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2 - Home imperial: Wordsworth's London and the spot of time

Published online by Cambridge University Press:  29 September 2009

Saree Makdisi
Affiliation:
University of Chicago
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Summary

“… London, that great cesspool into which all the loungers and idlers of Empire are irresistibly drawn …”

Arthur Conan Doyle, A Study in Scarlet

Universal history was born in cities and reached maturity at the moment of the decisive victory of city over country.

Guy Debord, Society of the Spectacle

There are in our existence spots of time,

That with distinct pre-eminence retain

A renovating virtue, whence, depressed

By false opinion and contentious thought,

Or aught of heavier or more deadly weight,

In trivial occupations, and the round

Of ordinary intercourse, our minds

Are nourished and invisibly repaired;

A virtue, by which pleasure is enhanced,

That penetrates, enables us to mount,

When high, more high, and lifts us up when fallen.

William Wordsworth, The Prelude

Prior to his arrival in London in Book VII of The Prelude, Wordsworth tries to conjure up mental images of the city's various neighborhoods and districts (Vauxhall, Ranelagh, Westminster), as well as of specific buildings and tourist sights (St. Paul's, the Guildhall, the Tower). Once he is swept into London's streets, however, Wordsworth's preconceived spatial distinctions break down and dissolve, to be replaced by the flux of a ceaselessly-changing environment, one that never stops its self-transformations long enough to become a safely knowable, chartable, understandable place.

Type
Chapter
Information
Romantic Imperialism
Universal Empire and the Culture of Modernity
, pp. 23 - 44
Publisher: Cambridge University Press
Print publication year: 1998

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