Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- 1 Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time
- 2 A Drone’s-Eye View of History: Francofonia
- 3 The Movie Theatre as Haunted Space: Shirin and 70×70
- 4 Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives
- 5 3D Images at the Edge of History: Goodbye to Language and The Three Disasters
- 6 Voyaging in Deep Time: Voyage of Time: The IMAX Experience
- Notes
- Bibliography
- Index
Notes
Published online by Cambridge University Press: 26 September 2020
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- 1 Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time
- 2 A Drone’s-Eye View of History: Francofonia
- 3 The Movie Theatre as Haunted Space: Shirin and 70×70
- 4 Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives
- 5 3D Images at the Edge of History: Goodbye to Language and The Three Disasters
- 6 Voyaging in Deep Time: Voyage of Time: The IMAX Experience
- Notes
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Persistent ImagesEncountering Film History in Contemporary Cinema, pp. 136 - 140Publisher: Edinburgh University PressPrint publication year: 2020