Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Editorial Apparatus and Critical Notes
- Note on Translations
- List of Abbreviations
- Timeline of Nadia Boulanger’s Life
- Introduction
- Part One Journalism, Criticism, Tributes
- Part Two Lectures, Classes, Broadcasts
- Bibliography of Nadia Boulanger’s Published Writing
- General Bibliography
- Index
“Les Concerts Symphoniques” Spectateur 2, no. 81 (December 17, 1946): 6 (complete text)
Published online by Cambridge University Press: 15 October 2020
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Editorial Apparatus and Critical Notes
- Note on Translations
- List of Abbreviations
- Timeline of Nadia Boulanger’s Life
- Introduction
- Part One Journalism, Criticism, Tributes
- Part Two Lectures, Classes, Broadcasts
- Bibliography of Nadia Boulanger’s Published Writing
- General Bibliography
- Index
Summary
Concerts Reviewed
December 3, 1946 (Palais de Chaillot, Concerts Pasdeloup)
Le Carnaval romain, “Ouverture caractéristique,” op. 9, Hector Berlioz
Grande symphonie funèbre et triomphale, Hector Berlioz
Grande messe des morts (Requiem), Hector Berlioz
December 3, 1946 (Théâtre des Champs-Elysées, solo recital)
Fantasia and fugue, Johann Sebastian Bach
B minor Piano Sonata, Franz Liszt
Mazurkas, op. 50, Karol Szymanowski
Variations, Karol Szymanowski
Nocturne in F-sharp major, op. 111-12, Fryderyk Chopin
Etude in C-sharp minor, op. 10, no. 4, Fryderyk Chopin
Waltz in C-sharp minor, op. 64, no. 2, Fryderyk Chopin
Scherzo in B minor, op. 20, Fryderyk Chopin
December 5, 1946 (Théâtre des Champs-Elysées, UNESCO Festival, Orchestre national)
Symphony no. 2, Roman Palester
Violin Concerto, Karol Szymanowski
Symphonic Variations, Witold Lutoslawski
Harnasie, Karol Szymanowski
December 6, 1946 (Conservatoire, Ars Rediviva)
Sinfonia, Giovanni Battista Pergolesi
Concerto, Georg Philipp Telemann
Dardanus, Jean-Phillipe Rameau
Lied, Philipp Heinrich Erlebach
Air, Giovanni Battista Pergolesi
Violin Concerto, Jean-Marie Leclair
Prélude and Fugue in F-sharp minor, no. 14, BWV 859, Johann Sebastian Bach
Cantata, Bleib bei uns, den es will Aben warden, BWV 6, Johann Sebastian Bach
At the Concerts Colonne, La Damnation de Faust. At the Palais de Chaillot, Berlioz's Requiem. At the Conservatoire, a Mozart festival with the sublime Clarinet Concerto. At the Théâtre des Champs-Elysées, a Malcuzyhski recital with Mazurkas by Szymanowski. At the Salle Gaveau, the Hewitt quartet, with Beethoven's fourth, tenth, and thirteenth quartets. At the public Radiodiffusion concert, Martinù, Mihalovici, Honegger, Harsanyi, Tcherepnin. At the Champs-Elysées, Palester, Szymanowski, Lutosiawski. At the Ecole Normale, Florent Schmitt. At the Salle Gaveau, Ars Rediviva, Handel, Vivaldi, Rameau, Erlebach, Pergolesi, Telemann, C. P. E. Bach, Leclair, J.-S. Bach. At l’Orchestre symphonique de chambre, Francoeur, Couperin, Lalande, Lully, Rameau, Marais, Mouret. At l’Oeuvre artistique française, Titelouze, Lebègue, Gobert, N. de Grigny, Bouzignac, Formé. Works also by A. Tansman, Marcel Landowski, Oubradous. And then, as well, Enescu, Mihalovici, Stan Golestan, Constantinesco.
This enumeration, very incomplete, is however typically representative enough of current musical activity, with its choices, its omissions or limits— its prejudices, perhaps.
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- Information
- Nadia BoulangerThoughts on Music, pp. 247 - 251Publisher: Boydell & BrewerPrint publication year: 2020