Book contents
- Frontmatter
- Content
- Note on Terminology
- About the Author
- Acknowledgements
- Preface
- Beyond the Wall
- 1 Reimagining a Black Art Infused Criminology
- 2 The People Speak: The Importance of Black Arts Movements
- 3 Shadow People: Black Crime Fiction as Counter-Narrative
- 4 Staging the Truth: Black Theatre and the Politics of Black Criminality
- 5 Beyond The Wire: The Racialization of Crime in Film and TV
- 6 Strange Fruit: Black Music (Re)presenting the Race and Crime
- 7 Of Mules and Men: Oral Storytelling and the Racialization of Crime
- 8 Seeing the Story: Visual Art and the Racialization of Crime
- 9 Speaking Data and Telling Stories
- 10 Locating the Researcher: (Auto)-Ethnography, Race, and the Researcher
- 11 Towards a Black Arts Infused Criminology
- Bibliography
- Index
9 - Speaking Data and Telling Stories
Published online by Cambridge University Press: 23 December 2021
- Frontmatter
- Content
- Note on Terminology
- About the Author
- Acknowledgements
- Preface
- Beyond the Wall
- 1 Reimagining a Black Art Infused Criminology
- 2 The People Speak: The Importance of Black Arts Movements
- 3 Shadow People: Black Crime Fiction as Counter-Narrative
- 4 Staging the Truth: Black Theatre and the Politics of Black Criminality
- 5 Beyond The Wire: The Racialization of Crime in Film and TV
- 6 Strange Fruit: Black Music (Re)presenting the Race and Crime
- 7 Of Mules and Men: Oral Storytelling and the Racialization of Crime
- 8 Seeing the Story: Visual Art and the Racialization of Crime
- 9 Speaking Data and Telling Stories
- 10 Locating the Researcher: (Auto)-Ethnography, Race, and the Researcher
- 11 Towards a Black Arts Infused Criminology
- Bibliography
- Index
Summary
Chapter summary
The importance of breaking free from the peer review journal and conference circuit within academia requires the creation and production of criminological counter-narratives contesting some of the biased claims made by many white academics and scholars when disseminating research data centring on black criminality. This chapter envisions a way for research data to be seen, heard, and experienced using a frame of reference that is unapologetically black, creative, and accessible to the wider community. ‘Data visualization’ is a technique that is widely used in both academic and corporate circles to present data in visual formats to explore difficult concepts or identify emerging new patterns contained within statistical data.
Context
The narrative potential of presenting research data creatively should offer the possibility of restorying the past and reimagining the future. The importance of creating a more contemporary and culturally competent approach to research data dissemination then became critical. In recognizing that few scholars have attempted to actualize the intersection of research data and the spoken word beyond the academy, the context for this development was set. Research impact centres on the understanding that generating knowledge by conducting research should contribute, benefit, influence, and transform the environment, culture, as well as the the wider society. To do so requires developing innovative approaches to producing knowledge that work alongside disseminating research data/findings using innovative and creative means. For most of my working life I have used creative approaches to my work – storytelling, poetry, theatre, and film in a variety of contexts and situations. However, the real challenge was to investigate how ‘creative dissemination’ of research data would stand up to scrutiny regarding issues concerning ‘validity’ and ‘reliability’. To my delight I discovered ‘bricolage research’. Bricolage research is a critical, multi-perspectival, multi-theoretical and multi-methodological approach to research inquiry. The French word ‘bricoleur’ describes a handyman/woman who makes use of the tools available to complete a task. Bricolage research in essence means unifying multiple qualitative research approaches. For progressive researchers using, a bricolage research approach creates an exciting new proposition.
- Type
- Chapter
- Information
- Reimagining Black Art and CriminologyA New Criminological Imagination, pp. 125 - 138Publisher: Bristol University PressPrint publication year: 2021