Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-68ccn Total loading time: 0 Render date: 2024-07-10T18:52:28.983Z Has data issue: false hasContentIssue false

Conclusion: Always remythologizing? Answering to the Holy Author in our midst

Published online by Cambridge University Press:  04 May 2010

Kevin J. Vanhoozer
Affiliation:
Wheaton College
Get access

Summary

In a manner evident and yet mysterious, the poem or the drama or the novel seizes upon our imaginings. We are not the same when we put down the work as we were when we took it up.

Christian theologians have a ready answer to what for the philosopher is a speculative limit-question: Why is there something rather than nothing? Because God has spoken. God's speaking – a triune work of voice, word, and breath – forms, informs, and transforms the structures, substances, and subjects that make up the created order. God's speech acts cut and connect reality at the metaphysical joints and joists. Reality is divine rhetoric, the universe a poetic work of triune artistry: “God is the author of everything other than Himself.” Any theology that is not a response to revelation is, strictly speaking, irresponsible, in the sense that it is not a response to God's own self-presentation.

Why is there something rather than nothing to do? For the same reason: because God has spoken and continues to speak. God's speaking renders human persons answerable. The triune Author of creation, church, and canon thus bears no resemblance to the absentee Author that James Joyce depicts as wholly removed from his work: “The artist, like the God of creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”

Type
Chapter
Information
Remythologizing Theology
Divine Action, Passion, and Authorship
, pp. 469 - 504
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×