Book contents
- The Psychology of Contemporary Art
- The Psychology of Contemporary Art
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgements
- Eight major trends in contemporary art
- Part I Introduction
- Part II Brain
- Part III Body
- Part IV World
- 4.1 Does contemporary art situate cognition?
- 4.2 Evaluating situated cognition
- 4.3 Clark’s extended mind
- 4.4 Conceptual blending
- 4.5 Blending time
- 4.6 ‘Invisible’ blends
- 4.7 Extending relational knowledge
- 4.8 The archive as relational knowledge
- 4.9 Performing relational knowledge
- 4.10 From relational aesthetics to relational knowledge
- References
- Index
4.5 - Blending time
from Part IV - World
Published online by Cambridge University Press: 05 October 2013
- The Psychology of Contemporary Art
- The Psychology of Contemporary Art
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgements
- Eight major trends in contemporary art
- Part I Introduction
- Part II Brain
- Part III Body
- Part IV World
- 4.1 Does contemporary art situate cognition?
- 4.2 Evaluating situated cognition
- 4.3 Clark’s extended mind
- 4.4 Conceptual blending
- 4.5 Blending time
- 4.6 ‘Invisible’ blends
- 4.7 Extending relational knowledge
- 4.8 The archive as relational knowledge
- 4.9 Performing relational knowledge
- 4.10 From relational aesthetics to relational knowledge
- References
- Index
- Type
- Chapter
- Information
- The Psychology of Contemporary Art , pp. 280 - 285Publisher: Cambridge University PressPrint publication year: 2013