Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- 1 Prelude
- 2 The Enlightenment and Neoclassical Theory
- 3 British Theory in the Eighteenth Century
- 4 Neoclassicism and Historicism
- 5 The Rise of German Theory
- 6 Competing Directions at Midcentury
- 7 Historicism in the United States
- 8 The Arts and Crafts Movements
- 9 Excursus on a Few of the Conceptual Foundations of Twentieth-Century German Modernism
- 10 Modernism 1889–1914
- 11 European Modernism 1917–1933
- 12 American Modernism 1917–1934
- 13 Depression, War, and Aftermath 1934–1958
- 14 Challenges to Modernism in Europe 1959–1967
- 15 Challenges to Modernism in America
- Epilogue
- Notes
- Index
7 - Historicism in the United States
Published online by Cambridge University Press: 25 July 2009
- Frontmatter
- Contents
- List of Illustrations
- Preface
- 1 Prelude
- 2 The Enlightenment and Neoclassical Theory
- 3 British Theory in the Eighteenth Century
- 4 Neoclassicism and Historicism
- 5 The Rise of German Theory
- 6 Competing Directions at Midcentury
- 7 Historicism in the United States
- 8 The Arts and Crafts Movements
- 9 Excursus on a Few of the Conceptual Foundations of Twentieth-Century German Modernism
- 10 Modernism 1889–1914
- 11 European Modernism 1917–1933
- 12 American Modernism 1917–1934
- 13 Depression, War, and Aftermath 1934–1958
- 14 Challenges to Modernism in Europe 1959–1967
- 15 Challenges to Modernism in America
- Epilogue
- Notes
- Index
Summary
The Genius of architecture seems to have shed its maledictions over this land.
Thomas Jefferson (1781)There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion.
Ralph Waldo Emerson (1841)The Tradition of American Classicism
Architectural theory in the United States, as we might expect, was a relatively late developing phenomenon – a philosophical luxury rarely engaged in before the 1840s. But this does not mean that national characteristics in thinking were not evident before this date. If American architecture in the beginning was heavily influenced by the cultural values and historical perspectives of European settlers, it soon exhibited important differences from European architecture, variations forced on it by the new geographic and cultural milieu. For one thing, American architects lacked ready access to the monuments of the past – the architecture of Greece, Rome, the Middle Ages, and the Renaissance – or those models that provided the immediate context for European historical conceptions. Then there were the economic and physical hardships of pioneering life, which quickly tempered the pretensions of European culture with a necessary respect for frugality and practicality. We should also take into account the unspoiled and mostly unpopulated landscape of North America with its large distances and scale, which helped to foster a generally rural or antiurban outlook.
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- Information
- Modern Architectural TheoryA Historical Survey, 1673–1968, pp. 140 - 169Publisher: Cambridge University PressPrint publication year: 2005