Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- 1 Two cultures and an individual: Heart of Darkness and The Ambassadors
- 2 Liberalism and symbolism in Howards End
- 3 Justification, passion, freedom: character in The Good Soldier
- 4 Form's body: Lewis's Tarr
- 5 “The passion of opposition” in Women in Love: none, one, two, few, many
- 6 From the epic To the Lighthouse
- Notes
- Index
Acknowledgements
Published online by Cambridge University Press: 16 September 2009
- Frontmatter
- Contents
- Preface
- Acknowledgements
- 1 Two cultures and an individual: Heart of Darkness and The Ambassadors
- 2 Liberalism and symbolism in Howards End
- 3 Justification, passion, freedom: character in The Good Soldier
- 4 Form's body: Lewis's Tarr
- 5 “The passion of opposition” in Women in Love: none, one, two, few, many
- 6 From the epic To the Lighthouse
- Notes
- Index
Summary
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- Type
- Chapter
- Information
- Modernism and the Fate of IndividualityCharacter and Novelistic Form from Conrad to Woolf, pp. xv - xviPublisher: Cambridge University PressPrint publication year: 1991