Eff it’: Beckett and Language Skepticism,” Sofia Philosophical Review 5:1 (2011): 201–27.Google Scholar
Van Hulle, Dirk James Joyce’s “Work in Progress”: Pre-Book Publications of “Finnegans Wake” Fragments (Abingdon and New York: Routledge, 2016).Google Scholar
Van Hulle, Dirk Manuscript Genetics: Joyce’s Know-How, Beckett’s Nohow (Gainesville: University of Florida Press, 2009).Google Scholar
Van Hulle, Dirk“‘Nichtsnichtsundnichts’: Beckett’s and Joyce’s Transtextual Undoings,” in Jaurretche, Colleen (ed.), Beckett, Joyce and the Art of the Negative, European Joyce Studies 16 (Amsterdam and New York: Rodopi, 2011), 5261.Google Scholar
Jaurretche, Colleen“‘Out of Metaphor”: Mauthner, Richards and the Development of Wakese,” in Van Hulle, Dirk (ed.), James Joyce: The Study of Languages, New Comparative Poetics 6 (Brussels: Peter Lang, 2002), 91118.Google Scholar
Jaurretche, Colleenand Nixon, Mark, Samuel Beckett’s Library (Cambridge: Cambridge University Press, 2013).Google Scholar
Jaurretche, Colleenand Weller, Shane, The Making of Samuel Beckett’s “L’Innommable”/ “The Unnamable” (Antwerp and London: University Press Antwerp/Bloomsbury, 2014).Google Scholar
Weiler, Gershon, Mauthner’s Critique of Language (Cambridge: Cambridge University Press, 1970).Google Scholar
Weisberg, David, Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel (Albany: State University of New York, 2010).Google Scholar
Weller, Shane, “Beckett/Blanchot: Debts, Legacies, Affinities,” in Feldman, Matthew and Nixon, Mark (eds.), Beckett’s Literary Legacies (Newcastle upon Tyne: Cambridge Scholars Publishing, 2007), 2239.Google Scholar
Weller, Shane“Decomposition: Georges Bataille and the Language of Necrophilia,” in Anna Katharina Schaffner and Shane Weller (eds.), Modernist Eroticisms: European Literature after Sexology, Palgrave Studies in Modern European Literature (Basingstoke: Palgrave Macmillan, 2012), 169–94.Google Scholar
Weller, Shane“From ‘Gedicht’ to ‘Genicht’: Paul Celan and Language Scepticism,” German Life and Letters LXIX:1 (January 2016): 7991.Google Scholar
Weller, Shane Literature, Philosophy, Nihilism: The Uncanniest of Guests (Basingstoke: Palgrave Macmillan, 2008).Google Scholar
Weller, Shane Modernism and Nihilism (Basingstoke: Palgrave Macmillan, 2011).Google Scholar
Weller, Shane“On the Principle of Disintegration in the Works of Samuel Beckett,” doctoral thesis, University of Oxford, 1999.Google Scholar
Weller, ShanePerforming the Negative: Kafka and the Origins of Late Modernism,” Modern Language Review 111:3 (July 2016): 775–94.Google Scholar
Weller, Shane A Taste for the Negative: Beckett and Nihilism (Oxford: Legenda, 2005).Google Scholar
Weller, ShaneUnquiet Prose: W. G. Sebald and the Writing of the Negative,” in Baxter, Jeannette, Henetiuk, Valerie, and Hutchinson, Ben (eds.), A Literature of Restitution: Critical Essays on W. G. Sebald (Manchester: Manchester University Press, 2013), 5673.Google Scholar
Weller, Shane“Voidance: Linguistic Negativism in Maurice Blanchot’s Fiction,” French Studies LXIX:1 (January 2015): 3045.Google Scholar
Weller, ShaneThe Word Folly: Samuel Beckett’s ‘Comment dire’ (‘What Is the Word’),” Angelaki: Journal of the Theoretical Humanities 5:1 (2000): 165–80.Google Scholar
Weller, ShaneZu einer Literatur des Unworts. Kafka, Beckett, Sebald,” in Nixon, Mark and Wilm, Jan (eds.), Samuel Beckett und die deutsche Literatur (Bielefeld: transcript, 2013): 123–37.Google Scholar
Wiedemann, Barbara (ed.), Paul Celan – die Goll-Affäre. Dokumente zu einer “Infamie” (Frankfurt am Main: Suhrkamp, 2000).Google Scholar
Windelband, W., Geschichte der abendländischen Philosophie im Altertum, der Altertumswissenschaft, Handbuch, ed. Groedeckemeyer, Albert, 4th ed. (Munich: Beck, 1923).Google Scholar
Windelband, W. A History of Philosophy, with Especial Reference to the Formation and Development of Its Problems and Conceptions (London: Macmillan and Co., 1893).Google Scholar
Wittgenstein, Ludwig, Notebooks 1914–1916, ed. von Wright, G. H. and G. Anscombe, E. M., trans. Anscombe, G. E. M., 2nd ed. (Oxford: Basil Blackwell, 1979).Google Scholar
Wittgenstein, Ludwig Philosophical Remarks, ed. Rhees, Rush, trans. Raymond Hargreaves and Roger White (Oxford: Basil Blackwell, 1975).Google Scholar
Wittgenstein, Ludwig Tractatus Logico-Philosophicus, trans. C. K. Ogden (London: Routledge, 1998).Google Scholar
Wolosky, Shira, Language Mysticism: The Negative Way in Eliot, Beckett, and Celan (Stanford, CA: Stanford University Press, 1995).Google Scholar
Zilcosky, John, Kafka’s Travels: Exoticism, Colonialism, and the Traffic of Writing (New York: Palgrave, 2003).Google Scholar
Zurbrugg, Nicholas, Beckett and Proust (Gerrards Cross: Colin Smythe, 1988).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Shane Weller, University of Kent, Canterbury
  • Book: Language and Negativity in European Modernism
  • Online publication: 05 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108566001.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Shane Weller, University of Kent, Canterbury
  • Book: Language and Negativity in European Modernism
  • Online publication: 05 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108566001.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Shane Weller, University of Kent, Canterbury
  • Book: Language and Negativity in European Modernism
  • Online publication: 05 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108566001.011
Available formats
×