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5 - Greek romanticism comes of age

Published online by Cambridge University Press:  04 August 2010

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Summary

‘When it was a matter of wonder’, Landor wrote, ‘how Keats, who was ignorant of Greek, could have written his ‘Hyperion’, Shelley, whom envy never touched, gave as a reason – “because he was a Greek”.’ This dictum raises a question about the poetry discussed in this book: how, given the fact that modern Greece has acquired Homer from the West, is the modern Greek poet to Helleniʐe the relationship between Homer and himself? Archaism and kleftism were inadequate answers; the local patriotism of Visionary offered the possibility of a new role for Homer; but there was room for a more literary mode of allusion. A particularly self-conscious possibility was to acknowledge the Western contribution to modern Hellenism, as Sikelianos so generously does in ‘Yánnis Keats’ (1915):

A bough Apollo's hand;

a plane-tree's smooth, full bough,

spread above you, may it bring

the ambrosial calm of the universe…

I thought how you would arrive at Pylos' broad, bright shore

in my company,

with Mentor's tall ship gently moored

in the sand's embrace;

how we, bound in the winged friendship of those youths

who fly with the gods,

would go to the stone seats which time

and the folk had made smooth

in order to meet that man who even in the third generation

was governing in peace;

whose discourse of travels and holy judgements matured

in his mind as he grew older… […]

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The Shade of Homer
A Study in Modern Greek Poetry
, pp. 65 - 74
Publisher: Cambridge University Press
Print publication year: 1989

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