Book contents
- Frontmatter
- Contents
- Editorial
- The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
- The Bright Star of the North: James I and his English Coronation
- ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
- Playing the Crucifixion in Medieval Wales
- ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John's College Narcissus
- ‘I Speke so Miche to Ȝow’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
- Early English Spectatorship and the ‘Cognitive Turn’
- The Theatre of the Mind in Late-Medieval England
- Poetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance
- Women and the Performance of Libel in Early-Modern
- Abraham Sacrifiant
- Miscellaneous Endmatter
The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
Published online by Cambridge University Press: 20 April 2017
- Frontmatter
- Contents
- Editorial
- The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion
- The Bright Star of the North: James I and his English Coronation
- ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd
- Playing the Crucifixion in Medieval Wales
- ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John's College Narcissus
- ‘I Speke so Miche to Ȝow’: Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays
- Early English Spectatorship and the ‘Cognitive Turn’
- The Theatre of the Mind in Late-Medieval England
- Poetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance
- Women and the Performance of Libel in Early-Modern
- Abraham Sacrifiant
- Miscellaneous Endmatter
Summary
On 11 June 1634 a splendid heraldic funeral procession took place in the Scottish Borders, culminating in the laying to rest of Walter Scott, first Earl of Buccleuch, in St Mary's Kirk in Hawick. The Earl had died in London from apoplexy almost seven months earlier on 20 November 1633, having recently returned to Britain from military service in Flanders. John McGavin has described heraldic funerals, such as that of the Earl, as being ‘a form of public, socially performative theatre, providing an elaborate spectacle for the onlookers, and self-promotion for the “actors” and their institution (the noble family)’. This paper seeks to explore the evidence for the Earl of Buccleuch's funeral to provide some insight into what the onlookers would have seen and what message the participants in the procession, or ‘actors’, intended to communicate through their performance, while at the same time examining the practical arrangements that had to be made and expenses that were incurred in order to create this grand ceremonial occasion.
Buccleuch's funeral procession was only one of a number of ceremonial funerals in early modern Scotland. The study of such ceremonial has received increasing attention from historians and literary scholars in recent years. Highly regulated affairs, these occasions are noted as having been ‘splendid spectacles’ which drew heavily on the financial resources of the families concerned. They could involve large numbers of participants. For example, at Lord Hugh Fraser's funeral in 1576, the corpse was accompanied to its burial by 2,000 men. Furthermore, the body could be transported long distances, a practice not restricted to Scotland. For example, in the case of early modern France, Vanessa Harding notes the transportation of Maître Jean de l'Aultry, conseiller ordinaire du Roy and vicomte of Levignan and Bèze, from Paris to Bèze near Dijon in 1645. Following the union of the crowns in 1603 the bodies of certain Scots noblemen who had died in England, such as the first Earl of Hume in 1619, the second Marquis of Hamilton in 1624, and the Earl of Stirling in 1640, were transported back to Scotland for burial.
- Type
- Chapter
- Information
- Medieval English Theatre 38The Best Pairt of our Play. Essays presented to John J. McGavin. Part II, pp. 3 - 21Publisher: Boydell & BrewerPrint publication year: 2017