Book contents
- Frontmatter
- Contents
- Acknowledgements
- Sources of Illustrations
- Series Editors' Preface
- Introduction: “Having Your Nazi Cake and Eating it”
- 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr
- 2 The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris's Fatherland and Ian McEwan‘s Black Dogs
- 3 ‘Fascism’ as Excess and Abjection: Jonathan Littell's The Kindly Ones
- 4 The Good German: The Stauffenberg Plot and its Discontents
- 5 ‘Operation Kino’: Quentin Tarantino's Inglourious Basterds as Meta-cinematic Farce
- Coda
- Bibliography
- Index
Frontmatter
Published online by Cambridge University Press: 05 October 2013
- Frontmatter
- Contents
- Acknowledgements
- Sources of Illustrations
- Series Editors' Preface
- Introduction: “Having Your Nazi Cake and Eating it”
- 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr
- 2 The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris's Fatherland and Ian McEwan‘s Black Dogs
- 3 ‘Fascism’ as Excess and Abjection: Jonathan Littell's The Kindly Ones
- 4 The Good German: The Stauffenberg Plot and its Discontents
- 5 ‘Operation Kino’: Quentin Tarantino's Inglourious Basterds as Meta-cinematic Farce
- Coda
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Our NazisRepresentations of Fascism in Contemporary Literature and Film, pp. i - ivPublisher: Edinburgh University PressPrint publication year: 2013