Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-18T08:35:09.285Z Has data issue: false hasContentIssue false

1 - Moving Books in Regency London

Published online by Cambridge University Press:  05 March 2014

Helen Groth
Affiliation:
University of New South Wales, Australia
Get access

Summary

Regency London, or the ‘Romantic Metropolis’, has come to be known in recent scholarship as a site of dramatic social and technological transformation. With a population exceeding one million by 1800, a figure that doubled by 1850, no European city compared to its scale or cosmopolitan scope. Describing the radical impact of this social transformation, with its attendant ‘gross and violent stimulants’, Wordsworth wrote:

For a multitude of causes unknown to former times are now acting with a combined force to blunt the discriminating powers of the mind, and unfitting it for all voluntary exertion … the encreasing [sic] accumulation of men in cities, where the uniformity of their occupations produces a craving for extraordinary incident which the rapid communication of intelligence hourly gratifies. To this tendency of life and manners the literature and theatrical exhibitions of the country have conformed themselves .

Networked as never before by new systems of information, dwelling in increasingly confined urban spaces, distracted by novel entertainments that fed off immediate sensation, Wordsworth's Londoners are passive instruments of an insatiable undiscriminating media machine.

Nor was this an atypical response to the sheer density and disorientating accelerations of this new urban life. One of the defining characteristics of London during the Napoleonic wars, as Daniel Headrick observes, was the technological transformation of information systems, such as the telegraphic communication of news, heightening the sense of porous boundaries between nations, as well as minds, as Wordsworth's anxious reflections on the state of modern poetry suggest.

Type
Chapter
Information
Moving Images
Nineteenth-Century Reading and Screen Practices
, pp. 22 - 53
Publisher: Edinburgh University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×