Book contents
- Frontmatter
- Contents
- List of Contributors
- Editors' Acknowledgments
- 1 Performance and authenticity
- Part I Performance, religion, and authenticity
- 2 The Poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy
- 3 The “confessing animal” on stage: authenticity, asceticism, and the constant “inconstancie” of Elizabethan character
- 4 Art, religion, and the hermeneutics of authenticity
- Part II Understanding, performance, and authenticity
- Part III Authenticity, poetry, and performance
- Index
2 - The Poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy
Published online by Cambridge University Press: 12 November 2009
- Frontmatter
- Contents
- List of Contributors
- Editors' Acknowledgments
- 1 Performance and authenticity
- Part I Performance, religion, and authenticity
- 2 The Poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy
- 3 The “confessing animal” on stage: authenticity, asceticism, and the constant “inconstancie” of Elizabethan character
- 4 Art, religion, and the hermeneutics of authenticity
- Part II Understanding, performance, and authenticity
- Part III Authenticity, poetry, and performance
- Index
Summary
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- Type
- Chapter
- Information
- Performance and Authenticity in the Arts , pp. 15 - 48Publisher: Cambridge University PressPrint publication year: 1999
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