Book contents
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- 5 Schubert's alchemy: transformative surfaces, transfiguring depths
- 6 Against the grain: the Sonata in G (D. 894) and a hermeneutics of late style
- 7 Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in B♭, D. 960
- 8 Schubert's reconciliation of gothic and classical influences
- 9 The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- Select bibliography
- Index
5 - Schubert's alchemy: transformative surfaces, transfiguring depths
from Part II - The late instrumental music (1): hermeneutics and performance
Published online by Cambridge University Press: 05 April 2016
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- 5 Schubert's alchemy: transformative surfaces, transfiguring depths
- 6 Against the grain: the Sonata in G (D. 894) and a hermeneutics of late style
- 7 Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in B♭, D. 960
- 8 Schubert's reconciliation of gothic and classical influences
- 9 The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- Select bibliography
- Index
Summary
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- Information
- Schubert's Late MusicHistory, Theory, Style, pp. 91 - 110Publisher: Cambridge University PressPrint publication year: 2016