Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-23T21:23:54.353Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Conclusion

Get access

Summary

The diverse corpus of films examined in this book challenges the notion that first-generation Maghrebi women, as a group, constitute a uniformly silent generation and are victims because of their status as immigrant women from a former French colony, Muslim women, or women in a traditionally patriarchal culture. Many of these films do acknowledge in one way or another the disempowered position of some Maghrebi women in France, but, as I have shown in the preceding chapters, a common narrative thread shared by many of the films is how first-generation women confront challenges, seek solutions to problems, take on new responsibilities, and adapt to unfamiliar and sometimes difficult situations.

When considered together, these films encourage further reflection about certain perceptions of Maghrebi women in France, and how these have come about. The films remind us that while terms such as ‘Maghrebi women’, ‘first-generation women’, and ‘Muslim women’ may be used to describe individuals of this particular generation, such words in fact encompass sets of experiences, viewpoints, and personalities that are incredibly diverse and even contradictory at times. For example, these cinematic representations point to notable variations in how Maghrebi women express themselves. They suggest that self-expression can come in many forms, both verbal and non-verbal. As we have seen, first-generation women can certainly be driven to silence for a number of reasons, including a desire not to attract attention to themselves or fear of physical harm, yet, at the same time, silence actually serves as a form of protest or rebellion for some women.

This diversity of representations extends in several other directions. For example, the wide-ranging depictions of Maghrebi women and their families in this film corpus reveal different motivations for migrating to France. While the vast majority of women of this generation came to France as the wives of economic migrants, some films depict various other experiences and scenarios. They suggest that the living conditions the women faced upon their arrival in France (and in the years following) could also vary significantly, ranging from bidonvilles to apartments, rural areas, and urban spaces. The women's ties to their country of origin are also diverse. Some maintain strong ties to their home country, return on a regular basis, and/or plan to move back one day, while others never return and accept that they will always remain in France, with their children.

Type
Chapter
Information
Muslim Women in French Cinema
Voices of Maghrebi Migrants in France
, pp. 173 - 179
Publisher: Liverpool University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×