Book contents
- Opera Acts
- Series page
- Opera Acts
- Copyright page
- Dedication
- Dedication
- Contents
- Illustrations
- Music examples
- Acknowledgements
- Note and abbreviations
- Introduction: On not singing and singing physiognomically
- 1 Verdi, Victor Maurel, and the operatic interpreter
- 2 Real mezzo: Célestine Galli-Marié as Carmen
- 3 Photographic diva:Massenet, Sibyl Sanderson, and the soprano as spectacle
- 4 Jean de Reszke, the “problem” of the tenor, and early international Wagner performance
- Supporting cast
- Notes
- Bibliography
- Index
Dedication
Published online by Cambridge University Press: 05 January 2015
- Opera Acts
- Series page
- Opera Acts
- Copyright page
- Dedication
- Dedication
- Contents
- Illustrations
- Music examples
- Acknowledgements
- Note and abbreviations
- Introduction: On not singing and singing physiognomically
- 1 Verdi, Victor Maurel, and the operatic interpreter
- 2 Real mezzo: Célestine Galli-Marié as Carmen
- 3 Photographic diva:Massenet, Sibyl Sanderson, and the soprano as spectacle
- 4 Jean de Reszke, the “problem” of the tenor, and early international Wagner performance
- Supporting cast
- Notes
- Bibliography
- Index
- Type
- Chapter
- Information
- Opera ActsSingers and Performance in the Late Nineteenth Century, pp. viiiPublisher: Cambridge University PressPrint publication year: 2015