Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-sh8wx Total loading time: 0 Render date: 2024-07-24T00:13:01.309Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

15 - Marshall McLuhan and the Emergence of American Television Theory

from Part III - McLuhan and Technical Media

Angela Krewani
Affiliation:
University of Marburg
Carmen Birkle
Affiliation:
Philipps University of Marburg
Angela Krewani
Affiliation:
Philipps University of Marburg
Martin Kuester
Affiliation:
Philipps University of Marburg
Get access

Summary

As far as the operations of technical mass media were concerned, Marshall McLuhan was one of the first thinkers to offer a theory of modern technical media. His famous saying ‘the medium is the message’ (1964) distracts the cognitive interest from media contents (such as the story of a novel or a film) towards the recognition of the forms of media as structuring and semantic devices. The idea of media-structuring knowledge was completely new to a philosophical hermeneutic and humanist position which had been eager to ignore questions of the technicality of communication and content. Additionally, his understanding of media as ‘bodily extensions’ is a consequence of his notion of media processes and their structuring of a social and cultural order.

Marshall McLuhan developed a set of ideas on media which were contradictory and pointed to various aspects of media and media theory. His various approaches entail the idea of hot and cool media and media as bodily extensions. His remarks on cybernation offer an understanding of the computer as medium of communication long before the communicative and interactive aspects of the computer had been explored and developed.

Three aspects of his media theory will be addressed in the following essay:

  1. His remarks on the bodily aspect of media – he reintroduces the body as a signifying and conceptual device into media theory – opposing the theories of Walter Benjamin and his attitude towards film.

  2. […]

Type
Chapter
Information
McLuhan's Global Village Today
Transatlantic Perspectives
, pp. 177 - 188
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×